tag:blogger.com,1999:blog-23564272397949468472024-03-21T21:51:32.569-07:00Movie directors are ramping up ‘cli-fi’ movies for climate-anxious audiencesThe emerging Hollywood genre of ''cli fi'' continues to capture the world's imagination. This blog serves as media outreach. For more info write: danbloom@gmail.com and see ''THE CLI-FI REPORT'' at http://cli-fi.netUnknownnoreply@blogger.comBlogger149125tag:blogger.com,1999:blog-2356427239794946847.post-29755317890107500962019-11-26T21:57:00.000-08:002020-07-08T21:02:24.019-07:00We're launching a "10-year Hollywood Cli-Fi movies initiative" to get the "cli-fi" term into the ears, eyes, and minds of publishers and major Hollywood players<div class="separator" style="clear: both; text-align: center;">
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We've launched a <span style="color: red;"><strong>"10-year Hollywood Cli-Fi movies initiative"</strong></span> <a href="https://korgw101.blogspot.com/2019/10/cli-fi-essai-by-fabio-deotto-30.html%20//%20I'm%20launching%20a%20%2210-year%20Hollywood%20Cli-Fi%20movies%20initiative%22%20to%20get%20the%20%22cli-fi%22%20term%20into%20the%20ears%20eyes%20and%20minds%20of%20major%20Hollywood%20players">to get the "cli-fi" term into the ears/eyes/minds of major Hollywood players</a>: directors, producers, studio heads, actors, PR units, marketing units, film critics in Hollywood and nationwide, worldwide, casting people, scriptwriters, writers rooms and more.<br />
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<span style="font-size: x-large;"><a href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/">See the initial concept here:</a></span><br />
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<a data-saferedirecturl="https://www.google.com/url?q=https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/&source=gmail&ust=1575262991762000&usg=AFQjCNGhHBqrAirY-m1z1qAff3mgxG0rAQ" href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/" target="_blank">https://www.sdjewishworld.com/<wbr></wbr>2019/11/30/activist-pushes-hol<wbr></wbr>lywood-to-adopt-cli-fi-genre/</a><br />
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<span style="color: red;">READ ALL OF THIS BELOW AND IF INTERESTED AND WANT TO HELP, <a href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/">PLEASE GET N TOUCH </a>WITH US</span> at <a href="mailto:danbloom@gmail.com">danbloom@gmail.com</a><br />
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<a href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/">So I'm launching a "10-year</a> Hollywood <a class="twitter-hashtag pretty-link js-nav" data-query-source="hashtag_click" dir="ltr" href="https://twitter.com/hashtag/CliFi?src=hash"><span style="color: #1b95e0;"><b>Cli-Fi</b></span></a> movies initiative" to get the <a href="http://cli-fi.net/">"cli-fi"</a> term into the ears eyes and minds of major Hollywood players. I need all the help I can get. via social media and this blog. Tweets, FB updates, emails to make cli-fi a genre term that everyone in Hollywood knows by 2030. <br />
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Cli-fi has already caught on in the book publishing world and among literary critics worldwide for novels and short story collections as A LITERARY TERM. This effort was ongoing since 2011 and got a huge boost in 2013 when NPR did a 5 minute radio broadcast titled "It's so hot, it's time for a new literary genre!" <a href="http://npr.org/">GOOGLE IT.</a><br />
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<a href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/">Now my focus for the next 10 years will be on Hollywood, and with the help of many people, cli-fi will catch on as cinema term among Hollywood producers, PR people, directors, actors, scriptwriters, talent agents, Hollywood journalists and film critics. We begin now.</a><br />
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A few notes of interest for your interest:<br />
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A few years ago, I was talking on the phone to veteran TV producer and social activist in Hollywood, Sonny Fox, and I was asking how him criptwriters and directors and producers in Los Angeles and other TV and film capitals around the world can make better use of their expertise and people to turn out more feature shows about climate change themes. Not documentaries, we have enough of them, good ones, too, but real movies, real TV serial dramas, written by people like Aaron Sorkin and produced by people like Marshall Herskovitz and, well, like veteran visionary Sonny Fox. <br />
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While Sonny is retired now at 94, he remains active as a passionate and concerned observer of where the world is headed, especially the world in this Age of Trump. He knows that runaway global warming is a serious issue and he knows that TV and movie producers have the means to address it.<br />
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"It's just a question of getting the right people together and setting up some organizations to work on this issue in Hollywood," the Brooklyn-born Fox tells me. And he's been arond the block a couple of times, many times, in Hollywood and New York. He knows what the game is all about.<br />
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Could we use serial dramas -- narrative TV shows -- for the primary purpose of entertainment that also inspires and educates people about climtae change themes through role modeling? </div>
Sonny says we can. And should.<br />
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There was a big wave of such interest back in the 1970s and 1980s that saw Fox, back then president of the Academy of Television Arts and Sciences, teaming up with such figures as David Poindexter, Miguel Sabido, and Albert Bandura to basically turn the industry’s attention to teaching people about health issues and family planning through mainstream TV. They got involved with Everett Rogers and the three biggest TV networks in the U.S. to do this together with the Center for Disease Control, and their effort is still survived today by the organization Hollywood Health & Society which has a powerful advisory position to the Writer’s Guild of America.<br />
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So Sonny knows of what he speaks.<br />
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"It's important to get TV and movie people involved in climate change discussions," he says. "And to goad them into making TV shows and movies that go right to the heart of the matter: how will future generations fare in a world beset by dire climate situations worldwide -- doughts, floods, wildfires, sea level rise, heat waves."<br />
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Outside of Hollywood and New York, there are groups now in Vermont and China working on these concepts and trying to organize for actions to take, creative actions with movies and TV shows. Storytelling can work wonders. Story can capitivate the human imagination and push the emotional buttons that might result in civic action, at the voting booths and in local communities nationwide.<br />
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<a href="http://newyork.thecityatlas.org/people/marshall-herskovitz/">Then there was a fantastic interview with Marshall Herskovitz the TV and movie producer</a> and writer, Brandeis alum, major Hollywood climate movie activist. Listen to him here:<br />
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<a data-saferedirecturl="https://www.google.com/url?q=http://newyork.thecityatlas.org/people/marshall-herskovitz/&source=gmail&ust=1575018372369000&usg=AFQjCNHGmGJ0c0m69ZLOsNGMMyzRDnNRmw" href="http://newyork.thecityatlas.org/people/marshall-herskovitz/" target="_blank">http://newyork.thecityatlas.<wbr></wbr>org/people/marshall-<wbr></wbr>herskovitz/</a><br />
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><span style="font-weight: 400;">Marshall Herskovitz is an important Hollywood player to watch. A producer, director and screenwriter who has also served as president of the Producers Guild of America (2006 – 2010) his credits include films such as “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/Traffic_(2000_film)&source=gmail&ust=1575018372373000&usg=AFQjCNEETGWX4w2UE58ydXEDXFyTzgi0UA" href="https://en.wikipedia.org/wiki/Traffic_(2000_film)" target="_blank"><span style="color: #0066cc;">Traffic</span></a>,” “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/The_Last_Samurai&source=gmail&ust=1575018372373000&usg=AFQjCNErWbBvvgXlgZUJ4HJ6Cgk7BVFb8A" href="https://en.wikipedia.org/wiki/The_Last_Samurai" target="_blank"><span style="color: #0066cc;">The Last Samurai</span></a>,” and “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/Blood_Diamond_(film)&source=gmail&ust=1575018372373000&usg=AFQjCNEV10zxE85uDzRqW62Z4SdeT1jTFA" href="https://en.wikipedia.org/wiki/Blood_Diamond_(film)" target="_blank"><span style="color: #0066cc;">Blood Diamond</span></a>,” and with his creative partner, Ed Zwick, he created the groundbreaking television series “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/Thirtysomething&source=gmail&ust=1575018372373000&usg=AFQjCNHnl3-dxkF0nYqZT7d-1TpKIDb_ZQ" href="https://en.wikipedia.org/wiki/Thirtysomething" target="_blank"><span style="color: #0066cc;">thirtysomething</span></a>,” “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/My_So-Called_Life&source=gmail&ust=1575018372373000&usg=AFQjCNHan5rRMATbSTeSRuhvuHhlD3OX0Q" href="https://en.wikipedia.org/wiki/My_So-Called_Life" target="_blank"><span style="color: #0066cc;">My So-Called Life</span></a>,” and “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/Once_and_Again&source=gmail&ust=1575018372373000&usg=AFQjCNHDvHHxEoMJmVP9uy8QqV6I1DOzOg" href="https://en.wikipedia.org/wiki/Once_and_Again" target="_blank"><span style="color: #0066cc;">Once And Again</span></a>.” Alongside his career in the film industry, Herskovitz has devoted years to thinking about our society’s climate change problem. </span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;">"I first got into this more than 20 years ago, just by reading the science and getting really terrified. There was a big dividing line before and after “An Inconvenient Truth.” Before “Inconvenient Truth” the issue really was that people were not aware of climate change. After “Inconvenient Truth,” it became more complicated because people were aware of it, but it became much more politicized.," he told an interviewer iat City Atlas n 2015.</span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;">'So, before “Inconvenient Truth,” I was trying myself to put together a large communications campaign to get people aware of it, and I ended up through this weird, flukey thing, testifying in front of a committee in Congress. And basically what I was saying then is what I say now, which is that we are not even remotely on the right scale of what we need to be doing, and that we are all still in denial, and that, except for a small group of very vocal people, even among people who are really on board in terms of moving to combat climate change we aren’t really thinking about what we have to do. The only analogy for what we have to do is a World War Two-style mobilization.''</span><br /><br />When asked if he thinks that Hollywood can create the narratives that needed to prod people to take action, Herskovitz said <span style="color: red;">yes</span>.<br /><br /><span style="font-weight: 400;"><span style="color: red;">''Yes, we have the professionals who could do it. We have the professionals who could create the stories. Absolutely.</span> ''</span><br /><br /><span style="font-weight: 400;">''I live in mass communications. I live or die by whether millions of people come and pay to see my product, and advertisers, the big advertising agencies, live or die by whether they get millions of people to respond, and that’s where the communications have to come from, and that costs a lot of money! Because you’re talking about television buys, and you’re talking about the kinds of marketing efforts that I’ve seen happen scores of times in my business. Where, for instance, we make a movie, nobody’s ever heard of that movie, you know? We then take 30, 40 million dollars and four weeks later, 96% of Americans know all about it. This is a very well established discipline, advertising and marketing, it just hasn’t been applied to this. So, that’s, to me, what still needs to be done. ''</span><br /><span style="font-weight: 400;"><br /></span><br /><span style="font-weight: 400;">''We are seeing that the tide is turning in America, there’s no question about it. There’s no question that a majority of Americans believe that one, climate change is real, two, it’s caused by humans, and three, that we need to do something about it.''</span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;">''I sort of keep track of these numbers, and basically, about 20-25% of Americans think it’s an emergency. And then there’s another 40% who think that we have to do something, but they don’t know what to do and they feel overwhelmed and so they don’t really deal with it in their lives. And then, on the other side, there’s another 35% who either don’t believe, don’t care, and a smaller percentage of them are actively opposed. But about 65% of Americans think we gotta do something, it’s just that we need a much bigger percentage of those people to become active. We have to make it possible for them to do something about it. Right now, they go, “It doesn’t matter what I do, you know? Even if America acts, what’s China gonna do? What’s India gonna do?” It’s changing that perception, and there are ways to do that. ''</span><br /><br /><span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;">''Most millennials grew up, I think, feeling like there were a lot of things in the world that were really awful that they couldn’t do anything about, and so many kids have said to me it’s so hard to see what the future’s going to be like, and there really wasn’t a belief that there was going to be a great future. And that’s upsetting. So, I wish I saw that zeal, that sense of omnipotence, that we are going to change the world, we are going to make the world do what we want it to do. I wish I saw that, because, boy that’s what we need. ''</span></span></strong></span><br /><span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"></span></span></strong></span><br /><span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"><a href="http://newyork.thecityatlas.org/people/marshall-herskovitz/">Listen to Marshall Herskovitz</a>.. He is on Twitter now at <span style="color: blue;">@MarshallHerskovitz</span></span></span></strong></span><br /><span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="color: blue;"></span></span></span></strong></span><br /><span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="color: blue;">HIS CITY ATLAS INTERVIEW FROM 2015 is HERE:</span></span></span></strong></span><br /><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"><a data-saferedirecturl="https://www.google.com/url?q=http://newyork.thecityatlas.org/people/marshall-herskovitz/&source=gmail&ust=1575018372369000&usg=AFQjCNHGmGJ0c0m69ZLOsNGMMyzRDnNRmw" href="http://newyork.thecityatlas.org/people/marshall-herskovitz/" target="_blank">http://newyork.thecityatlas.<wbr></wbr>org/people/marshall-<wbr></wbr>herskovitz/</a></span></span></span><br /><span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="color: blue;"></span></span></span></strong></span><br /><span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="color: blue;"></span></span></span></strong></span><br /><span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="color: blue;">THEN there's CNN producer and reporter Jen Christensen who wrote a very good piece on how cli-fi can make a difference in Hollywood, see link here:</span></span></span></strong></span><br /><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"><a data-saferedirecturl="https://www.google.com/url?q=https://www.cnn.com/2019/02/08/world/climate-change-movies-eprise/index.html&source=gmail&ust=1575018375756000&usg=AFQjCNGfyzHr30LosK4tdF3xWW3JBwFr3w" href="https://www.cnn.com/2019/02/08/world/climate-change-movies-eprise/index.html" target="_blank">https://www.cnn.com/2019/02/<wbr></wbr>08/world/climate-change-<wbr></wbr>movies-eprise/index.html</a></span></span></span><br /><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"></span></span></span><br /><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"></span></span></span></span><br />
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"> Cli-fi (climate fiction) on the big screen changes minds about real climate change</span></span></span></span></h1>
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"><a href="https://edition.cnn.com/profiles/jen-christensen"></a></span></span></span></span><br />
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"><a href="https://edition.cnn.com/profiles/jen-christensen"><img alt="" class="media__image" src="https://cdn.cnn.com/cnnnext/dam/assets/170609154042-jen-christensen-no-glasses-small-11.jpg" /></a></span></span></span></span></div>
<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"><a href="https://edition.cnn.com/profiles/jen-christensen"></a></span></span></span></span><br />
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"><span class="metadata__byline__author">By <a href="https://edition.cnn.com/profiles/jen-christensen"><span style="color: #006598;">Jen Christensen</span></a>, CNN</span></span></span></span></span></div>
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"><span class="metadata__byline__author"><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"><a data-saferedirecturl="https://www.google.com/url?q=https://www.cnn.com/2019/02/08/world/climate-change-movies-eprise/index.html&source=gmail&ust=1575018375756000&usg=AFQjCNGfyzHr30LosK4tdF3xWW3JBwFr3w" href="https://www.cnn.com/2019/02/08/world/climate-change-movies-eprise/index.html" target="_blank">https://www.cnn.com/2019/02/<wbr></wbr>08/world/climate-change-<wbr></wbr>movies-eprise/index.html</a></span></span></span></span></span></span></span></span></div>
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><strong><span style="font-size: x-large;"> February 8, 2019</span></strong> </span></div>
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;">AND POST-SCRIPT: December 1, 2019</span></div>
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;">I communicated with Hollywood director and producer <strong><a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html">Daniel Hinerfeld</a></strong> who also work with NRDC in Los Angeles and he told my in a recent email in reply to my letter introducing myself and my work with cli-fi:</span></div>
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><em><strong>''Hi Dan,</strong></em></span></div>
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><a href="http://cli-fi.net/"><em><strong>''Cli-fi</strong></em></a><em><strong> is a brilliant term..... I just started perusing your </strong></em><a href="http://cli-fi.net/"><em><strong>website</strong></em></a><em><strong>. It’s very useful and I’ll share it with a few folks. Thank you for your efforts.''<u></u><u></u></strong></em></span></div>
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><em><strong><a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html">''I’ve attached some info on a panel we hosted</a> on November 19 in Los Angeles called </strong></em><a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html"><em><strong>Hollywood Takes on the Climate Crisis.</strong></em></a><em><strong> It was panel discussion with four writers (two of whom are also actors), whose shows have dealt with climate change. We got a big reaction from Hollywood creative professionals -- well over 200 RSVPs. ''</strong></em></span></div>
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html">https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html</a></span></div>
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<span style="font-size: x-large;">ADDITIONAL INFO AND LINK HERE:</span><br />
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<a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html">''Hollywood Takes on the Climate Crisis'':</a> An Event That Took Place on November 19th 2019 with panelists Alex Maggio, Donte Clark, Dorothy Fortenberry, Glenn Howerton and others (see LINK and graphic for credits)<br />
<a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html">https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html</a><br />
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'The Commons' is an 8-part cli-fi drama series that depicts a climate-ravaged Australia of the not-so-distant future. Starts on Christmas Day 2019 in Australia. <a href="https://korgw101.blogspot.com/2019/10/maja-lunde-far-sin-del-av-ren-for-ha.html">https://korgw101.blogspot.com/2019/10/maja-lunde-far-sin-del-av-ren-for-ha.html</a><br />
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<span style="font-size: x-large;">OPED by Dan Bloom</span><br />
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Dear Hollywood Producers, Directors, Writers, Actors: It’s Time To Shed Some "Lights, Camera Action!" On Climate Change Issues, Too<br />
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Forget sci-fi...cli-fi is the terrifying theme of many new novels </h3>
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and movies, says GOOGLE SEARCH. </h3>
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Go look and see <a href="https://cli-fi-books.blogspot.com/2019/11/noam-chomsky-anecdote-thanks-to.html"><span style="color: #336699;">here!</span></a></h3>
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<a href="https://cli-fi-books.blogspot.com/2019/11/noam-chomsky-anecdote-thanks-to.html"><span style="color: #336699;">https://cli-fi-books.blogspot.com/2019/11/noam-chomsky-anecdote-thanks-to.html</span></a></div>
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<span style="color: red; font-size: xx-small;">Dear Hollywood Producers, Directors, Writers, Actors: It’s Time To Shed Some "Lights, Camera Action!" On Climate Change Issues, Too</span></h2>
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Hollywood, the land of dreams and the boulevard of tentpole marketing campaigns. do something! With a plethora of films with boffo box office revenues annually, not one decent motion picture made on the burning - literally - topic of our age: climate change. </div>
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I mean Hollywood, California is on fire in 2019! Get with the program!</div>
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But for the most part, Hollywood relies on a false sense of escape instead of realism to survive and prosper. </div>
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Hollywood has slowly and steadily moved from the fantasy culture to more relatable and realistic cinema based on historical events, believable science fiction, and, most importantly, the day-to-day life of the audiences. But in terms of making <a href="http://cli-fi.net/"><span style="color: #336699;">cli-fi</span></a> movies with important themes and A-List actors, there is still much work that needs to be done.</div>
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Ask Marshall Herskovitz, ask Sonny Fox, <a href="http://cli-fi.net/"><span style="color: #336699;">ask me!</span></a></div>
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One of the worst victims of Hollywood’s gross neglect of our society’s truth - other than people’s intelligence – has been runaway climate change risks. Whether or not, we as a society, indulge in measures to manage climate change, and the harmful effects of global warming, we all know one reality; that we have irreversibly damaged our ecosystem in the past, in a way that our ancestors couldn’t do in close to five millennia.</div>
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Almost everyone knows that the sea levels are rising, precipitation has become scarce, and the global temperatures continue to increase by the day. We, however, conveniently ignore the naked truth to live an apparently ignorant existence. Ask Greta Thunberg.There is no surprise then, that American and UK pop culture too, very skillfully ignores the topic of climate change, and doesn’t depict it at all on the silver screen.</div>
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<span style="color: #333333;">Look at the history of the Film Industry, and you’ll realise that few viable movies or documentaries have been made on the harmful effects of climate change and global warming. When in the 2000s, Hollywood was making movies like The Core (2003) and The Day After Tomorrow (2004), starring top Hollywood superstars, things started to look promising. Leonardo DiCaprio even gave a shout out to cli-fi in one of his Oscar acceptance speeches. But sadly, the handful of cli-fi movies that have indeed been made on climate change can be counted on one hand.</span><span style="color: red;"> [Listen to the sound of one hand clapping!]</span></div>
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<figure aria-describedby="caption-attachment-520821" class="wp-caption aligncenter" id="attachment_520821" style="box-sizing: border-box; color: #333333; margin: 0px auto; max-width: 100%; width: 600px;"><span style="font-family: 新細明體;"><i>''So I ask the big studios of Hollywood: Isn’t the cli-fi genre a relatable issue? Isn’t this something that the entertainment industry should invest in?''</i></span></figure><figure aria-describedby="caption-attachment-520821" class="wp-caption aligncenter" id="attachment_520821" style="box-sizing: border-box; color: #333333; margin: 0px auto; max-width: 100%; width: 600px;"><span style="font-family: inherit;"><br /></span></figure><br />
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Why is the American motion picture industry only a moneymaking venture? Where did the days go when a screen artist wanted art and social commentary?. We stand witness to the horrors that humans, animals, and nature have to undergo every day due to the damage we have done to our surroundings. What about them? Don’t they deserve their time on the infamous silver screen, too?</div>
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In fact, the thick smog of negligence and nature’s plight has gradually moved from the rural areas to the cities we live in. Wildfires, floods, killer hurricanes. </div>
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Hell, why not make a cli-fi movie on that?</div>
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DearHollywood, as Bob Dylan said long ago, the times are changing, and it is imperative that we change with it. Global Warming is no longer a ghost story mothers use to scare their children to sleep. Climate change is here and now.</div>
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Temperatures are climbing by the day, and sea levels are rising by the hour. Every year crops fail. And more of "America The Beautiful" becomes clouded by smog. If not for yourself, do it for your children’s health.</div>
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Dumb or dumber, we can’t deny the fact that Hollywood and its equivalent TV facets in other parts of the country are trendsetters. What they show on screen is what society follows and believes. Behind a small line of seemingly intelligent people, there are hordes of people who worship the actors and actresses as living gods, and goddesses. Distractions. A movie made on the right topic can hit the issue in the heart and make sure that people understand the gravity of the situation.</div>
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The human mind is a fickle thing, and it doesn’t work on fear. To make people more aware, and most importantly, more effortful and involved in the effort to reverse climate change, we have to indulge them in a personal way. We have to show the audience what happens when a farmers loses their crops and their land to floods caused by climate change. What happens when the climbing temperatures force climate refugees worldwide to change their homes and uproot their lives. Roland Emmerich is planning a movie of this theme right now, for release in 2025. Hollywood boys and girls, show audiences in the 2020s and 2030s how Mother Earth has done nothing except giving us food, water, and shelter all its life and in return, has received only suffering from the humans who inhabit this Earth's surface.</div>
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See also: ''The Cli-Fi Report'': <a href="http://www.cli-fi.net/"><span style="color: #336699;">www.cli-fi.net</span></a></div>
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And what better way to package all these dreadful and eye-opening scenes than cinema. If mainstream movies and big actors like Leonardo DiCaprio and Arnold and Stallone and Meryl Streep can be cast in some good cli-fi movies in the future about climate change, the responses of our bankable Hollywood stars will go all the way from utter ignorance to asking what they can do about it. You can do a lot if you try, Hollywood movers and shakers!</div>
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Think about it. Cli-fi movies are here to stay. Start making more of them!<br />
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<span style="font-size: x-large;">FROM</span><a href="http://thewrap.com/"><span style="font-size: x-large;"> THEWRAP.COM</span></a><span style="font-size: x-large;"> in Hollywood</span><br />
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<u><span style="color: #0066cc;">In a Warming World, ‘Cli-Fi’ Is Here to Stay </span></u> <span class="byline">By <a href="https://www.thewrap.com/author/admin/">Dan Bloom</a> | May 3, 2013 @ 10:25 AM</span><br />
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Guest blog: For now, most cli-fi movies and novels are just old-fashioned yarns, so there's nothing to be afraid of — but it doesn't take a rocket scientist to understand that climate chaos is going to have a chilling impact on the entire planet</div>
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<li class="post-list-item"><article class="post-list-post post-355597 post type-post status-publish format-standard has-post-thumbnail hentry category-dan-bloom category-category-hollyblog tag-anne_hathaway tag-christopher_nolan tag-matthew_mcconaughey tag-michael_caine"><a class="imagelink" href="https://www.thewrap.com/interstellar-may-be-a-cli-fi-classic-guest-blog/"><img alt="Interstellar" class="image small-thumb wp-post-image" data-has-syndication-rights="1" data-portal-copyright="TheWrap" height="80" sizes="(max-width: 110px) 100vw, 110px" src="https://www.thewrap.com/wp-content/uploads/2014/09/matthew-mcconaughey-interstellar-new-poster-110x80.jpg" srcset="https://www.thewrap.com/wp-content/uploads/2014/09/matthew-mcconaughey-interstellar-new-poster-110x80.jpg 110w, https://www.thewrap.com/wp-content/uploads/2014/09/matthew-mcconaughey-interstellar-new-poster-90x65.jpg 90w" width="110" /> </a><div class="post-info">
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<a class="link postheadlinelink" href="https://www.thewrap.com/interstellar-may-be-a-cli-fi-classic-guest-blog/">‘Interstellar’ May be a ‘Cli-fi’ Classic (Guest Blog) </a> </h2>
<span class="byline">By <a href="https://www.thewrap.com/author/carly-milne/">Dan Bloom</a> | October 9, 2014 @ 11:37 AM</span><br />
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Christopher Nolan’s new film is helping usher in a new and timely genre classification</div>
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<li class="post-list-item"><article class="post-list-post post-330185 post type-post status-publish format-standard has-post-thumbnail hentry category-awards category-category-business category-dan-bloom category-category-hollyblog category-movies tag-chris_evans tag-matthew_mcconaughey tag-russell_crowe tag-tilda_swinton"><a class="imagelink" href="https://www.thewrap.com/hollywoods-climate-themed-movies-getting-own-awards-show-guest-blog/"><img alt="Russell Crowe in "Noah"" class="image small-thumb wp-post-image" data-has-syndication-rights="1" data-portal-copyright="TheWrap" height="80" sizes="(max-width: 110px) 100vw, 110px" src="https://www.thewrap.com/wp-content/uploads/2014/08/noah-140819-110x80.jpeg" srcset="https://www.thewrap.com/wp-content/uploads/2014/08/noah-140819-110x80.jpeg 110w, https://www.thewrap.com/wp-content/uploads/2014/08/noah-140819-90x65.jpeg 90w" width="110" /> </a><div class="post-info">
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<a class="link postheadlinelink" href="https://www.thewrap.com/hollywoods-climate-themed-movies-getting-own-awards-show-guest-blog/"> Hollywood’s Climate-Themed Movies Getting Own Awards Show (Guest Blog) </a> </h2>
<span class="byline">By <a href="https://www.thewrap.com/author/wrap-staff/">Dan Bloom</a> | August 20, 2014 @ 8:10 AM</span><br />
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The Cli Fi Movie Awards will launch online in early 2015 with ten categories, including best movie, best marketing campaign, and most in tune with current affairs</div>
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<li class="post-list-item"><article class="post-list-post post-239602 post type-post status-publish format-standard has-post-thumbnail hentry category-dan-bloom category-category-hollyblog category-media tag-darren_aronofsky tag-ian-mcewan tag-noah"><a class="imagelink" href="https://www.thewrap.com/guest-blog-2/"><img alt="" class="image small-thumb wp-post-image" data-has-syndication-rights="1" data-portal-copyright="TheWrap" height="80" sizes="(max-width: 110px) 100vw, 110px" src="https://www.thewrap.com/wp-content/uploads/2013/12/New_York_Times_Building-110x80.jpg" srcset="https://www.thewrap.com/wp-content/uploads/2013/12/New_York_Times_Building-110x80.jpg 110w, https://www.thewrap.com/wp-content/uploads/2013/12/New_York_Times_Building-90x65.jpg 90w" width="110" /> </a><div class="post-info">
<h2 class="title">
<a class="link postheadlinelink" href="https://www.thewrap.com/guest-blog-2/"> New York Times Rides Growing Wave of Climate Fiction (Guest Blog) </a> </h2>
<span class="byline">By <a href="https://www.thewrap.com/author/admin/">Dan Bloom</a> | April 1, 2014 @ 1:16 PM</span><br />
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With a University of Oregon professor teaching Cli-Fi fiction, the genre is becoming more than just a trend</div>
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<li class="post-list-item"><article class="post-list-post post-96721 post type-post status-publish format-standard hentry category-dan-bloom category-david-bloom category-media tag-isaac-asimov"><div class="post-info">
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<a class="link postheadlinelink" href="https://www.thewrap.com/sci-fi-cli-fi-we-all-cry-end-nigh-96721/"> Sci-Fi, Cli-Fi, We All Cry: the End Is Nigh </a> </h2>
<span class="byline">By <a href="https://www.thewrap.com/author/admin/">Dan Bloom</a> | June 12, 2013 @ 12:19 PM</span><br />
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Guest blog: Unlike sci-fi, cli-fi writing for movie scripts and novels comes primarily from a place of warning rather than discovery</div>
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<li class="post-list-item"><article class="post-list-post post-369054 post type-post status-publish format-standard has-post-thumbnail hentry category-awards category-dan-bloom category-category-hollyblog category-movies tag-cli-fi-movie-awards tag-cliffies tag-darren_aronofsky tag-ed_harris tag-elle_fanning tag-into-the-storm tag-noah tag-robert_pattinson tag-snowpiercer tag-the_rover tag-tilda_swinton tag-twilight"><a class="imagelink" href="https://www.thewrap.com/darren-aronofsky-bags-best-screenplay-director-nods-at-cli-fi-awards/"><img alt="Robert Pattinson in "The Rover" / Russell Crowe in "Noah" / Tilda Swinton in "Snowpiercer"" class="image small-thumb wp-post-image" data-has-syndication-rights="1" data-portal-copyright="TheWrap" height="80" sizes="(max-width: 110px) 100vw, 110px" src="https://www.thewrap.com/wp-content/uploads/2014/11/robert-pattinson-noah-tilda-swinton-141102-110x80.jpg" srcset="https://www.thewrap.com/wp-content/uploads/2014/11/robert-pattinson-noah-tilda-swinton-141102-110x80.jpg 110w, https://www.thewrap.com/wp-content/uploads/2014/11/robert-pattinson-noah-tilda-swinton-141102-90x65.jpg 90w" width="110" /> </a><div class="post-info">
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<a class="link postheadlinelink" href="https://www.thewrap.com/darren-aronofsky-bags-best-screenplay-director-nods-at-cli-fi-awards/"> Darren Aronofsky Bags Best Screenplay, Director Nods at ‘Cli-Fi’ Awards (Guest Blog) </a> </h2>
<span class="byline">By <a href="https://www.thewrap.com/author/wrap-staff/">Dan Bloom</a> | November 3, 2014 @ 8:00 AM</span><br />
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Online climate-based awards also honor Robert Pattinson, Tilda Swinton, Elle Fanning, Ed Harris and Jake Paltrow</div>
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<li class="post-list-item"><article class="post-list-post post-258371 post type-post status-publish format-standard has-post-thumbnail hentry category-dan-bloom category-category-hollyblog tag-christopher_nolan tag-john_travolta tag-snowpiercer tag-steve_tisch tag-thomas_tull"><a class="imagelink" href="https://www.thewrap.com/cli-fi-rising-new-hollywood-heights/"><img alt="Godzilla_tv-spot-featured" class="image small-thumb wp-post-image" data-has-syndication-rights="1" data-portal-copyright="TheWrap" height="80" sizes="(max-width: 110px) 100vw, 110px" src="https://www.thewrap.com/wp-content/uploads/2014/04/Godzilla_tv-spot-featured-110x80.jpg" srcset="https://www.thewrap.com/wp-content/uploads/2014/04/Godzilla_tv-spot-featured-110x80.jpg 110w, https://www.thewrap.com/wp-content/uploads/2014/04/Godzilla_tv-spot-featured-90x65.jpg 90w" width="110" /> </a><div class="post-info">
<h2 class="title">
<a class="link postheadlinelink" href="https://www.thewrap.com/cli-fi-rising-new-hollywood-heights/">‘Cli Fi’ Rising to New Hollywood Heights (Guest Blog) </a> </h2>
<span class="byline">By <a href="https://www.thewrap.com/author/admin/">Dan Bloom</a> | May 13, 2014 @ 8:17 PM</span><br />
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“Godzilla” and other cli-fi blockbusters are gently pushing the emerging genre into the spotlight</div>
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<li class="post-list-item"><article class="post-list-post post-189170 post type-post status-publish format-standard has-post-thumbnail hentry category-dan-bloom category-category-hollyblog tag-anthony_hopkins tag-emma_watson tag-russell_crowe"><a class="imagelink" href="https://www.thewrap.com/aronofskys-noah-set-flood-cli-fi-zone-guest-blog/"><img alt="" class="image small-thumb wp-post-image" data-has-syndication-rights="1" data-portal-copyright="TheWrap" height="80" sizes="(max-width: 110px) 100vw, 110px" src="https://www.thewrap.com/wp-content/uploads/2013/12/noahposter-cropped-110x80.jpg" srcset="https://www.thewrap.com/wp-content/uploads/2013/12/noahposter-cropped-110x80.jpg 110w, https://www.thewrap.com/wp-content/uploads/2013/12/noahposter-cropped-90x65.jpg 90w" width="110" /> </a><div class="post-info">
<h2 class="title">
<a class="link postheadlinelink" href="https://www.thewrap.com/aronofskys-noah-set-flood-cli-fi-zone-guest-blog/"> Darren Aronofsky’s ‘Noah’ Set to Flood ‘Cli Fi’ Zone (Guest Blog) </a> </h2>
<span class="byline">By <a href="https://www.thewrap.com/author/admin/">Dan Bloom </a> | December 6, 2013 @ 7:08 PM</span><br />
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Climate fiction is hotter than ever in the aftermath of real-life disasters Super Typhoon Haiyan and Superstorm Sandy</div>
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<li class="post-list-item"><article class="post-list-post post-276240 post type-post status-publish format-standard has-post-thumbnail hentry category-awards category-dan-bloom category-category-hollyblog tag-field_of_dreams tag-steve_tisch"><a class="imagelink" href="https://www.thewrap.com/cliffies-award-to-honor-films-about-climate-change-and-global-warming-guest-blog/"><img alt="" class="image small-thumb wp-post-image" data-has-syndication-rights="1" data-portal-copyright="TheWrap" height="80" sizes="(max-width: 110px) 100vw, 110px" src="https://www.thewrap.com/wp-content/uploads/2014/05/godzilla-sunday-110x80.jpg" srcset="https://www.thewrap.com/wp-content/uploads/2014/05/godzilla-sunday-110x80.jpg 110w, https://www.thewrap.com/wp-content/uploads/2014/05/godzilla-sunday-90x65.jpg 90w" width="110" /> </a><div class="post-info">
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<a class="link postheadlinelink" href="https://www.thewrap.com/cliffies-award-to-honor-films-about-climate-change-and-global-warming-guest-blog/">‘Cliffies’ Award to Honor Films About Climate Change and Global Warming (Guest Blog) </a> </h2>
<span class="byline">By <a href="https://www.thewrap.com/author/wrap-staff/">Dan Bloom</a> | June 18, 2014 @ 12:58 PM</span><br />
<div class="excerpt">
Preliminary planning is underway for “Cli-Fi Movie Awards”</div>
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<article class="post-list-post post-276240 post type-post status-publish format-standard has-post-thumbnail hentry category-awards category-dan-bloom category-category-hollyblog tag-field_of_dreams tag-steve_tisch">
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<li class="post-list-item"><u><span style="color: #0066cc;">Global Heating Novel ‘Polar City Red’ Would Make a Cool Movie </span></u> <span class="byline">By <a href="https://www.thewrap.com/author/admin/">Dan Bloom</a> | March 20, 2012 @ 10:38 AM</span><br />
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GUEST BLOG: Jim Laughter paints a chilling portrait of a dystopian future in his novel ‘Polar City Red,” which is likely to draw fire from the right and the left </div>
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<li class="post-list-item"><article class="post-list-post post-726094 post type-post status-publish format-standard has-post-thumbnail hentry category-dan-bloom category-category-hollyblog category-news tag-bonnie-bedelia tag-cbs tag-craig-t-nelson tag-james-henerson tag-marshall_herskovitz tag-schneider"><a class="imagelink" href="https://www.thewrap.com/climate-change-cbs-tv-movie-predict-craig-nelson-bonnie-bedelia-fire-next-time/"><img alt="Craig T. Nelson - The Fire Next Time" class="image small-thumb wp-post-image" data-has-syndication-rights="1" data-portal-copyright="TheWrap" height="80" sizes="(max-width: 110px) 100vw, 110px" src="https://www.thewrap.com/wp-content/uploads/2015/11/fire_next_time-110x80.jpg" srcset="https://www.thewrap.com/wp-content/uploads/2015/11/fire_next_time-110x80.jpg 110w, https://www.thewrap.com/wp-content/uploads/2015/11/fire_next_time-90x65.jpg 90w" width="110" /> </a><div class="post-info">
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<a class="link postheadlinelink" href="https://www.thewrap.com/climate-change-cbs-tv-movie-predict-craig-nelson-bonnie-bedelia-fire-next-time/">How a 1993 Craig T. Nelson TV Movie Predicted the Climate Change Debate </a> </h2>
<span class="byline">By <a href="https://www.thewrap.com/author/wrap-staff/">Dan Bloom</a> | November 30, 2015 @ 1:56 PM</span><br />
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As politicians meet in Paris for COP21, Hollywood asks why more films about global warming haven’t been greenlit since CBS’ “The Fire Next Time”</div>
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<u><span style="color: #0066cc;">The Next Big Genre: ‘Cli-Fi’ — Climate Fiction, in Which ‘Mad Max’ Meets ‘The Road’ </span></u> <span class="byline">By <a href="https://www.thewrap.com/author/admin/">Dan Bloom</a> | January 26, 2012 @ 11:34 AM</span></div>
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Forget missions to Mars and start thinking about mass migrations of ”climate refugees” north to Alaska.</div>
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<li class="post-list-item"><article class="post-list-post post-496456 post type-post status-publish format-standard has-post-thumbnail hentry category-dan-bloom category-category-hollyblog category-movies tag-activism tag-brillante-mendoza tag-cannes_film_festival tag-natural-disaster tag-philippines tag-typhoon tag-united_nations"><a class="imagelink" href="https://www.thewrap.com/taklub-dramatizes-typhoon-haiyan-disaster-with-gritty-documentary-feel-guest-blog/"><img alt="Taklub" class="image small-thumb wp-post-image" data-has-syndication-rights="1" data-portal-copyright="TheWrap" height="80" sizes="(max-width: 110px) 100vw, 110px" src="https://www.thewrap.com/wp-content/uploads/2015/06/taklub-movie-618x412-110x80.jpg" srcset="https://www.thewrap.com/wp-content/uploads/2015/06/taklub-movie-618x412-110x80.jpg 110w, https://www.thewrap.com/wp-content/uploads/2015/06/taklub-movie-618x412-90x65.jpg 90w" width="110" /> </a><div class="post-info">
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<a class="link postheadlinelink" href="https://www.thewrap.com/taklub-dramatizes-typhoon-haiyan-disaster-with-gritty-documentary-feel-guest-blog/">‘Taklub’ Dramatizes Typhoon Haiyan Disaster With Gritty, Documentary Feel (Guest Blog) </a> </h2>
<span class="byline">By <a href="https://www.thewrap.com/author/wrap-staff/">Dan Bloom</a> | June 23, 2015 @ 7:11 PM</span><br />
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Climate-themed movie deserves a global audience, guest contributor Dan Bloom says</div>
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<span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">Michael Burnett: cli-fi author</span></div>
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<a aria-label="13 小時前" class="r-1re7ezh r-1loqt21 r-1q142lx r-1qd0xha r-a023e6 r-16dba41 r-ad9z0x r-bcqeeo r-3s2u2q r-qvutc0 css-4rbku5 css-18t94o4 css-901oao" data-focusable="true" dir="auto" href="https://twitter.com/MBclimateauthor/status/1280864633881088001" role="link" style="background-color: rgba(0, 0, 0, 0); border: 0px solid black; box-sizing: border-box; color: #657786; cursor: pointer; display: inline; flex-shrink: 0; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 1.3125; list-style: none; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; text-align: inherit; text-decoration-line: none; white-space: nowrap;" title="下午10:01 · 2020年7月8日"><time datetime="2020-07-08T14:01:40.000Z">13 小時</time></a></div>
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<div class="css-901oao r-hkyrab r-1qd0xha r-a023e6 r-16dba41 r-ad9z0x r-bcqeeo r-bnwqim r-qvutc0" dir="auto" lang="en" style="border: 0px solid black; box-sizing: border-box; color: #14171a; display: inline; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; position: relative; white-space: pre-wrap;">
<span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">My debut novel, The Undercurrent, is a climate story that tries to get people to engage with activism. However, many of us writing cli-fi have been rejected by mainstream publishers and so our stories don't go far. The stories you seek already exist!</span></div>
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<div aria-label="1 回覆, 1 轉推, 1 喜歡" class="css-1dbjc4n r-18u37iz r-1wtj0ep r-156q2ks r-1mdbhws" role="group" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: horizontal; -webkit-box-pack: justify; align-items: stretch; border: 0px solid black; box-sizing: border-box; display: flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; justify-content: space-between; margin: 10px 0px 0px; max-width: 425px; min-height: 0px; min-width: 0px; padding: 0px; position: relative; z-index: 0;">
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<div aria-label="1 回覆. Reply" class="css-18t94o4 css-1dbjc4n r-1777fci r-11cpok1 r-1ny4l3l r-bztko3 r-lrvibr" data-focusable="true" data-testid="reply" role="button" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; -webkit-box-pack: center; align-items: stretch; border: 0px solid black; box-sizing: border-box; cursor: pointer; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; justify-content: center; margin: 0px; min-height: 0px; min-width: 0px; outline-style: none; overflow: visible; padding: 0px; position: relative; user-select: none; z-index: 0;" tabindex="0">
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<span class="css-901oao css-16my406 r-1qd0xha r-n6v787 r-1sf4r6n r-1n0xq6e r-bcqeeo r-d3hbe1 r-1wgg2b2 r-axxi2z r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: 13px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; margin: 0px 0px 0px 10px; min-width: 0px; overflow-wrap: break-word; padding: 0px; transform: translate3d(0px , 0px , 0px); transition-duration: 0.3s; transition-property: ,; white-space: inherit;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">1</span></span></div>
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<span class="css-901oao css-16my406 r-1qd0xha r-n6v787 r-1sf4r6n r-1n0xq6e r-bcqeeo r-d3hbe1 r-1wgg2b2 r-axxi2z r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: 13px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; margin: 0px 0px 0px 10px; min-width: 0px; overflow-wrap: break-word; padding: 0px; transform: translate3d(0px , 0px , 0px); transition-duration: 0.3s; transition-property: ,; white-space: inherit;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">1</span></span></div>
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<div aria-label="1 喜歡次數. Like" class="css-18t94o4 css-1dbjc4n r-1777fci r-11cpok1 r-1ny4l3l r-bztko3 r-lrvibr" data-focusable="true" data-testid="like" role="button" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; -webkit-box-pack: center; align-items: stretch; border: 0px solid black; box-sizing: border-box; cursor: pointer; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; justify-content: center; margin: 0px; min-height: 0px; min-width: 0px; outline-style: none; overflow: visible; padding: 0px; position: relative; user-select: none; z-index: 0;" tabindex="0">
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<span class="css-901oao css-16my406 r-1qd0xha r-n6v787 r-1sf4r6n r-1n0xq6e r-bcqeeo r-d3hbe1 r-1wgg2b2 r-axxi2z r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: 13px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; margin: 0px 0px 0px 10px; min-width: 0px; overflow-wrap: break-word; padding: 0px; transform: translate3d(0px , 0px , 0px); transition-duration: 0.3s; transition-property: ,; white-space: inherit;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">1</span></span></div>
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<a class="css-4rbku5 css-18t94o4 css-1dbjc4n r-1loqt21 r-1wbh5a2 r-dnmrzs r-1ny4l3l" data-focusable="true" href="https://twitter.com/6040split" role="link" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; background-color: rgba(0, 0, 0, 0); border: 0px solid black; box-sizing: border-box; cursor: pointer; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 1; font: inherit; list-style: none; margin: 0px; max-width: 100%; min-height: 0px; min-width: 0px; outline-style: none; padding: 0px; position: relative; text-align: inherit; text-decoration-line: none; z-index: 0;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">@6040split</span></a></div>
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<div aria-hidden="true" class="css-901oao r-1re7ezh r-1q142lx r-1qd0xha r-a023e6 r-16dba41 r-ad9z0x r-bcqeeo r-ou255f r-qvutc0" dir="auto" style="border: 0px solid black; box-sizing: border-box; color: #657786; display: inline; flex-shrink: 0; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px 5px; white-space: pre-wrap;">
<span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">·</span></div>
<a aria-label="11 小時前" class="r-1re7ezh r-1loqt21 r-1q142lx r-1qd0xha r-a023e6 r-16dba41 r-ad9z0x r-bcqeeo r-3s2u2q r-qvutc0 css-4rbku5 css-18t94o4 css-901oao" data-focusable="true" dir="auto" href="https://twitter.com/6040split/status/1280903986799927297" role="link" style="background-color: rgba(0, 0, 0, 0); border: 0px solid black; box-sizing: border-box; color: #657786; cursor: pointer; display: inline; flex-shrink: 0; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 1.3125; list-style: none; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; text-align: inherit; text-decoration-line: none; white-space: nowrap;" title="上午12:38 · 2020年7月9日"><time datetime="2020-07-08T16:38:03.000Z">11 小時</time></a></div>
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<div aria-haspopup="true" aria-label="更多" class="css-18t94o4 css-1dbjc4n r-1777fci r-11cpok1 r-1ny4l3l r-bztko3 r-lrvibr" data-focusable="true" data-testid="caret" role="button" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; -webkit-box-pack: center; align-items: stretch; border: 0px solid black; box-sizing: border-box; cursor: pointer; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; justify-content: center; margin: 0px; min-height: 0px; min-width: 0px; outline-style: none; overflow: visible; padding: 0px; position: relative; user-select: none; z-index: 0;" tabindex="0">
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<div class="css-901oao r-hkyrab r-1qd0xha r-a023e6 r-16dba41 r-ad9z0x r-bcqeeo r-bnwqim r-qvutc0" dir="auto" lang="en" style="border: 0px solid black; box-sizing: border-box; color: #14171a; display: inline; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; position: relative; white-space: pre-wrap;">
<span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">It's not the storytellers letting us down, it's the publishers</span></div>
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<div aria-label="1 回覆, 1 喜歡" class="css-1dbjc4n r-18u37iz r-1wtj0ep r-156q2ks r-1mdbhws" role="group" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: horizontal; -webkit-box-pack: justify; align-items: stretch; border: 0px solid black; box-sizing: border-box; display: flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; justify-content: space-between; margin: 10px 0px 0px; max-width: 425px; min-height: 0px; min-width: 0px; padding: 0px; position: relative; z-index: 0;">
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<div aria-label="1 回覆. Reply" class="css-18t94o4 css-1dbjc4n r-1777fci r-11cpok1 r-1ny4l3l r-bztko3 r-lrvibr" data-focusable="true" data-testid="reply" role="button" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; -webkit-box-pack: center; align-items: stretch; border: 0px solid black; box-sizing: border-box; cursor: pointer; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; justify-content: center; margin: 0px; min-height: 0px; min-width: 0px; outline-style: none; overflow: visible; padding: 0px; position: relative; user-select: none; z-index: 0;" tabindex="0">
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<span class="css-901oao css-16my406 r-1qd0xha r-n6v787 r-1sf4r6n r-1n0xq6e r-bcqeeo r-d3hbe1 r-1wgg2b2 r-axxi2z r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: 13px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; margin: 0px 0px 0px 10px; min-width: 0px; overflow-wrap: break-word; padding: 0px; transform: translate3d(0px , 0px , 0px); transition-duration: 0.3s; transition-property: ,; white-space: inherit;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">1</span></span></div>
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<div aria-haspopup="true" aria-label="轉推" class="css-18t94o4 css-1dbjc4n r-1777fci r-11cpok1 r-1ny4l3l r-bztko3 r-lrvibr" data-focusable="true" data-testid="retweet" role="button" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; -webkit-box-pack: center; align-items: stretch; border: 0px solid black; box-sizing: border-box; cursor: pointer; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; justify-content: center; margin: 0px; min-height: 0px; min-width: 0px; outline-style: none; overflow: visible; padding: 0px; position: relative; user-select: none; z-index: 0;" tabindex="0">
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<a class="css-4rbku5 css-18t94o4 css-1dbjc4n r-sdzlij r-1loqt21 r-1adg3ll r-ahm1il r-1ny4l3l r-1udh08x r-o7ynqc r-6416eg r-13qz1uu" data-focusable="true" href="https://twitter.com/MBclimateauthor" role="link" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; background-color: rgba(0, 0, 0, 0); border-radius: 9999px; border: 0px solid black; box-sizing: border-box; cursor: pointer; display: block; flex-basis: auto; flex-direction: column; flex-shrink: 0; font: inherit; height: 49px; list-style: none; margin: 0px; min-height: 0px; min-width: 0px; outline-style: none; overflow: hidden; padding: 0px; position: relative; text-align: inherit; text-decoration-line: none; transition-duration: 0.2s; transition-property: background-color, box-shadow; width: 49px; z-index: 0;">
<div class="css-1dbjc4n r-1twgtwe r-sdzlij r-rs99b7 r-1p0dtai r-1mi75qu r-1d2f490 r-1ny4l3l r-u8s1d r-zchlnj r-ipm5af r-o7ynqc r-6416eg" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; border-radius: 9999px; border: 1px solid rgba(0, 0, 0, 0.04); bottom: 0px; box-shadow: rgba(0, 0, 0, 0.02) 0px 0px 2px inset; box-sizing: border-box; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; left: 0px; margin: 0px; min-height: 0px; min-width: 0px; outline-style: none; padding: 0px; position: absolute; right: 0px; top: 0px; transition-duration: 0.2s; transition-property: background-color, box-shadow; z-index: 0;">
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<div class="css-901oao css-bfa6kz r-hkyrab r-1qd0xha r-a023e6 r-vw2c0b r-ad9z0x r-bcqeeo r-3s2u2q r-qvutc0" dir="auto" style="border: 0px solid black; box-sizing: border-box; color: #14171a; display: inline; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: bold; line-height: 1.3125; margin: 0px; max-width: 100%; min-width: 0px; overflow-wrap: break-word; overflow: hidden; padding: 0px; text-overflow: ellipsis; white-space: nowrap;">
<a class="css-4rbku5 css-18t94o4 css-1dbjc4n r-1loqt21 r-1wbh5a2 r-dnmrzs r-1ny4l3l" data-focusable="true" href="https://twitter.com/MBclimateauthor" role="link" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; background-color: rgba(0, 0, 0, 0); border: 0px solid black; box-sizing: border-box; cursor: pointer; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 1; font: inherit; list-style: none; margin: 0px; max-width: 100%; min-height: 0px; min-width: 0px; outline-style: none; padding: 0px; position: relative; text-align: inherit; text-decoration-line: none; z-index: 0;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">Michael Burnett: cli-fi author</span></a></div>
<div class="css-901oao r-hkyrab r-18u37iz r-1q142lx r-1qd0xha r-a023e6 r-16dba41 r-ad9z0x r-bcqeeo r-qvutc0" dir="auto" style="-webkit-box-direction: normal; -webkit-box-orient: horizontal; border: 0px solid black; box-sizing: border-box; color: #14171a; display: inline; flex-direction: row; flex-shrink: 0; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: pre-wrap;">
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<div class="css-1dbjc4n r-18u37iz r-1wbh5a2" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: horizontal; align-items: stretch; border: 0px solid black; box-sizing: border-box; display: flex; flex-basis: auto; flex-direction: row; flex-shrink: 1; margin: 0px; min-height: 0px; min-width: 0px; padding: 0px; position: relative; z-index: 0;">
<div class="css-901oao css-bfa6kz r-1re7ezh r-18u37iz r-1qd0xha r-a023e6 r-16dba41 r-ad9z0x r-bcqeeo r-qvutc0" dir="ltr" style="-webkit-box-direction: normal; -webkit-box-orient: horizontal; border: 0px solid black; box-sizing: border-box; color: #657786; display: inline; flex-direction: row; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 1.3125; margin: 0px; max-width: 100%; min-width: 0px; overflow-wrap: break-word; overflow: hidden; padding: 0px; text-overflow: ellipsis; white-space: nowrap;">
<a class="css-4rbku5 css-18t94o4 css-1dbjc4n r-1loqt21 r-1wbh5a2 r-dnmrzs r-1ny4l3l" data-focusable="true" href="https://twitter.com/MBclimateauthor" role="link" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; background-color: rgba(0, 0, 0, 0); border: 0px solid black; box-sizing: border-box; cursor: pointer; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 1; font: inherit; list-style: none; margin: 0px; max-width: 100%; min-height: 0px; min-width: 0px; outline-style: none; padding: 0px; position: relative; text-align: inherit; text-decoration-line: none; z-index: 0;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">@MBclimateauthor</span></a></div>
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<a class="css-4rbku5 css-18t94o4 css-1dbjc4n r-1loqt21 r-1wbh5a2 r-dnmrzs r-1ny4l3l" data-focusable="true" href="https://twitter.com/MBclimateauthor" role="link" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; background-color: rgba(0, 0, 0, 0); border: 0px solid black; box-sizing: border-box; cursor: pointer; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 1; font: inherit; list-style: none; margin: 0px; max-width: 100%; min-height: 0px; min-width: 0px; outline-style: none; padding: 0px; position: relative; text-align: inherit; text-decoration-line: none; z-index: 0;">
</a></div>
<div class="css-1dbjc4n r-k200y r-18u37iz r-1h0z5md r-1joea0r" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: horizontal; -webkit-box-pack: start; align-items: stretch; align-self: flex-start; border: 0px solid black; box-sizing: border-box; display: flex; flex-basis: auto; flex-direction: row; flex-shrink: 0; justify-content: flex-start; margin: 0px 0px 0px 20px; min-height: 0px; min-width: 0px; padding: 0px; position: relative; z-index: 0;">
<div aria-haspopup="true" aria-label="更多" class="css-18t94o4 css-1dbjc4n r-1777fci r-11cpok1 r-1ny4l3l r-bztko3 r-lrvibr" data-focusable="true" data-testid="caret" role="button" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; -webkit-box-pack: center; align-items: stretch; border: 0px solid black; box-sizing: border-box; cursor: pointer; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; justify-content: center; margin: 0px; min-height: 0px; min-width: 0px; outline-style: none; overflow: visible; padding: 0px; position: relative; user-select: none; z-index: 0;" tabindex="0">
<div class="css-901oao r-1awozwy r-1re7ezh r-6koalj r-1qd0xha r-a023e6 r-16dba41 r-1h0z5md r-ad9z0x r-bcqeeo r-o7ynqc r-clp7b1 r-3s2u2q r-qvutc0" dir="ltr" style="-webkit-box-align: center; -webkit-box-pack: start; align-items: center; border: 0px solid black; box-sizing: border-box; color: #657786; display: flex; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; justify-content: flex-start; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; transition-duration: 0.2s; transition-property: color; white-space: nowrap;">
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<svg class="r-4qtqp9 r-yyyyoo r-ip8ujx r-dnmrzs r-bnwqim r-1plcrui r-lrvibr r-27tl0q" viewbox="0 0 24 24"><g><path d="M20.207 8.147c-.39-.39-1.023-.39-1.414 0L12 14.94 5.207 8.147c-.39-.39-1.023-.39-1.414 0-.39.39-.39 1.023 0 1.414l7.5 7.5c.195.196.45.294.707.294s.512-.098.707-.293l7.5-7.5c.39-.39.39-1.022 0-1.413z"></path></g></svg></div>
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<div class="css-1dbjc4n r-4qtqp9 r-156q2ks" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; border: 0px solid black; box-sizing: border-box; display: inline-block; flex-basis: auto; flex-direction: column; flex-shrink: 0; margin: 10px 0px 0px; min-height: 0px; min-width: 0px; padding: 0px; position: relative; z-index: 0;">
<div class="css-901oao r-1re7ezh r-1qd0xha r-a023e6 r-16dba41 r-ad9z0x r-bcqeeo r-qvutc0" dir="auto" style="border: 0px solid black; box-sizing: border-box; color: #657786; display: inline; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: pre-wrap;">
回覆給 <br />
<div class="css-1dbjc4n r-xoduu5" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; border: 0px solid black; box-sizing: border-box; display: inline-flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; margin: 0px; min-height: 0px; min-width: 0px; padding: 0px; position: relative; z-index: 0;">
<a class="css-4rbku5 css-18t94o4 css-901oao css-16my406 r-1n1174f r-1loqt21 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" data-focusable="true" href="https://twitter.com/6040split" role="link" style="background-color: rgba(0, 0, 0, 0); border: 0px solid black; box-sizing: border-box; color: #1b95e0; cursor: pointer; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; list-style: none; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; text-align: inherit; text-decoration-line: none; white-space: inherit;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">@6040split</span></a></div>
<div class="css-1dbjc4n r-xoduu5" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; border: 0px solid black; box-sizing: border-box; display: inline-flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; margin: 0px; min-height: 0px; min-width: 0px; padding: 0px; position: relative; z-index: 0;">
<a class="css-4rbku5 css-18t94o4 css-901oao css-16my406 r-1n1174f r-1loqt21 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" data-focusable="true" href="https://twitter.com/ClimateHuman" role="link" style="background-color: rgba(0, 0, 0, 0); border: 0px solid black; box-sizing: border-box; color: #1b95e0; cursor: pointer; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; list-style: none; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; text-align: inherit; text-decoration-line: none; white-space: inherit;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">@ClimateHuman</span></a></div>
<span class="css-901oao css-16my406 r-1n1174f r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: #1b95e0; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">和</span></span> <br />
<div class="css-1dbjc4n r-xoduu5" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; border: 0px solid black; box-sizing: border-box; display: inline-flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; margin: 0px; min-height: 0px; min-width: 0px; padding: 0px; position: relative; z-index: 0;">
<a class="css-4rbku5 css-18t94o4 css-901oao css-16my406 r-1n1174f r-1loqt21 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" data-focusable="true" href="https://twitter.com/rftimson" role="link" style="background-color: rgba(0, 0, 0, 0); border: 0px solid black; box-sizing: border-box; color: #1b95e0; cursor: pointer; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; list-style: none; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; text-align: inherit; text-decoration-line: none; white-space: inherit;"><span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">@rftimson</span></a></div>
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<div class="css-1dbjc4n r-156q2ks" style="-webkit-box-align: stretch; -webkit-box-direction: normal; -webkit-box-orient: vertical; align-items: stretch; border: 0px solid black; box-sizing: border-box; display: flex; flex-basis: auto; flex-direction: column; flex-shrink: 0; margin: 10px 0px 0px; min-height: 0px; min-width: 0px; padding: 0px; position: relative; z-index: 0;">
<div class="css-901oao r-hkyrab r-1qd0xha r-1blvdjr r-16dba41 r-ad9z0x r-bcqeeo r-bnwqim r-qvutc0" dir="auto" lang="en" style="border: 0px solid black; box-sizing: border-box; color: #14171a; display: inline; font-family: system-ui, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Ubuntu, "Helvetica Neue", sans-serif; font-size: 23px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; position: relative; white-space: pre-wrap;">
<span class="css-901oao css-16my406 r-1qd0xha r-ad9z0x r-bcqeeo r-qvutc0" style="border: 0px solid black; box-sizing: border-box; color: inherit; display: inline; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 1.3125; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">Yep, climate fiction isn't even a recognised genre in the industry, even though there are hundreds of us writing it.</span></div>
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Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-2356427239794946847.post-87991234421730518752019-11-09T00:23:00.001-08:002019-11-30T21:19:09.288-08:00A glorious and sometimes inglorious 'cli-fi' wind is blowing across the world<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLeRbVrQ51dkoWvLUJHiReihw-kZfXRzd7YDTzgNFSp62OkI97SbtOWlmLInESBrOIwSdZsLtB2WFzp66qAOnVyMG1Gea-fyIUhoP7MYRYjIUXVncUn-52WXF-DnehGFjBckx6PehX5xM/s1600/42_40140.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="360" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLeRbVrQ51dkoWvLUJHiReihw-kZfXRzd7YDTzgNFSp62OkI97SbtOWlmLInESBrOIwSdZsLtB2WFzp66qAOnVyMG1Gea-fyIUhoP7MYRYjIUXVncUn-52WXF-DnehGFjBckx6PehX5xM/s320/42_40140.jpg" width="288" /></a></div>
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READ FIRST: <a data-saferedirecturl="https://www.google.com/url?q=https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/&source=gmail&ust=1575262991762000&usg=AFQjCNGhHBqrAirY-m1z1qAff3mgxG0rAQ" href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/" target="_blank">https://www.sdjewishworld.com/<wbr></wbr>2019/11/30/activist-pushes-hol<wbr></wbr>lywood-to-adopt-cli-fi-genre/</a></div>
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<span style="color: red;">UPDATED:</span> Here it is, finally translated to ENGLISH by AFP for international audience !</div>
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<a data-saferedirecturl="https://www.google.com/url?q=https://www.france24.com/en/20191115-scarier-than-fiction-climate-worry-driving-cli-fi-boom&source=gmail&ust=1573975796908000&usg=AFQjCNHC3JSnaqxHdVUVO1gJD432m8KtEw" href="https://www.france24.com/en/20191115-scarier-than-fiction-climate-worry-driving-cli-fi-boom" target="_blank">https://www.france24.com/en/<wbr></wbr>20191115-scarier-than-fiction-<wbr></wbr>climate-worry-driving-cli-fi-<wbr></wbr>boom</a><br />
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<h2 class="article-standfirst read-left-padding" style="background-color: white; border: 0px currentColor; box-sizing: border-box; font-stretch: inherit; font-weight: inherit; line-height: 1.3em; margin: 0px 0px 35px; padding: 0px 96px 0px 40px; vertical-align: baseline;">
<span style="font-size: xx-small;"><span style="color: red;">Olivier Postel-Vinay, directeur du magazine «Books» in France:</span><span style="color: #222222;"> <a href="http://cli-fi.net/">Le genre a un nom : «cli-fi»</a> (prononcez </span><span style="color: red;">«claï- faï»</span><span style="color: #222222;">). Ce sont les romans dystopiques sur le climat. 1300 titres recensés sur Amazon. Tous les clichés du catastrophisme écologiste se pressent au portillon. Une aubaine pour de jeunes auteurs, qui aspirent aussi à voir leur essai transformé à l’écran, dans le sillage d’un Christopher Nolan ou d’une Margaret Atwood. Le terme «cli-fi» a été lancé en 2011 par l’écrivain militant Dan Bloom. Atwood l’a repris à son compte dans un tweet, attirant d’un coup ses 500 000 followers. Le genre attire un nouveau public de jeunes lecteurs sensibilisés à la question du réchauffement climatique. L’université de Cambridge a ouvert une formation en «cli-fi»</span><span style="color: #222222;">. </span></span></h2>
<div class="note" style="background-color: white; border: 0px currentColor; box-sizing: border-box; color: #353535; font-family: "syntheselibeweb" , sans-serif; font-stretch: inherit; line-height: 1.2em; margin-bottom: 1em; margin-top: 15px; padding: 0px 0px 30px; vertical-align: baseline;">
<span style="font-size: xx-small;"><a href="http://www.theatlantic.com/entertainment/archive/2015/08/climate-fiction-margaret-atwood-literature/400112/" style="background: none; border-bottom-color: rgb(233, 24, 69); border-bottom-style: solid; border-width: 0px 0px 1px; box-sizing: border-box; cursor: pointer; font-family: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" target="_self">Source : The Atlantic,</a> 14 août 2015, 9300 signes. L’auteur : J.K. Ullrich</span><br />
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<span style="font-size: xx-small;">SEE ALSO:</span><br />
<span style="font-size: xx-small;"><a href="http://www.slate.fr/story/171624/litterature-cli-fi-climate-science-fiction-changement-climatique">http://www.slate.fr/story/171624/litterature-cli-fi-climate-science-fiction-changement-climatique</a></span></div>
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As the climate crisis worldwide gets worse and worse, the literary and cinema genre of <a href="http://cli-fi.net/">cli-fi, or "climate-fiction" </a>is rising "at the speed of lightning", writes the French News Agency [Agence France-Presse, AFP] in Paris in a recent wire story by reporter Mr. Riwan Marhic in Paris -- who spent two weeks investigting and reporting this story and interviewing the people in it by phone and email and Twitter.<br />
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<span style="font-size: large;">Published in French in Paris: November 9th</span><br />
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<span style="color: red;">[English translation here provided by <a href="http://deepl.com/">DeepL.Com</a> translation platform arranged by Dan Bloom in Taiwan on November 10th.]</span><br />
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<strong><span style="font-size: large;">A glorious and sometimes inglorious </span></strong><br />
<strong><span style="font-size: large;">'cli-fi' wind is blowing across the world</span></strong><br />
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<em><span style="font-size: large;">by Riwan Marhic, AFP reporter in Paris</span></em><br />
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With the worldwide disappearance of bees in some countries, and the struggle for <span style="color: blue;">"blue gold"</span> due to a shortage of oil and gasoline: the new genre of ''climate-fiction", a cousin of science fiction, is on the rise in bookshops in France and on French TV screens.<br />
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In cinema, humanity that has become sterile in the movie called "The Children of Men" (directed by Alfonso Cuaron in 2006) and in another popular movie, the Statue of Liberty in New York Harbor has been frozen by a new Ice Age in "The Day After" (directed by German director Roland Emmerich in 2004) -- both movies illustrate very well what the future of cinema and TV might mean for the rise of<a href="http://cli-fi.net/"> cli-fi, aka "climate-fiction".</a><br />
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This literary and cinema trend first started gaining traction in the media in 2013 when NPR broadcast a 5 minute radio segment that went viral., according an American ''climate activist of the literary kind" named Dan Bloom.<br />
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According to Bloom -- who runs a website called<span style="color: red;"> ''The Cli-Fi Report''</span> at <a href="http://www.cli-fi.net/">www.cli-fi.net</a> -- he has been watching with interest how the new genre has gained traction worldwide at <span style="color: red;">"lightning speed"</span> in both English-speaking countries and other nations as well where French, Italian, German, Norwegian, Spanish, Portuguese and Finnish pertain. This has been going on, he told AFP, for about the last 5 years, "in response to climate denialist policies of U.S. President Donald Trump" and ''climate skeptics'' around the world.<br />
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"Cli-fi is a subgenre of [speculative] fiction," says Andrew Milner, a professor of comparative literature at Monash University in Melbourne. "Cli-fi authors, readers, publishers and directors identify with the tradition of "what if" [speculative] fiction." While he believes that the "cli-fi" genre must continue evolve to eventually "become an autonomous" genre, he also notes that the genre is developing "very quickly", he told AFP.<br />
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"This development responds to real-world concerns," explains James Burgmann-Milner, also a professor at Monash University and co-author of an academic book titled <span style="color: blue;">"Science Fiction and Climate Change: A Sociological Approach"</span> written with Andrew Milner, his father. "Literature has been slow enough to tackle climate change, but it is catching up.<br />
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<span style="font-size: x-large;">A Global Phenomenon Now</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibsSX9txRQJ-VBuh_NmW7ujfSCY3anokV-8HSLmGWMuX0F6j2nAMUn7TYueX6Kq7jzlcVHn97UjuSX0IHkLmbh43LLHlVsxfuckZ6dNnTxxsWPeQGR9CJKqJ9m0F8Z2Nx5dAhhiU87yGQ/s1600/CliFiLogoHorizontal_v1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="861" data-original-width="1600" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibsSX9txRQJ-VBuh_NmW7ujfSCY3anokV-8HSLmGWMuX0F6j2nAMUn7TYueX6Kq7jzlcVHn97UjuSX0IHkLmbh43LLHlVsxfuckZ6dNnTxxsWPeQGR9CJKqJ9m0F8Z2Nx5dAhhiU87yGQ/s320/CliFiLogoHorizontal_v1.png" width="320" /></a></div>
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<span style="color: red;">Emanating first from English-speaking countries, a "cli-fi" wind is now blowing all over the world.</span> <br />
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In France, the TV series <span style="color: red;">"La Dernière Vague"</span> on the Frecnch chanelled ''France 2'' and "L'Effondrement", on the French channel "Canal+," illustrate <a href="http://cli-fi.net/">cli-fi's growing popularity</a>. But this is only the tip of the iceberg of what is first of all a literary genre that appeared seeminly out of nowhere, according to Bloom.<br />
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Norwegian novelist Maja Lunde's "A History of Bees", a best-selling novel in Germany and now translated into some 30 foreign languages, tells the story of a society where flowers must be pollinated by hand.<br />
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"I think we will see more of these books in the coming years," Ms. Lunde told an AFP reporter in 2018, "because people are increasingly concerned about climate change and authors are writing about what scares them.<br />
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<b><span style="color: blue; font-size: large;">Indeed, the 'cli-fi' current seems to be accelerating.</span></b><br />
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In Iceland, Sigridur Hagalin Björnsdottir's <span style="color: blue;">"The Island"</span> (published in 2018), finds itself cut off from the world and tries to live in self-sufficiency.<br />
<br />
"Dans la forêt" by Jean Hegland (a great success in 2017 for the French translation) tells the story of two young girls surviving in a world without electricity or gasoline.<br />
<br />
American novelists Paolo Bacigalupi and Claire Vaye Watkins explore the theme of drought and the battle for "blue gold" in "The Water Knife" (published in 2015) and "Gold Fame Citrus" (published in 2017), respectively.<br />
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The cli-fi genre has also flourished in children's YA (young adult) novels written by French writers J<span style="color: red;">érôme Leroy </span>in "Lou après tout, Le grand effondrement" (published in 2019) and <span style="color: red;">Lorris Murail </span>in "L'Horloge de l'Apocalypse" [''The Doomsday Clock" in English] (published in France in 2018).<br />
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"From a certain point of view, there can be no other subject left," Murail told AFP, "even if young readers sometimes have the impression that they are being lectured to."<br />
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<b><span style="font-size: large;">A subject that won't quit or go away</span></b><br />
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"It's become difficult to ignore the subject," says French novelist <span style="color: blue;">Jean-Marc Ligny, </span>a leading French science fiction writer and the main "cli-fi" author in France with his popular novel titled "Aqua TM" and its sequels. For him, "climate change needs stories, readers need it to be staged. Numbers, charts, statistics, they doesn't talk to readers, but stories do. The ''cli-fi'' genre makes it easier to become aware of the situation".<br />
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"Today, a science fiction author cannot miss the point," says Yann Quero, French author of several "cli-fi" books and coordinator of the anthology <strong><em>"Le réchauffement climatique et après..."</em></strong> published by Arkuiris. "Even in a space opera, one can wonder why humanity will swarm in the stars."<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgASR1fPDYRRnoH39xsTNyY8nIVhA2TLIfMxKyIWj-jayswJ-5QTUbwqXTc46aXMcQH6h04acAKFJhrBRlad2ld2CfFEGWqIXQXBPKvSMDSfevR-OjwbeNrKhwjIGO0Gi9PNl_5SQeW9XU/s1600/Yann-Quero--Virgin-of-Global-Warming-2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgASR1fPDYRRnoH39xsTNyY8nIVhA2TLIfMxKyIWj-jayswJ-5QTUbwqXTc46aXMcQH6h04acAKFJhrBRlad2ld2CfFEGWqIXQXBPKvSMDSfevR-OjwbeNrKhwjIGO0Gi9PNl_5SQeW9XU/s320/Yann-Quero--Virgin-of-Global-Warming-2.JPG" width="240" /></a><strong><em> photo by Yann Quero</em></strong></div>
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Although cli-fi has recently become popular as a new genre of the 21st century, the theme of environmental degradation has nevertheless been used in science fiction stories and movies and novels for more than 50 years, as in "Sécheresse" by British writer JG Ballard (published in 1964) or "Le Heroupeau Aveugle" by American writer John Brunner (published in 1972).<br />
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A work as old as "Grapes of Wrath" (first published in 1934) is considered a pioneering work of cli-fi in it own way, as Amercian author John Steinbeck recounts the ravages of dust storms caused by the overexploitation of agricultural land in Oklahoma.<br />
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<span style="background-color: blue; color: yellow; font-size: x-large;">[END OF ARTICLE] </span><br />
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<span style="color: red;">NOTE:</span> This English translation was slightly edited by blogger Dan Bloom for clarity and amplification. See the original article by AFP reporter Riwan Marhic in French to read the original text at <a href="https://www.france24.com/fr/20191109-entre-anticipation-et-%C3%A9cologie-la-climate-fiction-progresse-%C3%A0-la-vitesse-de-l-%C3%A9clair">https://www.france24.com/fr/20191109-entre-anticipation-et-%C3%A9cologie-la-climate-fiction-progresse-%C3%A0-la-vitesse-de-l-%C3%A9clair</a>]<br />
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<span style="font-size: x-large;">COPYRIGHT 2019 AFP</span><br />
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<span style="font-size: x-large;">===========================</span><br />
<span style="font-size: x-large;"></span><br />
<span style="font-size: x-large;">A glorious and sometimes inglorious ‘cli-fi’ wind is blowing across the world</span> <br />
<br />
French reporter Riwan Marhic, writing for the Agence France-Presse (AFP) wire service in Paris, recently published a report titled ”Entre anticipation et ecologie, la ‘climate-fiction’ progresse ‘a la vitesse de l’eclair,'” which in plain English might be amplified to mean something like “As the climate crisis worldwide gets worse and worse, the literary and cinema genre of cli-fi, or climate-fiction, is rising ‘at the speed of lightning.'” Marhic interiewed me during a 30-minute phone chat across the seas, and he also interviewed three top French cli-fi writers — Jean-Marc Ligny, Yann Quero and Lorris Murail — while at the same time interviewing two internationally-known literary experts in Australia: Monash University Professor Andrew Milner and his son James Burgmann-Milner, also at Monash, where the two men wrote a well-received nonfiction academic book titled ”Science Fiction and Climate Change: A Sociological Approach.” <br />
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The Paris-based reporter spent about two weeks researching his topic, including talking with the people he interviewed, and the result was a comprehensive 800-word news report in French that went out on the AFP wire to readers in the Francophone world, from France to Quebec and a dozen other nations worldwide as well.<br />
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I was able to read the article in French using the French I learned in college and on two visits to France in the 1960s, and, with the help of a translation service on the internet, I set up an informal English-language translation of the AFP article, mostly for my own benefit (so that I could better understand the article in my own native language.)<br />
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<span style="font-size: x-large;">This is what I learned:</span><br />
<span style="font-size: x-large;"></span><br />
<span style="font-size: x-large;">With bees in some regions of the world disappearing at alarming rates, and a global struggle for “blue gold” due to worldwide shortages of oil and gasoline, t<a href="http://www.cli-fi.net/">he new literary and cinema genre of ”cli-fi” is on the rise not only in America and Britain,</a> but also in bookstores in France and on French TV screens, according to the AFP.<br />
<br />
Marhic pointed out two movies that have had an impact on viewers worldwide in the last 15 years, “The Children of Men” (directed by Alfonso Cuaron in 2006) and “The Day After” (directed by German director Roland Emmerich in 2004), which helped focus attention of the power of cli-fi movies to serve as wake-up calls and warning flares for future generations.<br />
<br />
This new genre for novels and movies has gained traction worldwide at “lightning speed” in both English-speaking countries and other non-English-speaking nations as well, according to one of the experts Marhic spoke to for his story.<br />
<br />
“Cli-fi is a subgenre of [speculative] fiction,” Andrew Milner, a professor of comparative literature at Monash University in Australia, told AFP, adding: “Cli-fi authors, readers, publishers and litera identify with the tradition of “what if” [speculative] fiction.” While he believes that the “cli-fi” genre must continue evolve to eventually “become an autonomous” genre, he also notes that the genre is developing “very quickly,” he told AFP.<br />
<br />
Emanating first from English-speaking countries, a “cli-fi” wind is blowing all over the world, AFP told its readers. In France, the TV series “La Dernière Vague” on the Frecnch channel ”France 2” and “L’Effondrement”, on the French channel “Canal+,” illustrate cli-fi’s growing popularity. But this is only the tip of the iceberg, Marhic wrote.<br />
Norwegian novelist Maja Lunde’s “A History of Bees”, a best-selling novel in Germany and now translated into some 30 foreign languages, tells the story of a society where flowers must be pollinated by hand, he added.<br />
“I think we will see more of these cli-fi books in the coming years,” Ms. Lunde told an AFP reporter back in 2018, “because people are increasingly concerned about climate change and authors are writing about what scares them."<br />
<br />
Indeed, the cli-fi current seems to be accelerating, according to the AFP report.<br />
<br />
In Iceland, Sigridur Hagalin Bjornsdottir’s “The Island” (published in 2018), finds itself cut off from the world and tries to live in self-sufficiency.<br />
“Dans la foret” by Jean Hegland (a great success in 2017 for the French translation) tells the story of two young girls surviving in a world without electricity or gasoline.<br />
<br />
American cli-fi novelists Paolo Bacigalupi and Claire Vaye Watkins explored the theme of drought and the battle for “blue gold” in “The Water Knife” (published in 2015) and “Gold Fame Citrus” (published in 2017).<br />
<br />
The cli-fi genre has also flourished in children’s YA (young adult) novels in America and now in France as well, written by French writers Jerome Leroy in “Lou apres tout, Le grand effondrement” (published in 2019) and Lorris Murail in “L’Horloge de l’Apocalypse” (”The Doomsday Clock”) in 2018.<br />
<br />
“From a certain point of view, there can be no other subject left,” Mr. Murail told AFP, “even if young readers sometimes have the impression that they are being lectured to.”<br />
<br />
“It’s become difficult to ignore the subject,” said French novelist Jean-Marc Ligny, a leading French science fiction writer and the main “cli-fi” author in France with his popular novel titled “Aqua TM” and its sequels.</span><br />
For him, “climate change needs stories, readers, and it needs publishers to release them. Numbers, charts, statistics, they doesn’t reallyt talk to readers, but stories do. The ‘cli-fi’ genre makes it easier to become aware of the situation.”<br />
<br />
“Today, a science fiction author cannot miss the point,” says Yann Quero, French author of several “cli-fi” books and coordinator of the anthology “Le rechauffement climatique et apres” published by Arkuiris. “Even in a space opera, one can wonder why humanity will swarm in the stars.”<br />
<br />
<a href="https://www.france24.com/fr/20191109-entre-anticipation-et-%C3%A9cologie-la-climate-fiction-progresse-%C3%A0-la-vitesse-de-l-%C3%A9clair">Read the French version of the AFP article here</a>.<br />
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<span style="color: red; font-size: x-large;">EXTRA NOTES:</span></div>
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<span class="xQ82C e8fRJf" style="font-size: x-large;">from Oprah Magazine "O"</span></div>
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In Ballard's formative <em><span style="color: #dd4b39;">cli-fi</span></em> novel, global warming has left the Earth uninhabitable and a group of scientists must survive in London, which has ...</div>
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This incendiary classic—and bibliophile's worst nightmare—takes place in a distant future where the powers that be ban and burn the most powerful thing in the world: books. The written word—and the critical thinking it inspires—must be outlawed and destroyed to fully control the masses. It’s a book best read in defiance.<br />
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<i>The Drowned World</i> by J.G. Ballard</div>
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In Ballard’s formative <a data-vars-ga-outbound-link="https://www.oprahmag.com/entertainment/books/a26811549/climate-change-books/" href="https://www.oprahmag.com/entertainment/books/a26811549/climate-change-books/" target="_blank">cli-fi</a> novel, global warming has left the Earth uninhabitable and a group of scientists must survive in London, which has been rendered into an environmentally-devastated wasteland.</div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-37274745392391962352019-11-07T23:37:00.003-08:002019-11-07T23:40:23.760-08:00I am looking for a literary culture reporter to write this news story for a 2020 placement in USA or UK<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibsSX9txRQJ-VBuh_NmW7ujfSCY3anokV-8HSLmGWMuX0F6j2nAMUn7TYueX6Kq7jzlcVHn97UjuSX0IHkLmbh43LLHlVsxfuckZ6dNnTxxsWPeQGR9CJKqJ9m0F8Z2Nx5dAhhiU87yGQ/s1600/CliFiLogoHorizontal_v1.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="861" data-original-width="1600" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibsSX9txRQJ-VBuh_NmW7ujfSCY3anokV-8HSLmGWMuX0F6j2nAMUn7TYueX6Kq7jzlcVHn97UjuSX0IHkLmbh43LLHlVsxfuckZ6dNnTxxsWPeQGR9CJKqJ9m0F8Z2Nx5dAhhiU87yGQ/s320/CliFiLogoHorizontal_v1.png" width="320" /></a></div>
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NEWS TIP: contact me ASAP via Twitter or Email or Facebook</div>
<span style="color: cyan; font-size: x-large;"><b>@do_you_cli_fi_</b></span><br />
<span style="color: red; font-size: x-large;"><b>danbloom AT gmail DOT com</b></span></div>
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I am STILL looking for a literary culture [book] reporter to write this news story for a 2020 placement!</div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"> I'm in Taiwan since 1991. Retired newspaper editor. Coiner of cli-fi term in 2011 re my web at </span><a href="http://cli-fi.net/" style="font-family: Arial, Helvetica, sans-serif; font-size: small;" target="_blank">cli-fi.net</a><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"> </span><br />
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Here's my tip to you. I've "planted" hundreds of news articles and opeds about cli-fi in The New York Times, BBC, GUARDIAN, over 50 news sites and the term is catching on since 2011. Slowly. BUT: Most people still have never heard of it. So 24.7 I do PR work by email and Twitter with media and writers in a dozen languages. This is my ''end of life'' work. No income .. just my passion. I call myself "a climate activist of the literary kind."</div>
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Tufts 1971 lit major</div>
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What is needed now is for someone like YOU to write a freelance or staff essay for slate or NOT or PW or guardian or nytimes or anywhere with <span style="color: red;">this headline</span></div>
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Now that the cli-fi term is becoming popular.. </div>
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<span style="color: red; font-size: x-large;"><i>Is the book publishing world warming up to clifi, or, is it still cool to it? </i></span></div>
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What does the future hold for this new literary term in the 21st century? With <span style="color: red;">quotes by phone or email</span> from 10 people in book industry....editors, agents, acquiring editors, marketing depths, lit critics, book reviewers, novelists themselves.</div>
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Interested? Yr byline. Yr $$$ payment. This is not about me. I'm just a news tipper with an eye for a good story. I will remain in the background.</div>
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Let me know. I have contacts with a lot of people, reporters, editors, but I'm not a reporter anymore. Just news tipper. I'm thinking 2020 publication time frame.</div>
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Cheers,</div>
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DAN BLOOM</div>
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Dan</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-6880401549614354672019-10-31T00:01:00.002-07:002019-11-30T21:19:58.337-08:00Dear Hollywood Producers, Directors, Writers, Actors: It’s Time To Shed Some "Lights, Camera Action!" On Climate Change Issues, Too<div class="separator" style="clear: both; text-align: center;">
<a data-saferedirecturl="https://www.google.com/url?q=https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/&source=gmail&ust=1575262991762000&usg=AFQjCNGhHBqrAirY-m1z1qAff3mgxG0rAQ" href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/" target="_blank"><span style="font-size: xx-small;">https://www.sdjewishworld.com/<wbr></wbr>2019/11/30/activist-pushes-hol<wbr></wbr>lywood-to-adopt-cli-fi-genre/</span></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLeRbVrQ51dkoWvLUJHiReihw-kZfXRzd7YDTzgNFSp62OkI97SbtOWlmLInESBrOIwSdZsLtB2WFzp66qAOnVyMG1Gea-fyIUhoP7MYRYjIUXVncUn-52WXF-DnehGFjBckx6PehX5xM/s1600/42_40140.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="360" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLeRbVrQ51dkoWvLUJHiReihw-kZfXRzd7YDTzgNFSp62OkI97SbtOWlmLInESBrOIwSdZsLtB2WFzp66qAOnVyMG1Gea-fyIUhoP7MYRYjIUXVncUn-52WXF-DnehGFjBckx6PehX5xM/s320/42_40140.jpg" width="288" /></a></div>
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<a data-saferedirecturl="https://www.google.com/url?q=https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/&source=gmail&ust=1575262991762000&usg=AFQjCNGhHBqrAirY-m1z1qAff3mgxG0rAQ" href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/" target="_blank"><span style="font-size: x-small;">https://www.sdjewishworld.com/<wbr></wbr>2019/11/30/activist-pushes-hol<wbr></wbr>lywood-to-adopt-cli-fi-genre/</span></a></h1>
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Dear Hollywood Producers, Directors, Writers, Actors: It’s Time To Shed Some "Lights, Camera Action!" On Climate Change Issues, Too</h1>
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Forget sci-fi...cli-fi is the terrifying theme of many new novels </h3>
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and movies, says GOOGLE SEARCH. </h3>
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Go look and see <a href="https://cli-fi-books.blogspot.com/2019/11/noam-chomsky-anecdote-thanks-to.html">here!</a></h3>
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<a href="https://cli-fi-books.blogspot.com/2019/11/noam-chomsky-anecdote-thanks-to.html">https://cli-fi-books.blogspot.com/2019/11/noam-chomsky-anecdote-thanks-to.html</a></div>
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<span style="color: red; font-size: xx-small;">Dear Hollywood Producers, Directors, Writers, Actors: It’s Time To Shed Some "Lights, Camera Action!" On Climate Change Issues, Too</span></h2>
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Hollywood, the land of dreams and the boulevard of tentpole marketing campaigns. do something! With a plethora of films with boffo box office revenues annually, not one decent motion picture made on the burning - literally - topic of our age: climate change. </div>
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I mean Hollywood, California is on fire in 2019! Get with the program!</div>
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But for the most part, Hollywood relies on a false sense of escape instead of realism to survive and prosper. </div>
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Hollywood has slowly and steadily moved from the fantasy culture to more relatable and realistic cinema based on historical events, believable science fiction, and, most importantly, the day-to-day life of the audiences. But in terms of making <a href="http://cli-fi.net/">cli-fi</a> movies with important themes and A-List actors, there is still much work that needs to be done.</div>
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Ask Marshall Herskovitz, ask Sonny Fox, <a href="http://cli-fi.net/">ask me!</a></div>
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One of the worst victims of Hollywood’s gross neglect of our society’s truth - other than people’s intelligence – has been runaway climate change risks. Whether or not, we as a society, indulge in measures to manage climate change, and the harmful effects of global warming, we all know one reality; that we have irreversibly damaged our ecosystem in the past, in a way that our ancestors couldn’t do in close to five millennia.</div>
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Almost everyone knows that the sea levels are rising, precipitation has become scarce, and the global temperatures continue to increase by the day. We, however, conveniently ignore the naked truth to live an apparently ignorant existence. Ask Greta Thunberg.There is no surprise then, that American and UK pop culture too, very skillfully ignores the topic of climate change, and doesn’t depict it at all on the silver screen.</div>
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<span style="color: #333333;">Look at the history of the Film Industry, and you’ll realise that few viable movies or documentaries have been made on the harmful effects of climate change and global warming. When in the 2000s, Hollywood was making movies like The Core (2003) and The Day After Tomorrow (2004), starring top Hollywood superstars, things started to look promising. Leonardo DiCaprio even gave a shout out to cli-fi in one of his Oscar acceptance speeches. But sadly, the handful of cli-fi movies that have indeed been made on climate change can be counted on one hand.</span><span style="color: red;"> [Listen to the sound of one hand clapping!]</span></div>
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<figure aria-describedby="caption-attachment-520821" class="wp-caption aligncenter" id="attachment_520821" style="box-sizing: border-box; color: #333333; margin: 0px auto; max-width: 100%; width: 600px;"><span style="font-family: inherit;"><i>''So I ask the big studios of Hollywood: Isn’t the cli-fi genre a relatable issue? Isn’t this something that the entertainment industry should invest in?''</i></span></figure><figure aria-describedby="caption-attachment-520821" class="wp-caption aligncenter" id="attachment_520821" style="box-sizing: border-box; color: #333333; margin: 0px auto; max-width: 100%; width: 600px;"><span style="font-family: inherit;"><br /></span></figure><br />
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Why is the American motion picture industry only a moneymaking venture? Where did the days go when a screen artist wanted art and social commentary?. We stand witness to the horrors that humans, animals, and nature have to undergo every day due to the damage we have done to our surroundings. What about them? Don’t they deserve their time on the infamous silver screen, too?</div>
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In fact, the thick smog of negligence and nature’s plight has gradually moved from the rural areas to the cities we live in. Wildfires, floods, killer hurricanes. </div>
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Hell, why not make a cli-fi movie on that?</div>
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DearHollywood, as Bob Dylan said long ago, the times are changing, and it is imperative that we change with it. Global Warming is no longer a ghost story mothers use to scare their children to sleep. Climate change is here and now.</div>
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Temperatures are climbing by the day, and sea levels are rising by the hour. Every year crops fail. And more of "America The Beautiful" becomes clouded by smog. If not for yourself, do it for your children’s health.</div>
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Dumb or dumber, we can’t deny the fact that Hollywood and its equivalent TV facets in other parts of the country are trendsetters. What they show on screen is what society follows and believes. Behind a small line of seemingly intelligent people, there are hordes of people who worship the actors and actresses as living gods, and goddesses. Distractions. A movie made on the right topic can hit the issue in the heart and make sure that people understand the gravity of the situation.</div>
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The human mind is a fickle thing, and it doesn’t work on fear. To make people more aware, and most importantly, more effortful and involved in the effort to reverse climate change, we have to indulge them in a personal way. We have to show the audience what happens when a farmers loses their crops and their land to floods caused by climate change. What happens when the climbing temperatures force climate refugees worldwide to change their homes and uproot their lives. Roland Emmerich is planning a movie of this theme right now, for release in 2025. Hollywood boys and girls, show audiences in the 2020s and 2030s how Mother Earth has done nothing except giving us food, water, and shelter all its life and in return, has received only suffering from the humans who inhabit this Earth's surface.</div>
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See also: ''The Cli-Fi Report'': <a href="http://www.cli-fi.net/">www.cli-fi.net</a></div>
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And what better way to package all these dreadful and eye-opening scenes than cinema. If mainstream movies and big actors like Leonardo DiCaprio and Arnold and Stallone and Meryl Streep can be cast in some good cli-fi movies in the future about climate change, the responses of our bankable Hollywood stars will go all the way from utter ignorance to asking what they can do about it. You can do a lot if you try, Hollywood movers and shakers!</div>
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Think about it. Cli-fi movies are here to stay. Start making more of them!</div>
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<span style="font-size: x-large;"><br /></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-74382137201807169272019-10-30T23:18:00.003-07:002019-11-30T21:20:22.536-08:00PHOTO CAPTION: Dan Bloom as a freshman at Tufts University in 1967 in the dining hall in a file photo in the Tufts archives of campus photographer and student Frank Siteman<img alt="Image may contain: 2 people, people standing, shoes and outdoor" class="scaledImageFitWidth img" data-src="https://scontent-tpe1-1.xx.fbcdn.net/v/t1.0-9/p843x403/74179863_10156672445787584_2549092643845963776_o.jpg?_nc_cat=100&_nc_oc=AQmGKIjBA5VkllcSNsYwrY9RKOgkowiD0WfE5mb6yCwr3mtF2CoTUZSK2pP59XAgDnY&_nc_ht=scontent-tpe1-1.xx&oh=73f49d01d49b49a0cbad9069fe4ecc7e&oe=5E1CA514" height="744" src="https://scontent-tpe1-1.xx.fbcdn.net/v/t1.0-9/p843x403/74179863_10156672445787584_2549092643845963776_o.jpg?_nc_cat=100&_nc_oc=AQmGKIjBA5VkllcSNsYwrY9RKOgkowiD0WfE5mb6yCwr3mtF2CoTUZSK2pP59XAgDnY&_nc_ht=scontent-tpe1-1.xx&oh=73f49d01d49b49a0cbad9069fe4ecc7e&oe=5E1CA514" width="500" /><br />
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<img alt="Dan Bloom's photo." class="scaledImageFitWidth img" data-src="https://scontent-tpe1-1.xx.fbcdn.net/v/t1.0-9/317389_10150421721131535_1367659637_n.jpg?_nc_cat=104&_nc_oc=AQmnCK1NX2aKcJfeTb5a5B8TUES2YSbeb0yqttUV1DGHLWcKrJwpJUXnTpRztaw7H20&_nc_ht=scontent-tpe1-1.xx&oh=56e6f508f3e1ac8308559c35fc93e51d&oe=5E543A20" height="200" src="https://scontent-tpe1-1.xx.fbcdn.net/v/t1.0-9/317389_10150421721131535_1367659637_n.jpg?_nc_cat=104&_nc_oc=AQmnCK1NX2aKcJfeTb5a5B8TUES2YSbeb0yqttUV1DGHLWcKrJwpJUXnTpRztaw7H20&_nc_ht=scontent-tpe1-1.xx&oh=56e6f508f3e1ac8308559c35fc93e51d&oe=5E543A20" width="142" /> age 10<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlvs812uqiIdBTAVVsmkAFfR3ISkBCp2FOi97LpB3ICqQpHZh7XiJcOOftFu6qJoxXxUoqgPMrID8x4TN_g-q91rSUEMKWqryUXkmDIoGQF_S9Xh4zxoJDYOr6L9Xv-i7_OkV410XxcgY/s1600/P_20190623_161650_BF.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlvs812uqiIdBTAVVsmkAFfR3ISkBCp2FOi97LpB3ICqQpHZh7XiJcOOftFu6qJoxXxUoqgPMrID8x4TN_g-q91rSUEMKWqryUXkmDIoGQF_S9Xh4zxoJDYOr6L9Xv-i7_OkV410XxcgY/s320/P_20190623_161650_BF.jpg" width="240" /></a></div>
<strong><span style="font-size: x-large;">age 70</span></strong><br />
<a data-saferedirecturl="https://www.google.com/url?q=https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/&source=gmail&ust=1575262991762000&usg=AFQjCNGhHBqrAirY-m1z1qAff3mgxG0rAQ" href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/" target="_blank">https://www.sdjewishworld.com/<wbr></wbr>2019/11/30/activist-pushes-hol<wbr></wbr>lywood-to-adopt-cli-fi-genre/</a><br />
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Hat tip to Frank for taking the photo and finding it among his thousands of campus photos in the 1960s and hat tip to B.J. O'Riordan for pinging me on Facebook to ask me if that was me. I think it's me and I had to look ten times to make sure. At first, I thought for sure it was someone else. Time is that thing with feathers. Time flies. 18 then. 70 now. Thanks, Frank; thanks BJ, thanks Tufts 1967-1971<br />
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FRANK wrote ona FaceBook Group page in late October 2019: <br />
''Could this be a very young Daniel Bloom on his first day at Tufts? Definitely a '72 Beanie, shot in 1968 at MacPhie Dining Hall.''<br />
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And BJ wrote after Frank's comment: ''<span dir="ltr"><span class="_3l3x">I think so. And I think that that is Emily Novick right behind him. At MacPhie Dining Hall.''</span></span><br />
<span dir="ltr"><span class="_3l3x">=======================================</span></span><br />
<span dir="ltr"><span class="_3l3x"><br /></span></span>
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AARP EXECUTIVE CLAPS BACK AT VIRAL 'OK, BOOMER' JOKE WITH SHOT AT MILLENNIALS: WE 'ACTUALLY HAVE THE MONEY'</h1>
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By <span class="author" style="border: 0px currentColor; box-sizing: border-box; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 0px;"><span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;"><a class="author-name" href="https://www.newsweek.com/authors/hunter-moyler" rel="author" style="border: 0px currentColor; box-sizing: border-box; color: #f72210; list-style: none; margin: 0px; outline: 0px; padding: 0px;"><span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Hunter Moyler</span> </a></span></span><time data-timestamp="1573586890" datetime="2019-11-12T14:28:10-05:00" style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">On 11/12/19 at 2:28 PM EST</time><time data-timestamp="1573586890" datetime="2019-11-12T14:28:10-05:00" style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;"></time></div>
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In a recent interview about her organization's media presence, a senior executive of AARP—the American Association of Retired Persons—took a jab at the viral "OK, boomer" meme by making fun of the relative destitution of younger Americans.</div>
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The executive, Myrna <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Blyth, made the comment during an interview with </span><a href="https://www.axios.com/aarp-is-a-media-behemoth-412b5106-f879-477d-806d-6130148956bf.html?utm_source=twitter&utm_medium=social&utm_campaign=organic" rel="nofollow" style="border-bottom-color: rgb(247, 34, 16); border-style: none none solid; border-width: 0px 0px 1px; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;" target="_blank">Axios</a>. <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Blyth serves as the senior vice president and editorial director of AARP Media. AARP is a non-profit organization, 38 million members strong, whose mission is to "empower people to choose how they live as they age," according to its website. To qualify for membership, applicants must have already passed their 50th birthdays.</span></div>
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"OK, <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">millennials," Blyth reportedly said in the interview. "But we're the people that actually have the money."</span></div>
<figure class="imageBox p1544552" style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;"><amp-img alt="The Boomer List Screening And Q&A " class="imgPhoto i-amphtml-element i-amphtml-layout-responsive i-amphtml-layout-size-defined i-amphtml-layout" height="464" i-amphtml-auto-lightbox-visited="" i-amphtml-layout="responsive" layout="responsive" lightbox="i-amphtml-auto-lightbox-0" src="https://d.newsweek.com/en/full/1544552/boomer-list-screening-q.webp?w=650&f=a83bdd47cae28e23db934667c500faad" style="border: 0px currentColor; box-sizing: border-box; display: block; list-style: none; margin: 0px; outline: 0px; overflow: hidden; padding: 0px; position: relative;" width="650"><i-amphtml-sizer style="border: 0px currentColor; box-sizing: border-box; display: block; list-style: none; margin: 0px; outline: 0px; padding: 392.6px 0px 0px;"></i-amphtml-sizer><img alt="The Boomer List Screening And Q&A " class="i-amphtml-fill-content i-amphtml-replaced-content" decoding="async" src="https://d.newsweek.com/en/full/1544552/boomer-list-screening-q.webp?w=650&f=a83bdd47cae28e23db934667c500faad" style="border: currentColor; bottom: 0px; box-sizing: border-box; display: block; height: 0px; left: 0px; list-style: none; margin: auto; max-height: 100%; max-width: 100%; min-height: 100%; min-width: 100%; outline: 0px; padding: 0px; position: absolute; right: 0px; top: 0px; vertical-align: middle; width: 0px;" /></amp-img><figcaption class="caption" style="border-left-style: none; border-right-style: none; border-top-style: none; border-width: 0px; box-sizing: border-box; color: #666666; font-size: 14px; font-stretch: normal; line-height: 17px; list-style: none; margin: 0px; outline: 0px; padding: 0px 0px 30px; text-align: left;"><span class="cap" style="border: 0px currentColor; box-sizing: border-box; display: block; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 10px 0px 0px;"><span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Myrna <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Blyth</span> of AARP attends The Boomer List Screening and Q&A with photographer Timothy Greenfield-Sanders during <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">AWXI</span> at The New York Times Center on September 30, 2014 in New York City.</span></span><span class="credit" style="border: 0px currentColor; box-sizing: border-box; color: black; display: block; font-size: 13px; font-weight: bold; list-style: none; margin: 0px; outline: 0px; padding: 10px 0px 0px; text-transform: uppercase;">PAUL ZIMMERMAN/GETTY</span></figcaption></figure><figure style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px 0px 20px; outline: 0px; padding: 0px; text-align: center;"><amp-list aria-live="polite" binding="no" class="related i-amphtml-element i-amphtml-layout-flex-item i-amphtml-layout-size-defined i-amphtml-layout" height="300px" i-amphtml-layout="flex-item" layout="flex-item" src="https://d.newsweek.com/widget/related-amp?vs_filter=3988928" style="border: 0px currentColor; box-sizing: border-box; color: black; display: block; font-size: 16px; font-weight: bold; height: 300px; line-height: 16px; list-style: none; margin: 20px 0px 0px; outline: 0px; overflow: hidden; padding: 0px; position: relative; width: auto;" width="auto"><div class="block-title" style="border: 0px currentColor; box-sizing: border-box; color: rgba(12, 11, 11, 0.8); line-height: 16px; list-style: none; margin: 0px; outline: 0px; padding: 0px 0px 11px; text-align: left; text-transform: uppercase;">
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<span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Blyth's retort was a reversal of "OK, boomer," a meme that originated on the video app TikTok before migrating to the "real world."</span></div>
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The phrase quickly caught on as a dismissive response to elders who chide <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">millennials or members of Gen Z or express views typically unpopular among those groups, such as the denial of climate change or support for President Donald Trump.</span></div>
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"Teenagers use it to reply to <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">cringey YouTube videos, Donald Trump tweets, and basically any person over 30 who says something condescending about young people—and the issues that matter to them," the </span><em style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;"><a href="https://www.nytimes.com/2019/10/29/style/ok-boomer.html" rel="nofollow" style="border-bottom-color: rgb(247, 34, 16); border-style: none none solid; border-width: 0px 0px 1px; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;" target="_blank">New York Times</a></em> reported.</div>
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Some members of <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Blyth's cohort have taken extreme offense to "OK, boomer," with one radio host going so far as to claim that it was </span><a href="https://www.newsweek.com/radio-host-claims-boomer-n-word-ageism-internet-immediately-responds-ok-boomer-1469669" style="border-bottom-color: rgb(247, 34, 16); border-style: none none solid; border-width: 0px 0px 1px; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;" target="_blank">as bad as a certain racial slur</a> historically applied to African Americans. The meme even found its way into politics: A<a href="https://www.newsweek.com/politician-responds-heckler-parliament-ok-boomer-1470863" style="border-bottom-color: rgb(247, 34, 16); border-style: none none solid; border-width: 0px 0px 1px; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;" target="_blank"> young member of New Zealand's parliament</a> used the retort when an older colleague heckled her during a speech.</div>
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Blythe's words are backed up by AARP's financial influence. She told Axios that the company generates a total of "$7.1 trillion in annual economic activity" every year. AARP has also emerged in recent years as "one of the largest media companies in the country," according to Axios.</div>
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AARP's reach has also been known to extend beyond simply influencing its members' purchasing choices. "In recent years, it had influenced major federal legislation on issues including Medicare, Social Security, and pension reform through a coordinated effort of professional lobbyists and grassroots volunteers numbering close to 1 million," a 2007 case study from Stanford University's Graduate School of Business noted.</div>
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"We've created a media presence almost from the year we were founded in 1958," <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Blyth said. "It's a huge part of [the] way try to communicate to our members."</span></div>
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Axios reported that organization's bi-monthly magazine, aptly titled <em style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">AARP The Magazine</em>, was the number one most-circulated periodical in the United States in 2018 and 2019, having surpassed <em style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">People</em> in 2017. The second most-circulated magazine in the country was <em style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">AARP Bulletin</em>. That assertion ran counter to <a href="https://www.statista.com/statistics/208807/estimated-print-audience-of-popular-magazines/" rel="nofollow" style="border-bottom-color: rgb(247, 34, 16); border-style: none none solid; border-width: 0px 0px 1px; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;" target="_blank">reporting by data journalism company <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Statista</span></a>, which found that ESPN The Magazine was the reached the largest U.S. audience of any magazine in 2019. However, <span style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Statista acknowledged </span><em style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">AARP The Magazine </em>as having the most subscribers.</div>
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AARP reportedly pulled in $142 million in 2017 from print advertisements in both magazines, as well as $32 million in digital advertising, according to the Axios piece. But this was only one of the brand's revenue streams. AARP has also garnered "$299 million annually on membership dues, which cost about $16 yearly per person," Axios reported.</div>
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The economic clout behind Blyth's words might have added to the sting felt by younger readers the Axios piece. As <a href="https://www.newsweek.com/45-percent-millennials-say-that-living-costs-inhibit-them-buying-homes-1458840" style="border-bottom-color: rgb(247, 34, 16); border-style: none none solid; border-width: 0px 0px 1px; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;" target="_blank"><em style="border: 0px currentColor; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;">Newsweek</em> previously reported</a>, almost half of younger adults feel that high cost of living has prohibited them from even purchasing a home. Meanwhile, "[m]ore Millennial households are in poverty than households headed by any other generation," according to the <a href="https://www.pewresearch.org/fact-tank/2017/09/06/5-facts-about-millennial-households/" rel="nofollow" style="border-bottom-color: rgb(247, 34, 16); border-style: none none solid; border-width: 0px 0px 1px; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;" target="_blank">Pew Research Center</a>.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-3426202120032826392019-10-30T22:47:00.003-07:002019-11-13T23:11:30.510-08:00"Changing Tides" is an essay by British climate activist Sally Jensen about the state of cli-fi cinema in 21st century<br />
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<a href="https://clippingsme.imgix.net/cuttingpdfs/1010821/a5f3a90bc7afe04e12d49451140b2915.pdf?ixlib=rails-3.0.2">This essay is by Sally Jensen</a> and was first published in <a href="https://www.filmstories.co.uk/">''Film Stories''</a> Magazine in the UK.<br />
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<a href="https://clippingsme.imgix.net/cuttingpdfs/1010821/a5f3a90bc7afe04e12d49451140b2915.pdf?ixlib=rails-3.0.2">https://clippingsme.imgix.net/cuttingpdfs/1010821/a5f3a90bc7afe04e12d49451140b2915.pdf?ixlib=rails-3.0.2</a></div>
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<em>Climate change depiction in mainstream cinema’s past, present and future</em></h2>
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<span style="font-size: x-large;"><a href="https://clippingsme.imgix.net/cuttingpdfs/1010821/a5f3a90bc7afe04e12d49451140b2915.pdf?ixlib=rails-3.0.2">by Sally Jensen</a></span><br />
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<span style="font-size: x-large;">Opening scenes.</span> <br />
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*A freak polar vortex blankets the US Midwest with snow, ice and bitter cold, bringing society to a standstill. <br />
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*After consecutive floods, droughts and cyclones, a city of 9 million people runs out of water. Record-shattering heat hits rich European countries, killing the most vulnerable and parching once-verdant hillscapes. <br />
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*Huge swathes of forest burst into flames around the globe, including in the most inhospitably cold places on the planet. <br />
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*Cracks appear in Antarctica’s ice shelf, on the verge of severing into an iceberg the size of Houston. <br />
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*Greenland’s ice sheet sheds 12.5 billion tons of water into the sea – in a day. <br />
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*Thousands of people are killed, and millions of people displaced, as homes are ravaged.<br />
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No, this is not a storyboard for the latest <em>The Day After Tomorrow</em>-esque apocalypse-flick. <span style="color: red;">This stuff actually happened in 2019.</span> <br />
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For decades, Hollywood has been disturbingly obsessed with depicting in explicit detail the end of humankind and destruction of the planet. Now, it may have reality to contend with.<br />
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Set in fantasy universes degraded by resource scarcity, polar ice vortexes, hurricanes, famine and war, new films have defined the era of<a href="http://cli-fi.net/"> cli-fi,</a> resurrecting the art of disaster porn in a new context of widespread ecological anxiety. While the 1990s brought countless portrayals of human annihilation at the hands of extra-terrestrials and then robots, this 21st century our fate is being controlled by nature, an ancient and elusive but no less merciless foe.<br />
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In <em>Mad Max: Fury Road</em>, which won 6 Oscars in 2016, climate catastrophe provides the backdrop for a civilization ripped to shreds by an energy crisis: an arid wasteland teeming with outlaws hoarding resources and killing each other for necessities. <br />
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NASA’s water scientist Dr. James Famiglietti <a href="https://www.huffingtonpost.co.uk/entry/mad-max-fury-road-climate-change_n_56d4669de4b0871f60ec0926?guccounter=1&guce_referrer=aHR0cHM6Ly9jb25zZW50LnlhaG9vLmNvbS8&guce_referrer_sig=AQAAAB9Ol55HihVeQQvE85iHxNTOzIoUdQR6UaUoPSHIPKu6uuqS68b_YpLGNV3UUh-vSs_VkKoh_IaeHrgxfWGHrk22pxMNQ_OIPF9bBGr6732ZMn2s092Z46BzMmKjoMWCR0HRa7Rz4892RZXYtQqHNjWlKVOvZLpy5TNFMOcEa-X0">has ominously said</a> “There are metaphorical elements of <em>Mad Max</em> that are already happening, and that will only worsen with time.” <br />
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As a dystopian action film, the intrigue revolves around the coping mechanisms and interactions between the characters, placing its thrills in the shrieking lunacy of desert races and gruesome blood transfusions rather than the comparative stasis of the environment. <br />
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In <em>The Day After Tomorrow</em> by contrast, nature plays a more active role, replacing a traditional villain figure with something far more unpredictable, omnipotent and whose brains it’s less easy to blow out with a gun. The plot develops parallel to the calamity, as hurricanes bring international polar ice vortexes, instantaneous sea-level rise and hailstorms. <br />
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The scale and swiftness of the catastrophes depicted represent the ultimate conflation of what defines weather versus climate. However, in spite of its excessive scientific inaccuracy, which was criticised for being harmful to the climate cause, the captivating interplay between nature’s brutality and the empathetic protagonists caught in its wrath made it a huge success, becoming the sixth-highest grossing movie of 2004.<br />
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A precursor to <em>Mad Max: Fury Road</em>, <em><span style="color: red;">Waterworld</span></em> similarly forewarns of the violent conflict that arises thanks to resource depletion, except with savages zooming around on speedboats rather than 4WDs. Released in 1995, it probably didn’t anticipate how soon the future it depicts would come to pass. Although the film was a flop, it’s worth revisiting if only for its eerie prediction of rising sea levels; a world where basic survival is pitted against human empathy. While in both these action films the dystopian element is basically a <em>fait accompli</em>, in <em><strong>Interstellar</strong> </em>crop blights and dust storms are a looming threat much like they are today. <br />
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Firmly in the McConaissance catalogue, human salvation lies in one smart guy’s martyrdom, but also selflessness is key: “we must think not as individuals, but as a species.” Bringing to life the ideology of so many tech bros, space nerds and venture capitalists, escapism is the answer in this box-office smash: “We’re not meant to save the world – we’re meant to leave it,” says Michael Caine, in true Elon Musk form.<br />
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In all these, as with other apocalyptic cli-fi blockbusters (<em>Geostorm, 2012, The Colony, Snowpiercer</em>), the limelight is on humanity’s story and struggles in the face of these challenges, following the usual trope: hero, usually a male scientist/father/likeable figure (most likely white, except in <em>The Colony</em>), faces up against climate-induced chaos which threatens people he cares about; appeals to a reluctant higher authority for assistance; chaos exacerbates posing a threat to wider humanity; hero and allies ‘single-handedly’ find a solution; annihilation averted by some feat of geoengineering or sheer luck. (It’s the blueprint for the popular meme that all disaster movies start with the government not listening to a scientist – an acute observation of the era we live in.) <br />
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The focus on human protagonists is nothing if not pure Hollywood: take out the interpersonal relationships, treachery, love, crying children, and you’re left with a baked landscape decimated by the odd hurricane and token tsunami, which wouldn’t attract the same viewing figures. Natural disasters couldn’t care less about humans, yet Hollywood inherently does. But will climate change cinema always follow this convention? And what is its true purpose?<br />
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Even today, when most people think ‘climate change movie’, they think Al Gore standing on a stage pointing at Powerpoint slides. But while <em>An Inconvenient Truth</em> ushered in a wave of fact-based climate documentaries (<em>Chasing Coral</em>, <em>Ice On Fire</em>) which can’t legitimately be criticised for inaccuracy, their failure has arguably been in not telling an engaging enough human story to reach mass audiences. <br />
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Granted, <em>Before The Flood</em> benefited from Leonardo DiCaprio’s magnetic narration and promotional savvy, but it didn’t stop many from complaining that its realism was way too depressing. (A more apt criticism might be that it has become too common and easy for celebrities of his ilk to take a role in mainstream cli-fi, using it as a platform to showcase their newfound wokeness, rather than actively shun the global system of extraction and exploitation which simultaneously fuels the issue and their success.)<br />
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It’s a challenge of planetary proportions to make accessible, accurate, representative movies about the current state of ecological chaos. There’s a question to be asked of whether Hollywood, with its overindulgence in violence, sentimentality, money and excess is even compatible with serious science. But it’s not like effective climate movies don’t exist – indeed many have won awards in recent years. <em>Beasts of the Southern Wild</em>, while perhaps nuancing on the climate issue, is an incredibly moving human story that deals with the social consequences of extreme weather and its intersection with racial and class oppression. <br />
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Similarly, <em>The Boy Who Harnessed The Wind</em>, benefiting from Chiwitel Ejiofor’s leadership, brings the harsh imagery of actual climate desperation to privileged audiences, and ends with a small but hugely emotional message of hope. It’s worth including <em>Deepwater Horizon </em>here too, which although it doesn’t touch directly on climate change, it does a good job of condemning oil disasters and fossil fuel execs for their role, who exploit workers and resources for dirty profit. Even <em>Snowpiercer</em> pierces into the question of social inequality, unrest and revolution – not new for sci-fi, but perhaps a first in the context of cinematic climate change storytelling.<br />
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Meanwhile, the somewhat forgotten <em>Idiocracy</em>, while recently receiving attention for its prescience of US political circumstances, is actually a rare and highly creative climate change comedy. 500 years into the future, the snowballing stupidity of humans has led to a dust bowl, crop failure and trash peaks, as well as deteriorated health and hygiene. It turns traditional climate change storytelling on its head, making us cry but with laughter, pinning the blame firmly on us, everyday Westerners, for our apathy. While it doesn’t solve everything, the triumph of putting water (“Like, from a toilet?”) on soil taunts the way we overlook basic natural solutions in favour of quixotic geoengineering. The hero is literally an Average Joe.<br />
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While these tales both inform and entertain, the larger question is whether the purpose of climate change cinema would be to instigate action from where it would make most difference, i.e. kick mainstream Western audiences up the backside. In fact, some of the most hopeful and interesting stuff is being made for those with everything to live for – children. <br />
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The meltdown in<em> Ice Age: The Meltdown</em>, while not anthropogenic, serves to instil a fear and awe of nature’s unpredictability and create a sense of powerlessness at giant ecological shifts, not to mention empathy with endangered non-human animals (some things are so much easier with children). <br />
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<em>Cloudy With a Chance of Meatballs</em> is underrated as a commentary on climate breakdown, perhaps because at a first glance, a movie about a world where it rains food seems too wacky to take seriously. But it warns of the consequences of worldly avarice: be careful what you wish for, or you just might cause a spaghetti tornado to rip through your town.<br />
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Dr. Seuss, being way ahead of his time, of course knew about the importance of protecting nature and biodiversity. But <em>The Lorax</em>’s feature-film release in 2012 was all the more poignant and necessary given the era of mass ecological decimation and elitist greed kids are now growing up in the midst of. The song ‘How Bad Can I Be?’ is a catchy anthem condemning corruptibility and corporate fat cats. <br />
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The whole thing teaches kids (and adults) that if we do not <em>collectively</em> take responsibility for environmental stewardship, then our own world will soon be a wasteland with no trees or friends.<br />
With animated movies like these, future generations might watch <em>Titanic</em> and feel bemused that an iceberg threatened the existence of people (especially, ironically, Leonardo DiCaprio), rather than the other way around. For too long, mainstream climate cinema has not focused on the causes but the effects of climate change, as it fits so nicely with the need for a heroic storyline. By omitting the ‘man-made’ origins or any of the processes leading up to disaster, there is the tendency to absolve humans of responsibility. <br />
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What’s more, it usually conveniently skirts around existing social issues of race, class, and gender which are exacerbated by climate breakdown, lumping humanity into an evenly susceptible or responsible mass. While <em>Interstellar</em> is right to emphasise thinking as a species, it is wrong to suggest there’s nothing to be done. We are cast as powerless actors in the fate of external forces, to be rescued by other external forces; rather than individuals with the capacity to hold ourselves accountable and create change.<br />
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But perhaps this is too much to ask of Hollywood, which is not known for a history of creating mass movements and social upheaval. It is there to entertain, not preach. <br />
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Regardless, climate change is becoming ever more real and present in our lives, and all directors and producers should be preparing themselves for integrating these realities ever more in their depictions of everyday life. It won’t be long before we start seeing romcoms, spy thrillers and arthouse dramas set in a world of climate crisis; the same way the theme has already taken hold in our sci-fis and is slowly creeping into the realm of action movies. I<br />
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t’s probable that the generation learning about the impending ecological crisis from today’s colourfully animated 3Ds and CGIs may have to live through mass global displacement, disease, flooding and extreme weather events on a regular basis. <br />
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It will become the norm for this to be reflected on the big screen, if enjoying cinema has not already taken a backseat to other existential priorities by then. <br />
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If it hasn’t, the corporate fat cats had better watch out – there’ll be a slew of biographical hard-hitters waiting for them.<br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-42166064459939989822019-10-30T22:36:00.006-07:002019-12-06T22:39:46.358-08:00Hurricanes, flooded Manhattan canyons, and British nightmares: The current decade in cli-fi fiction (2010 - 2019<div class="separator" style="clear: both; text-align: center;">
<strong><span style="color: blue;">A <a href="http://cli-fi.net/">cli-fi</a> novel published in 2012 by Jim Laughter in Tulsa, Oklahoma</span></strong></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii8MqY4_FElj-LP6M5tQdSJA_cH5G1WS79CwQxRaVY85yDiZdh67q-6wtbaZxgCGSFbxGwyKFkmwv_S6urtrp7wOdanuZJUqkHyZD4EIyg2uT67peLOmXfBFI3Fx1CTJX2mFHVlvw3q5E/s1600/777777.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><strong><img border="0" data-original-height="649" data-original-width="416" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii8MqY4_FElj-LP6M5tQdSJA_cH5G1WS79CwQxRaVY85yDiZdh67q-6wtbaZxgCGSFbxGwyKFkmwv_S6urtrp7wOdanuZJUqkHyZD4EIyg2uT67peLOmXfBFI3Fx1CTJX2mFHVlvw3q5E/s320/777777.jpg" width="205" /></strong></a></div>
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Hurricanes, flooded Manhattan canyons, and British nightmares: The current decade in <a href="http://cli-fi.net/">cli-fi</a> fiction (2010 - 2019</h1>
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Readers rejoice! The novel is far from dead, as fiction from the 2010s points a searing eye at our past and future, says one literary observer.</div>
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<img alt="04-cnet-books-decade-review" height="0" src="https://cnet3.cbsistatic.com/img/_2PAoXKZUQWvcgHa_qWyR7it2AY=/1092x0/2019/10/29/1ab9aa5e-b65d-4431-b10c-3f8ae9e55e2e/04-cnet-books-decade-review.jpg" width="1092" /></div>
<figcaption><span class="credit"> </span></figcaption><figcaption><span class="credit">The 2010s may not have been a very good decade for print newspapers, what some pundits call ''snail-papers'' -- Google the term -- as well as TV or other old-fashioned media platforms, but the good old reliable novel has clawed its way back to the center of public attention in North America, Europe and Australia. </span><br />
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<span class="credit">"Despite endless blogs, "longform" reporting platforms, and other low- or no-cost ways to occupy our eyeballs, we're still turning to books, in both electronic and dead-tree varieties,'' says cultural observer Dan Ackerman.</span><br />
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<span class="credit">So long live the modern novel and long live the newly-rising cli-fi novel!</span><br />
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<span class="credit"><strong>NPR in 2013</strong>: <a href="https://www.npr.org/2013/04/20/176713022/so-hot-right-now-has-climate-change-created-a-new-literary-genre">https://www.npr.org/2013/04/20/176713022/so-hot-right-now-has-climate-change-created-a-new-literary-genre</a></span></figcaption><figure class="image image-medium pull-right shortcode" section="shortcodeImage"><img alt="decade-in-review-bug" data-original="https://cnet3.cbsistatic.com/img/KJVNgBMOadU0vPfTeoQ-NkE7Gxo=/644x0/2019/09/20/2a20e1c6-9f72-4a3c-b1b5-74e627cb2e54/decade-in-review-bug.png" height="0" src="https://cnet3.cbsistatic.com/img/KJVNgBMOadU0vPfTeoQ-NkE7Gxo=/644x0/2019/09/20/2a20e1c6-9f72-4a3c-b1b5-74e627cb2e54/decade-in-review-bug.png" style="display: block;" width="644" /><noscript><span><img src="https://cnet3.cbsistatic.com/img/KJVNgBMOadU0vPfTeoQ-NkE7Gxo=/644x0/2019/09/20/2a20e1c6-9f72-4a3c-b1b5-74e627cb2e54/decade-in-review-bug.png" class="" alt="decade-in-review-bug" height="0" width="644"></span></noscript></figure><br />
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Dan reports that the book publishing industry has booked several years of <a data-component="externalLink" data-s-object-id="article-body" href="https://www.statista.com/topics/1177/book-market/" rel="noopener noreferrer nofollow" target="_blank">growth during the past decade</a>, with physical book growth at times outpacing e-books. So far, the first half of 2019 is <a data-component="externalLink" data-s-object-id="article-body" href="https://www.forbes.com/sites/adamrowe1/2019/08/29/us-publishing-industry-revenues-reached-6-billion-in-first-half-of-2019/" rel="noopener noreferrer nofollow" target="_blank">up an additional 6.9%</a> over the same period last year, driven in part by the increasingly popular audiobook format, he says.</div>
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The themes of these 2010 - 2019 novels won't be surprising to anyone who has flipped on a newscast during the past decade. Anxiety about climate change have led to a variety of novels and movies about embattled survivors struggling against the odds. <a href="https://www.npr.org/2013/04/20/176713022/so-hot-right-now-has-climate-change-created-a-new-literary-genre">See for example, Nathaniel Rich's popular 2013 cli-fi novel ODDS AGAINST TOMOROW.</a><br />
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See also Kim Stanley Robinson's well-received recent cli-fi novel ''NEW YORK 2140.''<br />
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A bonus trend to all this is that more and more well-established novelists are said to be ready to try their hand at cli-fi genre fiction.<br />
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And add to that the increasing number of<a href="https://chireviewofbooks.com/2017/02/08/the-man-who-coined-cli-fi-has-some-reading-suggestions-for-you/"> literary critics,</a> book reviewers, podcast hosts and academics getting into the act. <a href="https://www.npr.org/2013/04/20/176713022/so-hot-right-now-has-climate-change-created-a-new-literary-genre">Cli-fi has been making waves the past ten years</a> and there is more, much more, to come.<br />
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<u><span style="color: #1b95e0;"><strong>PROFESSOR Sarah Dimick</strong></span><span style="color: #1b95e0;"><span class="gmail-UserBadges"></span><span class="gmail-UserNameBreak"> </span><span class="gmail-username gmail-u-dir gmail-u-textTruncate" dir="ltr">@<b>sarahdimick</b></span></span></u> <br />
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My <a class="gmail-twitter-hashtag gmail-pretty-link gmail-js-nav" dir="ltr" href="https://twitter.com/hashtag/clifi?src=hash"><span style="color: #1b95e0;"><s>#</s><b>clifi</b></span></a> students spent the last day of class writing definitions of the genre, and they are stunning. With their permission, I'm posting a few here. <a class="gmail-twitter-atreply gmail-pretty-link gmail-js-nav" dir="ltr" href="https://twitter.com/LafCol"><span style="color: #1b95e0;"><s>@</s><b>LafCol</b></span></a> <a class="gmail-twitter-atreply gmail-pretty-link gmail-js-nav" dir="ltr" href="https://twitter.com/LafEnvironment"><span style="color: #1b95e0;"><s>@</s><b>LafEnvironment</b></span></a></div>
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"Climate fiction follows everyday life in a new world based off scientifically plausible circumstances caused by anthropogenic climate change." <a class="gmail-twitter-hashtag gmail-pretty-link gmail-js-nav" dir="ltr" href="https://twitter.com/hashtag/CliFi?src=hash"><span style="color: #1b95e0;"><s>#</s><b>CliFi</b></span></a></div>
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"Authors of this genre use how human actions are changing the climate to imagine how the new climate may change humans." <a class="gmail-twitter-hashtag gmail-pretty-link gmail-js-nav" dir="ltr" href="https://twitter.com/hashtag/CliFi?src=hash"><span style="color: #1b95e0;"><s>#</s><b>CliFi</b></span></a></div>
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"Authors of this genre use how human actions are changing the climate to imagine how the new climate may change humans." <a class="gmail-twitter-hashtag gmail-pretty-link gmail-js-nav" dir="ltr" href="https://twitter.com/hashtag/CliFi?src=hash"><span style="color: #1b95e0;"><s>#</s><b>CliFi</b></span></a></div>
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"Climate fiction is literary fiction that ties closely to the history of the world and draws connections, extracts morals from such to produce a scenario, that is scientific speculation of how the future might look." (Milena is thinking here of <a class="gmail-twitter-atreply gmail-pretty-link gmail-js-nav" dir="ltr" href="https://twitter.com/cherie_dimaline"><span style="color: #1b95e0;"><s>@</s><b>cherie_dimaline</b></span></a>'s Marrow Thieves)</div>
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<a class="gmail-twitter-hashtag gmail-pretty-link gmail-js-nav" dir="ltr" href="https://twitter.com/hashtag/CliFi?src=hash"><span style="color: #1b95e0;"><s>#</s><b>CliFi</b></span></a> depicts social change parallel to the changing climate</div>
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<a class="gmail-twitter-hashtag gmail-pretty-link gmail-js-nav" dir="ltr" href="https://twitter.com/hashtag/CliFi?src=hash"><span style="color: #1b95e0;"><s>#</s><b>CliFi</b></span></a> is about "the future or in a world that may or may not be near."</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-44622538980123596672019-10-30T22:12:00.001-07:002019-10-31T22:49:07.256-07:00An informal interview Q&A style with New Zealand author Chris Else ("Waterline" published in 2019)<div class="separator" style="clear: both; text-align: center;">
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<span style="color: blue; font-family: "garamond";"><em>In a recent email exchange, Dan Bloom, a Taiwan-based climate activist of the literary kind, asked New Zealand novelist Chris Else some short questions about his new novel titled <a href="https://cli-fi-books.blogspot.com/2019/10/waterline-by-chris-else-is-mix-of-cli.html">''WATERLINE.''</a> Here is their exchange, slightly edited for clarity and amplification.</em></span><br />
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<span style="font-size: large;"><span style="font-family: "garamond";"><span style="color: red;">DAN BLOOM:</span> <a href="https://cli-fi-books.blogspot.com/2019/10/waterline-by-chris-else-is-mix-of-cli.html">Tom McKinlay reviewed your book in a New Zealand newspaper recently and his opening line was intriguing, I thought.</a> <u></u><u></u></span></span><br />
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<span style="font-family: "garamond" , serif; font-size: 18pt;">" 'Waterline' '' is a mix of cli-fi, 'black comedy' and domestic drama. With a lot of rain,'' Tom wrote. </span><br />
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<a href="https://cli-fi-books.blogspot.com/2019/10/waterline-by-chris-else-is-mix-of-cli.html">https://cli-fi-books.blogspot.com/2019/10/waterline-by-chris-else-is-mix-of-cli.html</a></div>
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<span style="font-family: "garamond" , serif; font-size: 18pt;">For readers new to this kind of genre bending, genre blending, can you tell us a little bit more about what Tom might have meant by that opening line? </span></div>
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<span style="font-family: "garamond" , serif; font-size: 18pt;"><span style="color: blue;">CHRIS ELSE:</span> <span style="color: #c00000;">I didn’t set out to write <a href="http://cli-fi.net/">a cli-fi novel</a> as such. My main focus was to tell the story of a family under pressure from a number of sources. Climate is directly involved, in that their troubles start with the loss of their house in a major storm, but subsequently it mostly provides a background to the story and perhaps serves as a metaphor for their troubles. A more direct impact on their lives is the artificial intelligence in administrative and legal computer systems, which continually gets in the way and makes their problems worse. The ''black comedy'' comes from a satirical take on the society they finish up in. <u></u><u></u></span></span></div>
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<span style="font-size: large;">QUESTION:</span><em> ''<span style="font-size: large;">Waterline''</span></em><span style="font-size: large;"> is not your average <a href="http://cli-fi.net/">cli-fi</a> thriller. It's a mix of suspense, black comedy, domestic drama and unorthodox romance, set some time in the future to provide an unsettling yet convincing backdrop to some very familiar themes. What was your goal in writing this novel and who was your target audience in terms of age and country?</span> <br />
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<span style="font-family: "garamond" , serif; font-size: 18pt;">CHRIS ELSE: <span style="color: #c00000;">My main goal was to tell a good story, but I also wanted to shine some light on what the concept of ''status'' means in the modern world and how it underpins a lot of our problems. I had no particular audience in mind. I guess my ideal readers are intelligent, thinking people of all ages who share my sense of humour. I didn’t write the book for New Zealanders particularly, but I guess my imagination (psychological, social, political and geographical) inevitably has a New Zealand flavour. I expect at least some people in other places will find it interesting.</span></span><br />
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<span style="font-family: "garamond" , serif; font-size: 18pt;">QUESTION: Do you hope to find readers, attract readers overseas in the UK and the USA and Canada? How? </span><br />
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<span style="font-family: "garamond" , serif; font-size: 18pt;">CHRIS ELSE: <span style="color: #c00000;">Yes, an international audience would be great. Promotion is in the hands of my publisher. Right now we are developing the local market, but we’ll be moving on to international promotion soon. <u></u><u></u></span></span><br />
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<span style="font-family: "garamond" , serif; font-size: 18pt;">QUESTION: Your book was published in New Zealand and was well-receiwed there by local book reviewers and literary crtics. Will the book be sold in Australian bookshops, and have there been any reviews yet in Australia or Tasmanian newspapers yet? </span><br />
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<span style="font-family: "garamond" , serif; font-size: 18pt;">CHRIS ELSE: <span style="color: #c00000;">We will get to the Australian market in the next little while. I don’t think there will have been any reviews there yet.</span></span><br />
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<span style="font-family: "garamond" , serif; font-size: 18pt;">LAST QUESTION: ''Cli-fi'' is a relatively new literary genre standing for ''climate fiction.'' I coined the term in 2011 as a PR tool and a literary platform for writers and readers. Do you see your novel as cli-fi or sci-fi or a hybrid mix of both genres? </span><br />
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<span style="font-family: "garamond" , serif; font-size: 18pt;">CHRIS ELSE: <span style="color: #c00000;">I don't see my book as belonging in the science-fiction section of a bookshop or a library. I see it primarily as general fiction, which happens to have a speculative dimension. There is very little in the book that is futuristic. Almost all the science and technology is available today, and all I am doing is pushing it a little towards its extremes for satirical and dramatic effect.</span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-49064472692034316782019-10-30T21:55:00.001-07:002019-12-18T22:04:53.823-08:00It's 2020 and while the cli-fi genre is rising around the world, sci-fi still has a role to play in the culture at large. <div>
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<strong><span style="font-size: large;">How science fiction can play an important role in getting novelists and film directors to incorporate climate change and runaway global warming risks themes into their works</span></strong><br />
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<strong><span style="font-size: large;">by Dan Bloom at the <a href="http://cli-fi.net/">Cli-Fi Report</a></span></strong></div>
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It's 2020 and while the cli-fi genre is rising around the world, sci-fi still has a role to play in the culture at large. </div>
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Not with flying killer robots, exoplanets popping up all over the place, or social media users and bloggers influencing geopolitics. No, but by writing and reading climate-themed science fiction, the sci-fi community at large can be prepared for the 22nd century in 80 years.</h1>
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Sci-fi novels about climate change in the past, the present and the near and far future need not be escapist entertainment and do not have to be shy about tackling climate change head on. Many top sci-fi writers in the last 10 years have been calling for this, too. It's full speed ahead for science fiction writers to grapple with change change issues head on, within the storied sci-fi tradition.</div>
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William Gibson has done, Jeff VanderMeer has done it, Kim Stanley Robinson has done it, Margaret Atwood has done it. <br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-15144947335680162432019-10-29T00:27:00.000-07:002019-11-18T22:18:58.891-08:00While #scifi has been a largely male enterprise, (written, edited, published by male geek fandom)...the new genre of cli-fi is a female- driven phenomenon, with women writers, bloggers, literary critics and readers running the show! Look around you. It's plain to see. It's in the air!<div class="separator" style="clear: both; text-align: center;">
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<strong><span style="font-size: large;">There has been a recent SCI-FI, <a href="http://cli-fi.net/">CLI-FI</a> SHIFT!</span></strong> </ol>
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While <a class="twitter-hashtag pretty-link js-nav" data-query-source="hashtag_click" dir="ltr" href="https://twitter.com/hashtag/scifi?src=hash"><span style="color: #1b95e0;"><s>#</s><b>scifi</b></span></a> has been a largely male enterprise, (written, edited, published by male geek fandom)...</ol>
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the new genre of <a href="http://cli-fi.net/">cli-fi</a> is a female- driven phenomenon, with women writers, bloggers, literary critics and readers running the show! <br />
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Look around you. <br />
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It's in the air!<br />
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<strong><span style="font-size: large;">Interesting development.....developing.....</span></strong><br />
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<strong><span style="font-size: large;">====================</span></strong><br />
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13 Female "Cli-Fi" Writers Who Are Inspiring a Better Future</h2>
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In the emerging genre of climate fiction, women take the helm</div>
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By <a href="https://www.sierraclub.org/sierra/authors/carly-nairn">Carly Nairn</a> | <span class="pubdate">Mar 8 2018</span></div>
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For International Women's Day 2018, we decided to honor those female writers bringing climate change to everyone’s minds and eyeballs through world-building, apocalyptic scenarios. </div>
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Pandemics, extreme weather, droughts, and a militarized process of securing natural resources are common elements in climate fiction, or “cli-fi”—and our anxiety-induced state makes this the perfect time for an artful examination of the future of the environment.</div>
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The writers listed here are questioning, critiquing, and speculating about what various kinds of worlds, including the one in which we presently live, can look like. In fact, the burgeoning genre of cli-fi has already sparked new avenues. Take solarpunk, a sub-genre that ultimately conveys an optimistic view of the future, often by envisioning how present political and cultural movements might realize their missions—such as Black Lives Matter, #TimesUp, #NODAPL, and the end of late-stage capitalism—and ultimately offering conclusions about how we can save ourselves from ourselves. Solarpunk and cli-fi stories are marked by conjecture about the future, critique of the present, and evaluation of the past. Frequently, environmental justice is a central theme, and humanity ultimately claims stewardship of the natural world.</div>
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This round-up includes works from cli-fi’s up-and-comers, as well as some best-sellers, and a nod to the legacy writers who started it all.</div>
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<strong><img alt="" class="media-element floatLeftMargin file-full" data-delta="13" data-fid="327491" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20Fifth%20Season%20WB.jpg" title="" width="140" />The Broken Earth Series</strong> <strong>by</strong> <strong>N.K. Jemisin</strong></div>
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Back-to-back Hugo Award winner Jemisin brings a memento mori to life with the Broken Earth trilogy. The title of the first book, <em>The Fifth Season</em>, references an annihilation event that occurs every few centuries due to climate change. All of Jemisin’s work is steeped in mythology—characters understand their place within the hierarchy of “use-caste”; that is, until circumstances or natural grit compels them to undertake extraordinary endeavors.</div>
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<img alt="" class="media-element floatLeftMargin file-full" data-delta="1" data-fid="327311" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20Flight%20Behavior%20WB.JPG" title="" width="140" /><strong><em>Flight Behavior</em> by</strong> <strong>Barbara Kingsolver</strong></div>
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Kingsolver is not your typical genre writer—she’s best known for mainstream best-sellers such as <em>The Poisonwood Bible</em> and the wonderful <em>The Lacuna</em>. <em>Flight Behavior</em>, on the other hand, feels like it could be a news report a few years down the road. A Tennessean housewife goes on a hike and finds a valley covered in millions of monarch butterflies whose usual winter grounds in Mexico have been displaced by climate change. </div>
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<em><img alt="" class="media-element floatLeftMargin file-full" data-delta="8" data-fid="327421" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20station%20eleven%20WB.jpg" title="" width="140" /><strong>Station Eleven</strong></em><strong><span style="color: black; font-family: "droid serif" , "georgia" , "times new roman" , serif; font-size: 15px;"> by </span>Emily St. John Mandel</strong></div>
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<em>Station Eleven</em><span style="color: black; font-family: "droid serif" , "georgia" , "times new roman" , serif; font-size: 15px;"> is set in the Great Lakes region in the near-future, after a swine flu pandemic known as the "Georgia Flu" has devastated the world, wiping out most of the population. A troupe of actors tries to bring joy to those who are left by staging performances depicting life from a bygone era. The novel includes multiple character arcs that intersect and at times leave the reader guessing. </span><em>Station Eleven</em><span style="color: black; font-family: "droid serif" , "georgia" , "times new roman" , serif; font-size: 15px;"> is ultimately a story about the creative spirit within people, and how it can simultaneously shape and destroy our world.</span></div>
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<em><img alt="" class="media-element floatLeftMargin file-full" data-delta="6" data-fid="327381" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20California%20WB_1.jpg" title="" width="140" /><strong>California</strong></em><strong> by Edan Lepucki</strong></div>
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Post-apocalyptic California is becoming a common trope in cli-fi, but it holds sway in Lepucki’s astute portrait of human fragility. In the 2060s, a young couple finds out they are pregnant and decide to leave Los Angeles for the wilderness, so as to find a community that can help the young couple raise the kid. In this novel, “Communities” refer to havens of those wealthy and lucky enough to have survived after a flu ravaged most of the population. Like <a href="https://www.newyorker.com/magazine/2017/01/30/doomsday-prep-for-the-super-rich">Silicon Valley’s real-life burgeoning community of wealthy and exclusive survivalists</a>, <em>California</em>’s communities, located deep in the wilderness, include private security forces to protect those within them. Like most people who rely on cellphones, delivery services, and cheap transportation to get through the day, Frida and Cal are not your typical lovers of the outdoors, but still, they try to make life work in a world that won’t.</div>
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<strong><em>Gold Fame Citrus</em> by</strong> <strong>Claire Vaye Watkins</strong><br />
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Another novel set in a dystopian California, Watkins’s debut takes place in the near future, when the land is ravaged by extreme drought (this, of course, hits especially close to home for Californians). It hasn’t rained in years, and an expanding, shifting-sand hellscape reminiscent of the one portrayed in Mad Max, the “Amargosa Dune Sea,” has swallowed the Southwest. Los Angeles is left mostly abandoned. The main character is Luz, an orphaned model who as a baby was adopted by the Bureau of Conservation to be a poster child for water infrastructure expansion efforts—what a way to get famous. Watkins’s narration feels flimsy at times—you want to know more about Luz and why she makes the decisions she does. However, the story maintains suspense in that it’s difficult to choose who is more likely to survive—those in the Dune Sea, living each day like it’s their last, or those trying to make a world better than the one they currently inhabit.</div>
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<em><img alt="" class="media-element floatLeftMargin file-full" data-delta="12" data-fid="327481" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20Collapse%20of%20Western%20Civ%20WB.jpg" title="" width="140" /><strong>The Collapse of Western Civilization: A View from the Future</strong></em><strong> by</strong> <strong>Noami Oreskes and Erik M. Conway</strong></div>
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Oreskes is one of the few cli-fi writers who can safely say she has an insider’s take on the potentialities of climate change. As the affiliated professor of earth and planetary sciences at Harvard University, her daily life involves studies in geophysics and global warming. According to her novel, the collapse of western civilization happens in 2093, after the West Antarctic Ice Sheet disintegrates, and the global order is upended due to mass migration. The story takes place 300 years after the “Great Collapse” and is told through the point of view of a scholar in the Second People’s Republic of China, who writes about the human folly of not heeding earlier warnings of ensuing catastrophe.</div>
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<em><img alt="" class="media-element floatLeftMargin file-full" data-delta="5" data-fid="327351" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20the%20carbon%20diaries%20WB.jpg" title="" width="140" /><strong>The Carbon Diaries: 2015</strong></em><strong> by Saci Lloyd</strong></div>
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<em>The Carbon Diaries: 2015</em> is a 2009 young adult novel set in the United Kingdom after weather disasters have left 16-year-old Londoner Laura weary of the future and a carbon-rationing program has been instituted. Nobody flies in a plane anymore, because it is too expensive, and each citizen’s carbon ration card has to be used on essentials, like starting home appliances and taking public transit. Reviewer<a href="http://www.rebeccaonion.com/2011/09/young-and-hot-saci-lloyds-the-carbon-diaries/"> Rebecca Onion</a> touted the <em>The Carbon Diaries</em> as a prime example of a “soft apocalypse” story, in that it “chronicles societies changing as a result of a series of rolling crises, rather than in the blink of an eye, as from a nuclear blast.”</div>
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<em><img alt="" class="media-element floatLeftMargin file-full" data-delta="9" data-fid="327441" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20Disasters%20in%20the%20first%20world%20WB.jpg" title="" width="140" /><strong>Disasters in the First World</strong></em><strong> by Olivia Clare</strong></div>
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In <em>Disasters</em>, a short-story collection populated with imperfect people, drinking water in Las Vegas costs more than booze or drugs. An affront to the price of commodities, perhaps, but the scenario’s not as far-fetched as we would like to think, with major cities such as Cape Town presently on the brink of waterlessness. Clare, who’s mostly known for her poetry, is a master of language. Her fine-tuning is on full display in the story “<a href="https://ecotonemagazine.org/fiction/petur/">Petur</a>,” which was published in 2013 in <em>Ecotone</em> and fetched a 2014 O. Henry Prize. After a mother and son are stranded in a remote Icelandic town in the wake of 2010’s volcanic eruption of Eyjafjallajokull (what a name—and it’s real!), they suffer mental decline.</div>
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<img alt="" class="media-element floatLeftMargin file-full" data-delta="11" data-fid="327471" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20Spider%20the%20Artist%20WB.jpg" title="" width="140" /><strong>“Spider the Artist” by</strong> <strong>Nnedi Okorafor</strong></div>
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This short story, <a href="http://www.lightspeedmagazine.com/fiction/spider-the-artist/">published online</a> by <em>Lightspeed Magazine</em>, is set in a future Nigeria, where ecological destruction has taken root—“the fish, shrimps, and crayfish in the creeks were dying. Drinking the water shriveled women’s wombs and eventually made men urinate blood.” Okorafor, who has seen a boost in popularity following the recent announcement that her 2010 novel <em>Who Fears Death</em> will be adapted into an HBO series (with George R.R. Martin as executive producer), weaves elements of Nigerian folklore and history into all of her stories. In “Spider the Artist,” Zombies, or Anansi Droids—named after the African master storyteller who often takes the shape of an arachnid—guard a pipeline crucial to the Nigerian government’s control over its people and its ongoing supply chain to the United States.</div>
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<img alt="" class="media-element floatLeftMargin file-full" data-delta="10" data-fid="327451" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20sunvault%20WB.jpg" title="" width="140" /><strong>“A Catalogue of Sunlight at the End of the World” by A.C. Wise</strong></div>
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This short story, from Upper Rubber Boot Books’ <em>Sunvault: Stories of Solarpunk and Eco-Speculation</em> anthology, is told through diary entries that toggle back and forth through the 22nd and 23rd centuries. Set mainly in Svalbard, a Norwegian archipelago at the top of the world, one account illustrates the harsh beauty of aggravated circumstances. “Today the light is pure,” it states. “There isn’t a cloud in the sky to cut it, no breeze to stir it off our skins. All the shadows are sharp-edged. There’s so much of it, it’s easy to forget it’s there.” It’s always sunny at the end of the world, and the unnamed narrator reminisces about good and tough times, and about what’s to come next. Wise encapsulates the feelings of awe and dread that the natural world tends to inspire. </div>
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Now, let’s not forget the greats.</div>
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Many of the writers mentioned above would not be on this list if not for the shoulders of giantesses on which they stand. The following three authors are some of the best in the genre, period—and their legacies continue to haunt and astound us.</div>
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<strong><img alt="" class="media-element floatLeftMargin file-full" data-delta="3" data-fid="327331" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20Parable%20of%20the%20Talents%20WB.JPG" title="" width="140" />Octavia Butler</strong>, best known for <em>The Parable of the Sower</em> and <em>The Parable of the Talents</em>, <em>Kindred</em>, <em>Lilith’s Brood</em></div>
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Butler, a cornerstone of Afrofuturism—an aesthetic, philosophy, and critique that explores intersections of African culture and technology—is unparalleled when it comes to world-building capabilities. <em>The Parable of the Sower</em> and <em>The Parable of the Talents</em> so eerily predicted the rise and election of Donald Trump that one might wonder whether Butler used a crystal ball when she got writer’s block. (This hypothesis, however, does a disservice to Butler’s narrative talent.) The Parable series, inspired by news reports about climate change and late-stage capitalism—and which Butler was never able to finish, due to her <a href="http://www.nytimes.com/2006/03/01/books/octavia-e-butler-science-fiction-writer-dies-at-58.html">sudden and untimely death</a> in 2006—conjures a world devastated by global warming. Drought and rising sea levels scourge the earth. Most people live in gated neighborhoods. Pharmaceuticals have replaced reality with psychotropic experiences. Women’s oppression is laid bare—“nags” who speak their mind get their tongues cut out. After President Donner, a nincompoop who promises jobs to the people, is elected, an opposition candidate, the charlatan Andrew Steele Jarret, dedicates his campaign to “making America great again.” It’s all very disturbing—especially when you find yourself nodding in agreement to teenage protagonist Lauren’s claim that, “People have changed the climate of the world.” </div>
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<strong><img alt="" class="media-element floatLeftMargin file-full" data-delta="4" data-fid="327341" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20Oryx%20and%20Crake%20WB.jpg" title="" width="140" />Margaret Atwood</strong>, best known for <em>The Handmaid’s Tale</em>, the MaddAddam trilogy, <em>The Heart Goes Last</em></div>
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It would be difficult to argue that the cli-fi genre is what it is today—chock-full of talented writers who can conjure the strange, the tortured, and the triumphant—without Atwood having paved the way. In her MaddAddam series, readers are immersed in worlds defined by genetic engineering, religious zealotry, and internet and video culture—subjects so increasingly relevant that Atwood has become required reading in many schools. And yet, while reading Atwood, one cannot help but feel optimistic about the human capability to endure. In <em>Oryx and Crake</em>, the first book of the MaddAddam trilogy, a group of vegetarians are devoted to preserving all plant and animal life. They predict a natural disaster that will wipe out all species. When it comes to fruition, Atwood’s characters showcase the best and worst of humanity.</div>
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<strong><img alt="" class="media-element floatLeftMargin file-full" data-delta="2" data-fid="327321" data-media-element="1" height="180" src="https://www.sierraclub.org/sites/www.sierraclub.org/files/uploads-wysiwig/SIERRA%20The%20Dispossessed%20WB.JPG" title="" width="140" />Ursula K. LeGuin</strong>, best known for <em>The Dispossessed</em>, the Earthsea Cycle Series, <em>The Left Hand of Darkness</em>, <em>The Lathe of Heaven</em></div>
Ursula LeGuin’s <a href="https://www.sierraclub.org/sierra/climate-visionary-ursula-k-le-guin">recent death</a>, following a prolific career in which she (masterfully) wrote everything from children’s fantasy to personal essays to poetry, amounted to a loss of one of the most brilliant authors in American letters. Everyone has a favorite LeGuin, based on personal preference, and often on where they were in life when they read it (<em>The Dispossessed</em>, all the way!). LeGuin, a champion of genre fiction, not only took a hatchet to clichés in sci-fi about female, or simply gendered, character representation—she liked to include sexless or asexual entities—and served as a constant source of inspiration in terms of approaching writing as passion, but she also cared about the environment deeply. And this shows through her work as requiem.</div>
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<span style="font-size: x-large;">Take a stroll into days gone by with Torasan</span><br />
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<span style="font-size: x-large;">By LISA VOGT/</span></div>
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<span style="font-size: x-large;">Special to Asahi Weekly</span></div>
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<span style="font-size: x-large;">October 29, 2019 </span></div>
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<img alt="Photo/Illutration" src="http://www.asahicom.jp/ajw/articles/images/AS20191025004193_comm.jpg" width="660" /><em class="Caption">Movie posters of “Otoko wa tsurai yo” (It’s tough being a man) are displayed inside the Torasan Museum. Torasan, played by actor Kiyoshi Atsumi, was featured in a series of 48 films from 1969 to 1995. (Photo by Lisa Vogt)</em><br />
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<!--googleon:index--> “I was born and raised in Shibamata, Katsushika. I was immersed as a baby in the warm spring waters of Taishakuten Temple. My last name is Kuruma, and first is Torajiro. I am known as Tora the Drifter.” Music, start!<br />
I always have to control the urge to clap after hearing these lines at the beginning of every “It’s tough being a man” movie.<br />
Taishakuten, originally a Hindu god, defends deities and humans against evil. He lives in Kikenjo, the castle of goodness views, located atop the Buddhist universe. Taishakuten is often depicted giving the infant Buddha his first bath.<br />
Torasan is in no way as fierce and competent as Taishakuten, nor is he a Buddha. Perhaps in a yin-yang kind of way, the spring waters he was baptized in have something to do with the good-hearted soul he possesses. Torasan always puts the happiness of the object of his desire--the Madonna in each episode--before himself. In this respect, he is a castle of goodness.<br />
From Shibamata Station it’s a pleasant stroll through a quaint, yesteryear shopping street leading to Taishakuten temple. There’s an entertaining karakuri "omikuji" paper fortune machine there. Upon inserting 100 yen, a robotic "shishimai" lion dances and then selects an omikuji for you. It will put your fortune between its teeth and drop it into a hole where you retrieve it.<br />
Then walk from the station toward the river. The name Shibamata originally was written with the characters “island” and “branch” because the Edogawa river branched out and looked like an island). The Torasan Museum is located alongside it.<br />
Each story starts with Torasan with his beat-up brown suitcase “unexpectedly” returning home from his travels to Kurumaya, the family’s sweet dumpling shop in Shibamata. At the museum, you can see the original shop set and a cornucopia of props, posters, mock-ups and film clips of damsels in distress who Torasan inevitably falls in love with. Strategically placed life-sized cutouts of Torasan make for many cool photo ops.<br />
Veteran director Yoji Yamada has made countless films, not just the Torasan series. My favorite is “The Yellow Handkerchief.” A museum dedicated to the director is next door, and a few minutes away is Yamamoto-tei, a grand Taisho-era home with a peaceful garden.<br />
Search online, and you’ll find DVDs of Torasan’s misadventures with English subtitles. Might it not be interesting to study English with Japan’s most kindhearted and beloved loser?<br />
* * *<br />
<em>This article by Lisa Vogt, a Washington-born and Tokyo-based photographer, originally appeared in the Sept. 22 issue of Asahi Weekly. It is part of the series "Lisa’s In and Around Tokyo," which depicts the capital and its surroundings through the perspective of the author, a professor at Meiji University.</em></div>
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<h1>
Tokyo Film Review: </h1>
<h1>
‘Tora-san, Wish You Were Here’</h1>
<h2>
A nostalgic tribute to “free-spirit fool” Tora-san, this 50th installment in the 50-year-old series revives beloved comedic actor Kiyoshi Atsumi in his best-loved role, as 'free-spirit fool' Tora-san.</h2>
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<em>By</em> <a href="https://variety.com/author/peter-debruge/" rel="author">Peter Debruge</a> <svg class="svg-icon-more" height="12px" viewbox="0 0 15 15" width="12px" xmlns="http://www.w3.org/2000/svg"><path d="M 2.53 5.27 H 0.74 V 0.6 h 4.67 v 1.78 H 2.53 v 2.89 Z m 10.34 7.45 H 9.98 v 1.79 h 4.67 V 9.84 h -1.78 v 2.88 Z M 9.98 2.38 h 2.89 v 2.89 h 1.78 V 0.6 H 9.98 v 1.78 Z M 2.53 9.84 H 0.74 v 4.67 h 4.67 v -1.79 H 2.53 V 9.84 Z M 11 6.66 H 8.59 V 4.24 H 6.8 v 2.42 H 4.39 v 1.78 H 6.8 v 2.42 h 1.78 V 8.44 H 11 V 6.66 Z" fill-rule="evenodd" fill="#168cfa"> </path></svg> </div>
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<dt>Director:</dt>
<dd>Yoji Yamada</dd>
<dt>With:</dt>
<dd>Kiyoshi Atsumi, Chieko Baisho, Hidetaka Yoshioka</dd> <br />
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Running time: 115 MIN. </div>
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Official Site: <a href="https://www.cinemaclassics.jp/tora-san/movie50/" target="_blank">https://www.cinemaclassics.jp/tora-san/movie50/</a> </div>
<!-- /.c-meta__more --> <article class="c-content">Japanese screen legend <a data-tag="kiyoshi-atsumi" href="https://variety.com/t/kiyoshi-atsumi/" id="auto-tag_kiyoshi-atsumi">Kiyoshi Atsumi</a> built his entire career on one role. For nearly three decades, the comic actor played a character named Torajiro Kuruma — “<a data-tag="tora-san" href="https://variety.com/t/tora-san/" id="auto-tag_tora-san">Tora-san</a>” to his onscreen family and real-world fans — appearing in approximately two new installments of the long-running franchise per year. To Japanese audiences, Atsumi <em>was</em> <a data-tag="tora-san" href="https://variety.com/2019/film/asia/yoji-yamada-to-keep-filming-until-100-1203381787/" id="related_article_link_tora-san">Tora-san</a>, a connection the actor encouraged by appearing in precious few other film roles beyond the benevolent vagrant, who was a traveling salesman-cum-free spirit, sparking brief but unsuccessful romances with a variety of women on the road, while nudging the love lives of his shy sister and awkward nephew toward more traditional happiness.<br />
When Atsumi died in 1996, so too did the popular film series, meaning that Japanese audiences have been without their beloved Uncle Tora-san for more than 20 years. Now, to commemorate the 50th anniversary of the first movie, director <a data-tag="yoji-yamada" href="https://variety.com/t/yoji-yamada/" id="auto-tag_yoji-yamada">Yoji Yamada</a> (who helmed all but two of the character’s 49 features) assembles most of the original cast for its 50th installment, “Tora-san, Wish You Were Here,” cleverly resurrecting the character’s presence via flashbacks to scenes lifted from earlier films (with a few CG touches thrown in to suggest he’s still watching over his family). “If you need my help, say my name into the wind,” he says in one such memory — although technology hasn’t advanced quite far enough to resurrect him entirely.<br />
<br />
The effect is not unlike watching the reunion episode of a long-running TV show, minus its most important character. Everyone stands around talking about how much they miss Tora-san, cuing the producers to roll tape on great scenes from a lifetime ago, when he did something that delighted audiences at the time — such as his epic overreaction to an honest mistake, when he walked in on his family enjoying a melon he had brought home, which sister Sakura (Chieko Baisho) sliced up and served without thinking to save him a piece.<br />
<br />
Tora-san often played the buffoon, but unlike those international comedic icons whose disruptive presence has a tendency to make things worse, his sincere but misguided efforts to help out had a roundabout way of resolving the situation at hand. Here, a perfect example would be the time Tora-san butted into his dear sister Sakura’s slow-burning courtship with her future husband, upsetting things enough that it prompted both parties to declare their feelings and get married. By contrast, Tora-san could never get his own romances to stick, invariably losing out to some other man on the revolving cast of guest stars who played his “Madonnas” (as his girlfriends were called) — although we learn how an old flame named Lily (Ruriko Asaoka) came closest.<br />
“My mom loves those movies,” a local told me at the Tokyo Int’l Film Festival, which kicked off with the highly anticipated (by such mothers) but far-from-hip premiere, two months before its Dec. 27 release in Japan. For Tora-san’s loyal followers, this posthumous encore will likely strike an emotional chord, a reminder of a paradoxical kind of antihero, someone who managed to exist outside Japan’s rigid set of social expectations even as he represented a conservative view of how things ought to be: a do-as-you-please drifter with old-school values. For foreigners or entire generations too young to have formed a relationship with the character, this is an odd but somehow ideal way to educate oneself, since the movie is constantly reminding audiences of the role Tora-san played in the family’s development.<br />
<br />
Over the years, the franchise established certain recurring patterns, including the significance of the opening dream sequence, which framed the characters’ expectations of what was to follow for the audience. Here, the dream belongs to Mitsuo (Hidetaka Yoshioka, a child actor who grew up in the role — and has worked steadily since the series’ end), who has become a husband, father and widower since audiences last saw him 22 years earlier. Once the misfit member of the Suwa clan, he has grown into a respectable middle-aged man. On the sixth anniversary of his wife’s death, family friends urge him to consider remarrying, paving the way for the script (which Yomada co-wrote with Yuzo Azahara) to reunite Mitsuo with Izumi (Kumiko Goto), the girlfriend he had back in the mid-’90s, as the series was winding down.<br />
Izumi now works for the United Nations, stopping through Tokyo just long enough to stumble upon Mitsuo’s book signing. When Yamada turns earnest, boy, does he lay things on thick, as the scene from Izumi’s save-the-refugees presentation demonstrates. The humor here is broad and relatively gentle, as it was in the earlier films, relying on often untranslatable puns, polite misunderstandings and the occasional fart joke (delivered here via dialogue, when Tora-san says, “If I eat a sweet potato, do you fart?”).<br />
Even if Tora-san doesn’t walk back into their lives, this return to a key courtship involving the film’s youngest character will be welcomed by its fan base, and there are plenty of golden Atsumi moments to remind them why he was such a singular star at the time, building up to the supercut that serves as the film’s finale — where you really need to have seen the films to appreciate the context of all those favorite scenes. That said, the movie’s love for Tora-san comes through loud and clear even to the uninitiated.<br />
Not that it’s likely to gain the franchise any new fans. “Tora-san, Wish You Were Here” feels terribly dated in its style, shot like a 1980s sitcom, rather than a classical Ozu film or slick modern-day comedy. The film opens and closes with Tora-san’s “Otoko wa Tsurai yo” theme song (AKA “It’s tough being a man”), and in between, the string score trowels on the nostalgic sentimentality, as if this were a 1950s melodrama, not a series born on the heels of Teshigahara, Suzuki and the Japanese New Wave. Nearly the entire ensemble’s acting is stilted and old-fashioned, and sad to say, so is Atsumi’s, part of a tradition where actors played to the camera, rather than for naturalism. Alas, Tora-san’s time has passed. Saying his name into the wind won’t bring him back — although in a way, it serves to keep his memory alive.<br />
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Tora-san the traveling salesman celebrates 50 years on the screen in the 50th film in the series, which is still directed by 88-year-old Yoji Yamada and features (via scenes from old movies) Kiyoshi Atsumi as the beloved loser. </h2>
The Tokyo International Film Festival has found the ideal opening night movie in <em>Tora-san, Wish You Were Here</em>, an obvious local crowd-pleaser whose heartfelt charm will impress even those film lovers who haven’t grown up with the franchise. The pic is Shochiku’s reboot of the beloved, tearful Tora-san family dramas that have rolled on, at the rate of one or two a year, for a record-breaking 50 years since the first film in the series, <em>It’s</em> <em>Tough Being a Man</em> (<em>Otoko wa Tsuraiyo</em>), appeared in 1969.<br />
Kiyoshi Atsumi brought the character to life, and with the actor's death in 1996 after 48 films, the series’ die-hard fans believed that Tora-san, a poor traveling salesman who falls in love in each movie but never manages to settle down, was dead, too. The franchise’s legendary writer-director Yoji Yamada made a touching salute to the glories of old Japanese cinema and Tora-san in particular in <em>Niji wo Tsukamu Otoko</em>, considered the 49th film in the series. Will the 50th finally bring an end to the wise, free-spirited fool who has bewitched generations of Japanese (and even Chinese) viewers?<br />
Given all its historical baggage, <em>Tora-san, Wish You Were Here </em>is surprisingly pleasurable to watch. Yamada, who co-scripts with Yuzo Asahara, opts not for another of the standard plots, but a further tribute to Atsumi and his deathless character. Tora-san is revived with long excerpts from his films, which give newbies to the series an excellent idea of who he is and why this burly, emotional lout has such a hold on audiences.<br />
Though Tora opens the film with a wistful love song on a Technicolor beach (all the excerpts look like they are in need of restoration), he is not the main character here. The story centers on his nephew Mitsuo Suwa, played by Hidetaka Yoshioka as a grown man. In a scene lifted from archive footage, the same actor appears as a young boy distressed by uncle Tora-san’s threat to cheer rowdily for him at a ball game — how cute is that? Mitsuo’s love interest Izumi, played by the sophisticated Kumiko Goto, is also a grown-up version of her younger self. It’s amazing to see the real-life aging process at work on these actors, and Yamada uses it shamelessly often, flipping back and forth between today and yesterday to compare faces.<br />
Other characters played by the original actors include Tora-san’s half-sister Sakura (Chieko Baisho), who is seen both as a delicate young woman and an aged granny, and Gin Maeda as her husband Hiroshi. They play Mitsuo’s old parents in the present film, still living in their café and candy shop in scenic Shibamata with open doors to family, friends and neighbors. There is also the recurring series character of Lily the lounge singer, played by Ruriko Asaoka as a sort of stand-in for all the women who have lost their hearts to Tora-san over the years, to whom he has “almost” proposed before disappearing into the sunset.<br />
But Tora-san also lives on in the heart of his mop-headed, sad-eyed nephew Mitsuo, a fledgling novelist who takes care of his teenage daughter Yuri after losing his wife six years prior. At a book-signing stint, he chances upon his old flame Izumi, who left him to live in Europe and is now working for the U.N.’s refugee commission. She, too, is married with kids, and their reunion appears doomed from the start, despite the obvious feelings they still have for one another.<br />
Though everyone is urging Mitsuo to remarry, even his daughter, he can’t let go of his wife’s memory. Tossing and turning sleeplessly at night, he invokes the spirit of his uncle, whose words of wisdom encourage him. In this way, Tora-san is still a powerful member of the Suwa family, which is still closely knit despite arguments and squabbles. In contrast, Izumi’s parents have broken up into mean-spirited, self-centered components. So Japanese family life is not all sleeping side-by-side on futons and tatamis, but includes the powerful negative emotions selfishness and self-hatred that spin people apart.<br />
Though the boisterous ensemble acting and vintage colors of the archive scenes are distinctive, they are painlessly integrated into the modern story via the characters and the musical continuity of Junnosuke Yamamoto's score, which throws in an unobtrusive bit of violin where needed.<br />
<em><em>Production company: Shochiku</em><br /> Cast: Kiyoshi Atsumi, Chieko Baisho, Hidetaka Yoshioka, Kumiko Goto, Gin Maeda, Chizuru Ikewaki, Mari Natsuki, Ruriko Asaoka</em><br />
<em>Director: Yoji Yamada</em><br />
<em>Screenwriters: Yuzo Asahara, Yoji Yamada</em><br />
<em>Music: Junnosuke Yamamoto</em><br />
<em>Venue: Tokyo International Film Festival (opening film)</em><br />
<em>World sales: Shochiku Intl.</em><br />
<em></em><br />
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Tora-san the traveling salesman celebrates 50 years on the screen in the 50th film in the series, which is still directed by 88-year-old Yoji Yamada and features (via scenes from old movies) Kiyoshi Atsumi as the beloved loser. </h2>
The Tokyo International Film Festival has found the ideal opening night movie in <em>Tora-san, Wish You Were Here</em>, an obvious local crowd-pleaser whose heartfelt charm will impress even those film lovers who haven’t grown up with the franchise. The pic is Shochiku’s reboot of the beloved, tearful Tora-san family dramas that have rolled on, at the rate of one or two a year, for a record-breaking 50 years since the first film in the series, <em>It’s</em> <em>Tough Being a Man</em> (<em>Otoko wa Tsuraiyo</em>), appeared in 1969.<br />
Kiyoshi Atsumi brought the character to life, and with the actor's death in 1996 after 48 films, the series’ die-hard fans believed that Tora-san, a poor traveling salesman who falls in love in each movie but never manages to settle down, was dead, too. The franchise’s legendary writer-director Yoji Yamada made a touching salute to the glories of old Japanese cinema and Tora-san in particular in <em>Niji wo Tsukamu Otoko</em>, considered the 49th film in the series. Will the 50th finally bring an end to the wise, free-spirited fool who has bewitched generations of Japanese (and even Chinese) viewers?<br />
Given all its historical baggage, <em>Tora-san, Wish You Were Here </em>is surprisingly pleasurable to watch. Yamada, who co-scripts with Yuzo Asahara, opts not for another of the standard plots, but a further tribute to Atsumi and his deathless character. Tora-san is revived with long excerpts from his films, which give newbies to the series an excellent idea of who he is and why this burly, emotional lout has such a hold on audiences.<br />
Though Tora opens the film with a wistful love song on a Technicolor beach (all the excerpts look like they are in need of restoration), he is not the main character here. The story centers on his nephew Mitsuo Suwa, played by Hidetaka Yoshioka as a grown man. In a scene lifted from archive footage, the same actor appears as a young boy distressed by uncle Tora-san’s threat to cheer rowdily for him at a ball game — how cute is that? Mitsuo’s love interest Izumi, played by the sophisticated Kumiko Goto, is also a grown-up version of her younger self. It’s amazing to see the real-life aging process at work on these actors, and Yamada uses it shamelessly often, flipping back and forth between today and yesterday to compare faces.<br />
Other characters played by the original actors include Tora-san’s half-sister Sakura (Chieko Baisho), who is seen both as a delicate young woman and an aged granny, and Gin Maeda as her husband Hiroshi. They play Mitsuo’s old parents in the present film, still living in their café and candy shop in scenic Shibamata with open doors to family, friends and neighbors. There is also the recurring series character of Lily the lounge singer, played by Ruriko Asaoka as a sort of stand-in for all the women who have lost their hearts to To<br />
ra-san over the years, to whom he has “almost” proposed before disappearing into the sunset.<br />
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But Tora-san also lives on in the heart of his mop-headed, sad-eyed nephew Mitsuo, a fledgling novelist who takes care of his teenage daughter Yuri after losing his wife six years prior. At a book-signing stint, he chances upon his old flame Izumi, who left him to live in Europe and is now working for the U.N.’s refugee commission. She, too, is married with kids, and their reunion appears doomed from the start, despite the obvious feelings they still have for one another.<br />
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Though everyone is urging Mitsuo to remarry, even his daughter, he can’t let go of his wife’s memory. Tossing and turning sleeplessly at night, he invokes the spirit of his uncle, whose words of wisdom encourage him. In this way, Tora-san is still a powerful member of the Suwa family, which is still closely knit despite arguments and squabbles. In contrast, Izumi’s parents have broken up into mean-spirited, self-centered components. So Japanese family life is not all sleeping side-by-side on futons and tatamis, but includes the powerful negative emotions selfishness and self-hatred that spin people apart.<br />
Though the boisterous ensemble acting and vintage colors of the archive scenes are distinctive, they are painlessly integrated into the modern story via the characters and the musical continuity of Junnosuke Yamamoto's score<span style="color: orange;">, which throws in an unobtrusive bit of violin where needed.</span><br />
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<em><em>Production company: Shochiku</em><br /> Cast: Kiyoshi Atsumi, Chieko Baisho, Hidetaka Yoshioka, Kumiko Goto, Gin Maeda, Chizuru Ikewaki, Mari Natsuki, Ruriko Asaoka</em><br />
<em>Director: Yoji Yamada</em><br />
<em>Screenwriters: Yuzo Asahara, Yoji Yamada</em><br />
<em>Music: Junnosuke Yamamoto</em><br />
<em>Venue: Tokyo International Film Festival (opening film)</em></div>
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i was never a big fan of the mitsuo-izumi films, but izumi's character is really complex and interesting, more so than mitsuo, i think, and a bit more focus on izumi and tora's relationship/similarities would have been really interesting, I think.</div>
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that might be the biggest missed opportunity of the film, and perhaps what keeps it the level of a very good tora-san film, def fun and a great way to introduce the series, but not at the level of the best of the series like #17 sunrise and sunset or #25 tropical paradise.</div>
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it is working at a much higher level than a collection of clips -- the old scenes are woven into the film as real memories works really well -- and a lot to think about beyond being just a nostalgia trip.</div>
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the english translation was also good. if i was more confident in my japanese i might quibble on some of it, but past english translations were really flat and you couldn't get a sense of different character's personalities.</div>
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but you could see in the language used for tora that he was a bit "outdated" even in his time. that kind of nuance was nice to see.</div>
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related, but without atsumi around an missing aspect of the <a class="twitter-hashtag pretty-link js-nav" data-query-source="hashtag_click" dir="ltr" href="https://twitter.com/hashtag/torasan?src=hash"><span style="color: #1b95e0;"><s>#</s><b>torasan</b></span></a> films are (new) m. hulot type scenes with tora just not following the rules of society. i finally watched some jacques tati/hulot films earlier this year and def. recommend those for tora fans</div>
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the film got a great reaction. as i said, there was laughter throughout the film. i teared up a few times while someone i met afterwards said she cried throughout. when everyone noticed yamada had watched the film in the audience, he got a big round of applause.</div>
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he stayed in the lobby signing autographs and taking congratulations. he is just a pretty energetic guy for someone almost 90.</div>
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the group interview at the beginning was also pretty interesting, though it started late and went long, so as much as I was happy to see everyone up close, i didn't disagree with ruriko asaoka, who looked like she was ready to go earlier, when she said let's just watch the film</div>
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Baisho Chieko always calls atsumi her big brother (お兄ちゃん), and i think she does mean it to be a family kind of relationship, so i kept finding it curious the translator would refer to him as Mr. Atsumi after Baisho said something.</div>
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Translated from <span class="tweet-language">Japanese</span> by <a class="attribution-logo" href="https://aka.ms/Twitter2BingTranslator" rel="noopener" target="_blank"><span class="visuallyhidden"><span style="color: #1b95e0;">Microsoft</span></span></a> </div>
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Finally, Kumiko Goto kept going umm after the translator stopped. It would have like for her just to have said what she wanted to say in English. It would be interesting hear directly how she'd explain the series to an audience she'd assume didn't know much about the series.</div>
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<li><div class="TweetTextSize js-tweet-text tweet-text" data-aria-label-part="0" data-component-context="replies" data-conversation-id="1189010237639888898" data-conversation-section-quality="HighQuality" data-disclosure-type="" data-follows-you="true" data-has-parent-tweet="true" data-item-id="1189010255792889856" data-name="Jason Packman" data-permalink-path="/JasonPackman/status/1189010255792889856" data-reply-to-users-json="[{"id_str":"12922462","screen_name":"JasonPackman","name":"Jason Packman","emojified_name":{"text":"Jason Packman","emojified_text_as_html":"Jason Packman"}}]" data-screen-name="JasonPackman" data-tweet-id="1189010255792889856" data-tweet-nonce="1189010255792889856-b8438df8-07b8-4b42-827b-527f660388f0" data-tweet-stat-initialized="true" data-user-id="12922462" data-you-block="false" data-you-follow="false" lang="en">
if you know the series of course you need to see it, if you haven't, i think it is a good intro film on its own, but seeing the lily films and the izumi-mitsuo films would be a good intro and/or follow up.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-26044865247790617352019-10-29T00:12:00.001-07:002019-11-18T21:10:27.022-08:00 ''TOR Books'' webmaster now has the URL to manually fix the ISO countries list, which includes this infamous "Taiwan, province of China" (they most certainly did not intend that result). If their webmaster is open-minded enough, please refer them to this manual correction: Their website might be using the ISO countries list, which includes this infamous "Taiwan, province of China" (they most certainly did not intend that result). If their webmaster is open-minded enough, please refer them to this manual correction -- https://www.drupal.org/project/drupal/issues/2595595 : <h1 class="page-title title" id="page-title">
''TOR Books'' webmaster now has the URL to manually fix the ISO countries list, which includes this infamous "Taiwan, province of China" (they most certainly did not intend that result). If their webmaster is open-minded enough, please refer them to this manual correction: Their website might be using the ISO countries list, which includes this infamous "Taiwan, province of China" (they most certainly did not intend that result). If their webmaster is open-minded enough, please refer them to this manual correction -- <a href="https://www.drupal.org/project/drupal/issues/2595595"><span style="font-size: x-small;">https://www.drupal.org/project/drupal/issues/2595595</span></a><span style="font-size: x-small;"> :</span> </h1>
<div style="background-color: white; box-sizing: border-box; font-family: "brevetext" , "helvetica" , sans-serif; font-size: 18px; font-weight: 400; letter-spacing: 0.1px;">
<h1 class="page-title title" id="page-title">
Some news about sci-fi imprint TOR Books' webmaster's ''issues'' with PRC communist China and TOR's unintended prejudice against Taiwanese sci-fi fans: <br />
<br />
With this URL I am sending to TOR, ''TOR Books'' webmaster now has access to the URL to manually ''fix'' the ISO ''countries'' list, which includes this infamous <span style="color: orange;"><span style="color: red;">"Taiwan, province of China"</span> non country (and TOR</span> most certainly did not intend that result). If their webmaster is open-minded enough, please refer him or her to this manual correction: <br />
<br />
<nav class="breadcrumb container-12"><a href="https://www.drupal.org/project/issues/drupal">Issues</a></nav></h1>
<h1 class="container-12" id="page-subtitle">
Update the country list to match latest CLDR</h1>
<h1 class="page-title title" id="page-title">
<br />
<a href="https://www.drupal.org/project/drupal/issues/2595595"><span style="font-size: x-small;">https://www.drupal.org/project/drupal/issues/2595595</span></a><br />
<br />
with some commentary and tweets pro and con from Friends of Tor, including this blogger:<br />
</h1>
</div>
<div>
<br /></div>
<div>
<h1 id="registration-title" style="background-color: white; border-bottom-color: rgb(171, 24, 14); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; color: #ab180e; font-family: "Open Sans", sans-serif; font-size: 28px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 20px; margin: 0px 0px 15px; padding: 0px 0px 15px; vertical-align: baseline;">
TRY TO Register HERE and see if you can find a country called Taiwan on the drop down menu. </h1>
<h1 style="background-color: white; border-bottom-color: rgb(171, 24, 14); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; color: #ab180e; font-family: "Open Sans", sans-serif; font-size: 28px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 20px; margin: 0px 0px 15px; padding: 0px 0px 15px; vertical-align: baseline;">
You can't because CHINA won't allow it. </h1>
<h1 style="background-color: white; border-bottom-color: rgb(171, 24, 14); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; color: #ab180e; font-family: "Open Sans", sans-serif; font-size: 28px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 20px; margin: 0px 0px 15px; padding: 0px 0px 15px; vertical-align: baseline;">
But TOR CAN FIX the problem manually here:</h1>
<h1 style="background-color: white; border-bottom-color: rgb(171, 24, 14); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; color: #ab180e; font-family: "Open Sans", sans-serif; font-size: 28px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 20px; margin: 0px 0px 15px; padding: 0px 0px 15px; vertical-align: baseline;">
</h1>
<div id="registration-text" style="background-color: white; border: 0px currentColor; box-sizing: border-box; display: inline-block; font-family: "merriweather" , "georgia" , "times" , serif; font-size: 18px; font-stretch: normal; line-height: 30px; margin: 0px 110px 0px 0px; padding: 0px; vertical-align: top; width: 484px;">
<div style="border: 0px currentColor; font-family: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 20px; padding: 0px; vertical-align: baseline;">
<a href="http://www.taipeitimes.com/News/editorials/archives/2018/05/28/2003693846">Tor.com membership</a> is your all-access pass to science fiction, fantasy, the universe…and beyond!</div>
<div style="border: 0px currentColor; font-family: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 20px; padding: 0px; vertical-align: baseline;">
See</div>
<div style="border: 0px currentColor; font-family: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 20px; padding: 0px; vertical-align: baseline;">
<a href="https://www.tor.com/register/">https://www.tor.com/register/</a></div>
<div style="border: 0px currentColor; font-family: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 20px; padding: 0px; vertical-align: baseline;">
NOTE: <a href="http://www.taipeitimes.com/News/editorials/archives/2018/05/28/2003693846">If you are a Taiwanese national and sci-fi fan and want to register</a></div>
<div style="border: 0px currentColor; font-family: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 20px; padding: 0px; vertical-align: baseline;">
at TOR.COM, at the current time you <span style="color: red;">must</span> say that <span style="color: red;">your country </span>is</div>
<div style="border: 0px currentColor; font-family: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 20px; padding: 0px; vertical-align: baseline;">
"Taiwan, Province of China" (sic) which of course is a lie</div>
<div style="border: 0px currentColor; font-family: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 20px; padding: 0px; vertical-align: baseline;">
and not true at all, since there is no country with that Orwellian Nonsenese of a name,</div>
<div style="border: 0px currentColor; font-family: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin-bottom: 20px; padding: 0px; vertical-align: baseline;">
<h3 class="post-title entry-title" itemprop="name" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 22px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: normal; line-height: normal; margin: 0.75em 0px 0px; position: relative;">
LETTER ] - Taipei Times <a href="http://www.taipeitimes.com/News/editorials/archives/2018/05/28/2003693846"><span style="font-size: xx-small;">http://www.taipeitimes.com/News/editorials/archives/2018/05/28/2003693846</span></a> 關於「orwellian nonsense」的媒體圖片 (來源:</h3>
<h3 class="post-title entry-title" itemprop="name" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 22px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: normal; line-height: normal; margin: 0.75em 0px 0px; position: relative;">
自由時報電子報) 自由時報電子報 </h3>
<h3 class="post-title entry-title" itemprop="name" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 22px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: normal; line-height: normal; margin: 0.75em 0px 0px; position: relative;">
[ LETTER ] </h3>
<h3 class="post-title entry-title" itemprop="name" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 22px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: normal; line-height: normal; margin: 0.75em 0px 0px; position: relative;">
Appeal to Scifi Tor Books to stop kowtowing to Red China Orwellian nonsense </h3>
<h3 class="post-title entry-title" itemprop="name" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 22px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: normal; line-height: normal; margin: 0.75em 0px 0px; position: relative;">
</h3>
<h3 class="post-title entry-title" itemprop="name" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 22px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: normal; line-height: normal; margin: 0.75em 0px 0px; position: relative;">
As readers who follow the news know, Communist PRC China has sent a threatening letter to a large number of international airlines demanding that they change the country code for Taiwan (TW) on their schedules to China (CN), as dictated by Beijing’s “one China” principle. However, standing up for Taiwan’s international space and presence, on May 5 US President Donald Trump’s administration issued a statement condemning China’s science fictional “demand” as “Orwellian nonsense” through which China was trying to impose its own political claims on private companies around the world. It’s like the British novels Nighteen Eighty-four and Animal Farm have come to life in 2018. Believe it or not, a major sci-fi publishing company in New York, the most prestigious science fiction publisher in the world, Tor Books, whose editors know all about the Nighteen Eighty-four and Animal Farm, also kowtows to Beijing’s “one China” nonsense by asking Taiwanese sci-fi fans who want to sign up at the Tor Web site (tor.com/register) to list their country on the site’s drop-down menu as either “China” or “Taiwan, province of China.” Yes, the world-famous sci-fi Web site run by Tor Books does not allow Taiwanese sci-fi fans to list their country as “Taiwan.” Yet as readers know, Taiwan is a free and independent democracy, which abides by international law and has never been a part of the People’s Republic of China (PRC). The Chinese claim that Taiwan is part of the PRC is a silly nationalistic sci-fi illusion, with no basis in international law. By forcing Taiwanese sci-fi fans to register on the Web site as being from either “China” or “Taiwan, province of China,” Tor’s editors and Web site managers are showing a terrible and naive bias to Taiwanese fans. Tor’s editors are probably not even aware of this oversight on their registration form, thus this letter, and hopefully a change in the Web site’s current Orwellian nonsense. I hope that Tor Books, once its editors read this letter, will do the right thing and stand up for Taiwan on its online registration form and show science fiction fans around the world that US sci-fi Web sites do not kowtow to China. -- Signed, ''George Orwell'' Taipei ......<span style="color: red;">This ARTICLE has been viewed 152,880 times.</span></h3>
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<h1 class="page-title title">
<div style="background-color: white; box-sizing: border-box; font-family: "brevetext" , "helvetica" , sans-serif; letter-spacing: 0.1px;">
<div class="r" style="color: #222222; font-family: arial, sans-serif; font-size: small; font-weight: 400; letter-spacing: normal; line-height: 1.57; margin: 0px;">
<strong><u>TWITTER CONVO WITH A WHITE AMERICAN SCI FI FAN AND TOR BOOKS READER in USA:</u></strong><br />
<br />
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong>1. Hey Dan, interesting information re the TOR brouhaha keeping Taiwanese sci-fi fans off TOR's website registration form. But I suspect that this is a MacMillan Publishing Corporation decision, and if they didn't, Commie China might restrict their abiility to sell books there. It doesn't make it right, but a lot of the world goes for this "One China" sort of rhetorical game. it's not a Tor books problem. ...just ask the Tibetans!</strong></div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong><br /></strong></div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong>2. Hey Dan, as an American who is a sci-fi geek, I can't speak for Tor Books, since I don't work for them, I just read their books. I would say though that the entire world's relationship to the China-Taiwan situation is something that is fraught.</strong></div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong><br /></strong></div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong>3. Uh, Dan, you said in your naivete that PRC China won't attack TOR if TOR allows Taiwanese to register on its site as being from ''Taiwan?''? ....WTF? ....MacMillian IS one of the big five publishers in the world, and TOR has been trying to get more Chinese language SF translated. I am very sure China knows who Tor is...and MacMillian is likely loath to risk it without seeing the downside of inaction.''</strong></div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong><br /></strong></div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong>4. ''Yo Dan, sure TOR <span style="color: red;">could</span> start allowing Taiwanese sci-fi fans to register on the online registratation form as being from a cpountryu called Taiwan or The Republic of China, take your pick, rather than forcing them now as they do to say their country is "Taiwan, Province of China, which is an outright communist lie which TOR is kowtowing to in order to do business with China, they could (and thank you for bringing this to my attention here) <span style="color: red;">but if the consequences for not doing so outweighed the consequences for doing so. I suspect MacMillian and TOR won't easily see the former ever being greater than the latter</span></strong></div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong><span style="color: red;">For, sadly,remember, corporations are alien psychopaths.''</span></strong></div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong><br /></strong></div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong>5. ''Hey, Dan, </strong><br />
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<strong>what you said in your tweet, that goes to my point, though, <span style="color: blue;">Your point is "isn't it awful that Tor is doing this",</span> <span style="color: red;">my greater point is that it's a bigger issue than the SF imprint of a big publisher.''</span></strong></div>
</div>
</div>
<br />
<br />
<a href="https://www.tor.com/2016/09/28/the-city-born-great/" ping="/url?sa=t&source=web&rct=j&url=https://www.tor.com/2016/09/28/the-city-born-great/&ved=2ahUKEwiZvu-cueblAhWEBKYKHcY3CxUQFjAAegQIARAB" style="color: #660099; cursor: pointer; text-decoration-line: none;">
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Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-2356427239794946847.post-14860799622606601292019-10-28T23:29:00.001-07:002019-11-13T22:27:28.935-08:00Stéphane Le Garff and some notes on cli-fi in France<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLeRbVrQ51dkoWvLUJHiReihw-kZfXRzd7YDTzgNFSp62OkI97SbtOWlmLInESBrOIwSdZsLtB2WFzp66qAOnVyMG1Gea-fyIUhoP7MYRYjIUXVncUn-52WXF-DnehGFjBckx6PehX5xM/s1600/42_40140.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="360" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLeRbVrQ51dkoWvLUJHiReihw-kZfXRzd7YDTzgNFSp62OkI97SbtOWlmLInESBrOIwSdZsLtB2WFzp66qAOnVyMG1Gea-fyIUhoP7MYRYjIUXVncUn-52WXF-DnehGFjBckx6PehX5xM/s320/42_40140.jpg" width="288" /></a></div>
<a data-saferedirecturl="https://www.google.com/url?q=https://m.lanouvellerepublique.fr/poitiers%25252Fle-17e-festival-ofni-est-branche-sur-l-ecologie%23click%3Dhttps://t.co/sM0swz3C9V&source=gmail&ust=1573795115193000&usg=AFQjCNFkyZOxFYQB7WddnV9GCXlXN3s3mQ" href="https://m.lanouvellerepublique.fr/poitiers%252Fle-17e-festival-ofni-est-branche-sur-l-ecologie#click=https://t.co/sM0swz3C9V" target="_blank">https://m.<wbr></wbr>lanouvellerepublique.fr/<wbr></wbr>poitiers%252Fle-17e-festival-<wbr></wbr>ofni-est-branche-sur-l-<wbr></wbr>ecologie#click=https://t.co/<wbr></wbr>sM0swz3C9V</a><br />
<br />
<br />
UPDATED: A screening of 7 cli-fi films will be offered on October 31, in the evening, with 7 short films on the theme of <span style="font-size: x-large;">"Planete Cli-fi".</span><br />
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It's a term that doesn't really exist very much yet in French cinema, but that is changing now in 2019 and it can be translated as ''climate fiction'', aka <a href="http://cli-fi.net/">cli-fi</a> based on climate issues.<br />
<br />
It was coined in 2011 by an American journalist who was educated in Rouen and Paris in the 1960s. The term is slowly catching on in France, thanks to several major newspapers and radio programs, book magazines and authors Jean-Marc Ligny, Yann Quero and Lorris Murail, and French director Dion among others, who have been championing the rise of the cli-fi term in France.<br />
<br />
As a prelude to the Ofni festival, the Nyktalop Mélodie collective is screening seven short films on Thursday evening, focusing on climate fiction, aka <a href="http://cli-fi.net/">''cli-fi.''</a><br />
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<span style="font-size: x-large;">The event is called PLANETE CLi-Fi</span> <br />
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It is an event well established in Poitiers. The Nyktalop Mélodie collective is organising, from Thursday 14th to Sunday 19th November, ........the 17th edition of the Ofni festival, for Unidentified Film Objects. <br />
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But since its creation in 2003, the event, which specializes in visual and sound experimentations, has always wanted to maintain a relocated stage. "It was important for us to schedule something in independent theatres," says Stéphane Le Garff, the president. <br />
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The cinema Le Foyer is one of them and in 2017 and 2018 hosted two film concerts as part of #Ofni. <br />
<br />
<span style="font-size: x-large;">This year, a screening evening will be offered on Thursday, October 31, with seven short films on the theme of "Cli-fi".</span> <br />
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Stephane tells this blog:'<br />
<br />
Thank You, Dan, for your email,<br />
<br />
Yes the only occurences of Cli-Fi we could find around were only on American litterature, i think it's the first time it's used for a festival as a theme here in France.<br />
<br />
<br />
<br />
And you've got the purpose of all our themes in your sentence : 'Cli-fi is part of the movie world now.' That's it ! it was something around SF litterature and now this is s our daily life, ''Anticipation'' has come. <br />
<br />
I invite you to discover the film we're going to show this week, a real experience to live the climate change <i>Live </i>with the inhabitants of the condemned <strong>Tuvalu islands</strong> : <i><span style="color: red;">That Which Is to Come Is Just a Promise</span> </i>by Flatform<br />
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TRAILER HERE:<br />
<a data-saferedirecturl="https://www.google.com/url?q=https://video.repubblica.it/dossier/cannes-2019/that-which-is-to-come-is-just-a-promise-il-corto-del-collettivo-flatform/334213/334813&source=gmail&ust=1572501591558000&usg=AFQjCNGfVptl2PqnJFkCpj0SQQ6T-x0mYg" href="https://video.repubblica.it/dossier/cannes-2019/that-which-is-to-come-is-just-a-promise-il-corto-del-collettivo-flatform/334213/334813" target="_blank">https://video.repubblica.it/<wbr></wbr>dossier/cannes-2019/that-<wbr></wbr>which-is-to-come-is-just-a-<wbr></wbr>promise-il-corto-del-<wbr></wbr>collettivo-flatform/334213/<wbr></wbr>334813</a><span style="color: #757575;"> </span><br />
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<span style="color: #757575;"></span><h1 itemprop="name">
<span style="color: #757575;">
'That which is to come is just a promise', il corto del collettivo Flatform</span></h1>
<span style="color: #757575;">
<span itemprop="description"><strong><span style="font-size: large;">''Sarà presentato a Cannes nella Quinzaine des Réalisateurs 'That which is to come is just a promise' (Quello che verrà è solo una promessa) il corto realizzato dal collettivo Flatform, gruppo creato nel 2006 con sede a Milano e Berlino. Il film è girato a Funafuti, un atollo dell'arcipelago Tuvalu dove da qualche anno siccità e allagamenti si avvicendano senza interruzioni. Per effetto di un innaturale surriscaldamento del mare, l'acqua salata risale dal sottosuolo, affiora attraverso le porosità dei terreni e li allaga, mettendo a rischio il futuro della piccola isola. La clip in anteprima''</span></strong><br />
</span></span><span style="color: #757575;"> Best, <br /> Stephane</span><br />
<pre cols="72">Stéphane Le Garff, directeur | Artistic and managing director
Festival O.F.N.I. / Nyktalop Mélodie - BP 60097 - 86003 POITIERS Cedex - France
</pre>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-76493502685207378752019-10-23T22:46:00.001-07:002019-10-23T23:36:49.434-07:00Appealing to director Ang Lee to make a movie adapted from the 2012 cli-fi novel ''FLIGHT BEHAVIOR'' by Barbara Kingsolver<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLeRbVrQ51dkoWvLUJHiReihw-kZfXRzd7YDTzgNFSp62OkI97SbtOWlmLInESBrOIwSdZsLtB2WFzp66qAOnVyMG1Gea-fyIUhoP7MYRYjIUXVncUn-52WXF-DnehGFjBckx6PehX5xM/s1600/42_40140.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="360" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLeRbVrQ51dkoWvLUJHiReihw-kZfXRzd7YDTzgNFSp62OkI97SbtOWlmLInESBrOIwSdZsLtB2WFzp66qAOnVyMG1Gea-fyIUhoP7MYRYjIUXVncUn-52WXF-DnehGFjBckx6PehX5xM/s320/42_40140.jpg" width="288" /></a></div>
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<span style="font-size: x-large;"> FLIGHT BEHAVIOR</span><br />
Appealing to director Ang Lee to make a movie adapted from the 2012 cli-fi novel ''FLIGHT BEHAVIOR'' by Barbara Kingsolver<br />
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American actor Will Smith recently paid tribute Taipei, Taiwan -- in the home country of Hollywood director Ang Lee who was born and raised here until he was 22 -- as the place that fulfilled his lifelong wish to work with Taiwan-born and Oscar-winning film director Ang Lee (李安). Yes, Smith put out an appeal to Lee and Lee got the message eventually through the media.<br />
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“Ang Lee has been on my list for most of my adult life [as] someone that I wanted to work with. So Taipei made the dream come true,” Smith told reporters in Taiwan recently while promoting his new Lee-directed action thriller <i>Gemini Man.</i><br />
<em></em><br />
Smith was referring to the time he expressed his desire to work with Lee at a press conference in Taipei 6 years ago, which was held to promote his 2013 action adventure movie <i>After Earth</i>.<br />
Smith also asked people worldwide who heard about his appeal to Lee to tell the Taiwanese-American director of his desire to someday collaborate with him.<br />
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Those wishes were finally fulfilled through their work together on <i>Gemini Man</i>, and Smith said the new slogan for Taiwan’s capital should be “Taipei, the place where dreams come true!”<br />
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<strong><span style="font-size: large;">In response, Lee said, “Yeah, I heard the mating call.”</span></strong><br />
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<strong>“I was in New York, but it was all over the media and all over the newspapers and I hoped that I would fulfill his dream because the dream was bilateral,” Lee said.</strong><br />
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[At a press conference during a previous visit to Taiwan to promote his 2013 film, "After Earth," Smith had expressed his wish to work on a film with Lee and asked his contacts to inform the Taiwanese director. Six years later, Smith on triumphantly declared, "Ang Lee has been on my list for most of my adult life [as] someone that I wanted to work with. So Taipei made the dream come true," reported <a href="https://www.cna.com.tw/news/firstnews/201910210150.aspx?utm_source=cna.facebook&utm_medium=fanpage&utm_campaign=fbpost&fbclid=IwAR3BKRXW5U6rCI-USugx5vEa2kpt2Rii6EpH1cJlk9Nk8Zkmwvvwzc45y4I" target="_blank">CNA</a>.]<br />
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<span style="font-size: large;">Lee described Smith as a very talented actor.</span> <br />
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<span style="font-size: x-large;">Smith returned the praise.</span><br />
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“What makes a great director great in terms of actors is that they know how to push the buttons and flip the emotional switches inside of you,” Smith said. <br />
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[ So Lee would be the perfect director to turn<a href="http://amazon.com/"> FLIGHT BEHAVIOR</a> into a Hollywood movie.]<br />
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So as this blog post goes to press, here and on Twitter, I have issued a public appeal from my home in Taiwan to ask Director Lee to adapt the cli-fi novel titled <a href="http://google.com/">FLIGHT BEHAVIOR</a> published to global acclaim in 2012 into a Hollywood movie, helmed by Lee with a screenplay by Lee and a stellar cast chosen by Lee.<br />
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If you are reading this on Twitter or Facebook or this blog or in a newspaper, please take a moment to boost this appeal to Ang Lee to even more people around the world, getting a message to Lee: <span style="color: red;">"Can you make a movie about FLIGHT BEHAVIOR after you adapt the novel and buy the film rights and choose a cast to star in the movie version of the acclaimed climate-themed novel?"</span><br />
<br />
Dear Readers of the blog post and its twitter link: Please retweet this tweet you saw on Twitter and use the hashtags #AngLee and #FlightBehavior on Twitter to tro reach Lee with this appeal. It's 2019. If we are successful with this appeal and it reached the ears and eyes of Director Lee soon, it is possible that his movie version of FLIGHT BEHAVIOR could appear in world cinemas sometime in the mid to late 2020s or early 2030s.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-19961825534619266862019-10-23T22:30:00.001-07:002019-12-26T21:31:25.801-08:00On Christmas Day 2019, Australians were given the gift of The Commons, an eight part cli-fi drama with a heavy focus on relationships. <h1>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi_MdLH-p2mHgFtaHDMJLap3gH6y8AQgVfz12bMxr9J3kqs_OKioruITtwKUGsVHq_KQLLKZ1BqdTLh3pLETU-XDvThdSCBcScGce4WPn8Nh0aEyr8HM1arZqvPppwdfliNmNKOeWVB98/s1600/temperature_533b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="284" data-original-width="533" height="170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi_MdLH-p2mHgFtaHDMJLap3gH6y8AQgVfz12bMxr9J3kqs_OKioruITtwKUGsVHq_KQLLKZ1BqdTLh3pLETU-XDvThdSCBcScGce4WPn8Nh0aEyr8HM1arZqvPppwdfliNmNKOeWVB98/s320/temperature_533b.jpg" width="320" /></a></div>
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<h1>
UPDATE:</h1>
<a href="https://www.smh.com.au/culture/tv-and-radio/finding-common-ground-in-a-near-future-nightmare-20191223-p53mhg.html">https://www.smh.com.au/culture/tv-and-radio/finding-common-ground-in-a-near-future-nightmare-20191223-p53mhg.html</a><br />
<h1>
'The Commons' is an 8 part cli-fi drama series that depicts a climate-ravaged Australia of the not-so-distant future. Started airing/streaming on Christmas Day 2019 in Australia. </h1>
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<span style="color: red;">This Series Perfectly Captures The Ethical Dilemma Of Motherhood Amid Climate Crisis</span></div>
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From Australia to the world: a new 8-part <span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.1" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">cli</span>-<span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.2" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">fi</span> TV drama series titled "The Commons" imagines a world in which Sydney is a place where air-quality is precarious in the extreme and going outside when it’s raining means potentially suffering acid burns from the toxic precipitation. Sound familiar? Does that description sound like a review of the actual show or a real-life news dispatch from one of the Land Down <span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.3" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">Under's</span> many newspapers and websites?</div>
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Well, we're talking about a <span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.4" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">cli</span>-<span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.5" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">fi</span> TV drama series set in what the producers are calling '‘the distant future'’. But look around you and turn on the telly, you will see that Sydney is blanketed in a layer of smoke and the story doesn't seem all that far--fetched, according to Sydney reporter Courtney Thompson. </div>
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Reviewers in Australia are already saying ''The Commons'' is one of the most topical and urgent Australian television series of the year. It started airing Down Under on Christmas Day and already there is talk of a second season next year.</div>
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In Australia in 2019, climate change has never been more real, Thompson writes, noting: "With much of New South Wales on fire, even the staunchest climate <span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.6" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">denialists</span> are being forced to reckon with the grim reality that we’re at a tipping-point, where inaction can cost us not only the lives of future generations, but even the lives of people living today."</div>
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The show is "an effective and rousing call-to-arms, deftly exploring ideas around climate change and disaster capitalism to make audiences think deeper about the personal consequences of our literally decaying world," she adds.</div>
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One of the issues the 8-part series zeroes in on is the moral dilemma of having children in the face of a climate crisis. As Greta <span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.7" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">Thunberg</span> and her band of teenage <span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.8" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">eco</span>-warriors worldwide have been saying to anyone who will listen, this dilemma is one of the biggest conversations many young people are having as talk of the long-term effects of climate change reaches fever pitch: ''How can we justify bringing people into a world that is doomed for almost certain catastrophe?'' </div>
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''The Commons'' is one of the first TV series anywhere in the world to face that question and present it as an ethically-ambiguous situation that highlights how complicated the answer will become as the years go on, where the effects of climate change will continue steadily accelerate and technology advances.</div>
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For example, will Greta <span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.10" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">Thunberg</span> choose someday to marry and have children?</div>
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The main character in the show, a woman named Eadie, is desperate to be a mother, we learn. </div>
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"Despite the fact that it’s a world where things have gotten so bad that rain means acid burns, over the course of the 8-episode series, she goes to extreme lengths in order to conceive a child, pushing ethical boundaries in the process. As a <span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.11" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">neuropsychologist</span> working at the forefront of the climate catastrophe, she is one of the people who are acutely aware of how dire the situation is, and yet through it all she can’t escape dreams of being pregnant and the burning desire to conceive," Thompson writes in her review of the show.</div>
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At the moment, the TV drama is only available for viewing in Australia, although things might change if contracts are signed with streaming services in North America and Europe, according to sources in the TV industry.</div>
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When we’re at a juncture as we are right now in the fight against climate change, inaction just doesn’t seem like an option anymore, says the producer of the show.</div>
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"The Most Chilling Part Of Thriller Series ‘The Commons’ Is That It Could Totally Bloody Happen" is how another newspaper in Australia characterized the TV drama.</div>
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Matt <span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.13" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">Galea</span>, writing for a Pedestrian TV in Sydney, doesn't mince words, noting: "Look, I love a bit of chill, no-stress viewing as much as the next person, but every once in a while I love nothing more than getting lost in something more intense and thought-provoking. Enter 'The Commons'."</div>
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Set in the not-too-distant future, the epic new <span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.14" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">cli</span>-<span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.15" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">fi</span> thriller series paints a scarily-realistic picture of what could go down after the next wave of climate change hits Australia and other nations, he adds.</div>
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Actor David Lyons explains the show as “presenting humanity in a particular context and asking people to go on a journey.” </div>
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<strong>“I think we’ll start to see more of these stories come to the fore because this is our reality,"</strong> Lyons said. ''It’s not futuristic in the sense of sci-<span aria-haspopup="true" class="J-JK9eJ-PJVNOc" data-g-spell-status="2" id=":1b3.16" role="menuitem" style="background-color: #fad2cf;" tabindex="-1">fi</span>, <a href="http://cli-fi.net/">there’s been a word banging around here called ‘cli-fi’ (climate change fiction),</a> it’s not terribly fictional.”</div>
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Lyons added, <strong>“It’s a really topical show, one that doesn’t try to preach but shows people what we’re going to be dealing with in 15 years time.”</strong></div>
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<a class="twitter-hashtag pretty-link js-nav" data-query-source="hashtag_click" dir="ltr" href="https://twitter.com/hashtag/AUSTRALIA?src=hash"><span style="color: #1b95e0;"><s>#</s><b>AUSTRALIA</b></span></a> GOING Cli-Fi with an 8-part TV series ''The Commons'' which depicts a climate-ravaged Australia of the not-so-distant future. The Commons, an eight part ''cli-fi'' drama with a heavy focus on relationships. - <a class="twitter-timeline-link" data-expanded-url="https://www.artshub.com.au/news-article/features/digital/jini-maxwell/whats-streaming-in-december-259332" dir="ltr" href="https://t.co/tPrhDRHyH6" rel="nofollow noopener" target="_blank" title="https://www.artshub.com.au/news-article/features/digital/jini-maxwell/whats-streaming-in-december-259332"><span class="tco-ellipsis"></span><span style="color: #1b95e0;"><span class="invisible">https://www.</span><span class="js-display-url">artshub.com.au/news-article/f</span><span class="invisible">eatures/digital/jini-maxwell/whats-streaming-in-december-259332</span></span><span class="tco-ellipsis"><span class="invisible"><span style="color: #1b95e0;"> </span></span><span style="color: #1b95e0;">…</span></span></a></div>
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<span style="color: red;">'The Commons' depicts a climate-ravaged Australia of the not-so-distant future.</span><br />
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On Christmas Day, we will be given the gift of <em>The Commons, </em>an eight part <a href="http://cli-fi.net/">cli-fi</a> drama with a heavy focus on relationships. <br />
<br />
<span class="ILfuVd"><span class="e24Kjd">The <b>Commons</b> is an <b>Australian</b> web <b>television</b> drama <b>series</b> from ''Stan'' about climate change and biotechnology, set in a familiar future. The eight part, character-driven thriller looks at ethical boundaries and the place of humanity in saving the planet.</span></span><br />
<span class="ILfuVd"><span class="e24Kjd"></span></span><br />
<span class="ILfuVd"><span class="e24Kjd"><em>The Commons</em> was written by Shelley Birse with Matt Ford, Michael Miller and Matt Cameron. </span></span><br />
<span class="ILfuVd"><span class="e24Kjd"></span></span><br />
<span class="ILfuVd"><span class="e24Kjd">It is produced by Diane Haddon for Playmaker in association with Sony Pictures Television. </span></span><br />
<span class="ILfuVd"><span class="e24Kjd"></span></span><br />
<span class="ILfuVd"><span class="e24Kjd">Jeffrey Walker is the director with Rowan Woods and Jen Leacey.<sup class="reference" id="cite_ref-2"><a href="https://en.wikipedia.org/wiki/The_Commons_(TV_series)#cite_note-2">[2]</a></sup> </span></span><br />
<span class="ILfuVd"><span class="e24Kjd"><br /><span style="font-size: x-large;">CAST</span></span></span><br />
<span class="ILfuVd"><span class="e24Kjd"></span></span><br />
<span class="ILfuVd"><span class="e24Kjd">
</span></span>
<li><span class="ILfuVd"><span class="e24Kjd"><a href="https://en.wikipedia.org/wiki/Joanne_Froggatt" title="">Joanne Froggatt</a></span></span></li>
<span class="ILfuVd"><span class="e24Kjd">
<li><a href="https://en.wikipedia.org/wiki/David_Lyons_(actor)" title="David Lyons (actor)">David Lyons</a></li>
<li>Ryan Corr</li>
<li>Rupert Penry-Jones</li>
<li><a href="https://en.wikipedia.org/wiki/Damon_Herriman" title="Damon Herriman">Damon Herriman</a></li>
<li><a href="https://en.wikipedia.org/wiki/John_Waters_(actor)" title="John Waters (actor)">John Waters</a></li>
<li><a href="https://en.wikipedia.org/wiki/Fayssal_Bazzi" title="Fayssal Bazzi">Fayssal Bazzi</a></li>
<li><a href="https://en.wikipedia.org/wiki/Simone_McAullay" title="Simone McAullay">Simone McAullay</a></li>
<li><a href="https://en.wikipedia.org/wiki/Andrea_Demetriades" title="Andrea Demetriades">Andrea Demetriades</a></li>
<li><a href="https://en.wikipedia.org/wiki/Felix_Williamson" title="Felix Williamson">Felix Williamson</a></li>
<li>Inez Currò</li>
<li>Dominic Ona-Ariki</li>
<li>Zara Michales</li>
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Stan, in conjunction with Screen Australia, has announced its most expensive and ambitious project to date with the Australian production of a major new original cli-fi series called <em>The Commons.</em><br />
The production, which begins in Sydney next week, is set to star South Australian actor Damon Herriman alongside <em>Downton Abbey</em>'s Joanne Froggatt.<br />
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<picture><source media="(min-width: 1024px)" srcset="https://static.ffx.io/images/$zoom_0.795%2C$multiply_0.7554%2C$ratio_1.776846%2C$width_1059%2C$x_0%2C$y_219/t_crop_custom/q_86%2Cf_auto/e55e63fb43478cd8520765579414dc74d9087f55, https://static.ffx.io/images/$zoom_0.795%2C$multiply_1.5109%2C$ratio_1.776846%2C$width_1059%2C$x_0%2C$y_219/t_crop_custom/q_62%2Cf_auto/e55e63fb43478cd8520765579414dc74d9087f55 2x"></source><source media="(min-width: 768px)" srcset="https://static.ffx.io/images/$zoom_0.795%2C$multiply_0.6874%2C$ratio_1.776846%2C$width_1059%2C$x_0%2C$y_219/t_crop_custom/q_86%2Cf_auto/e55e63fb43478cd8520765579414dc74d9087f55, https://static.ffx.io/images/$zoom_0.795%2C$multiply_1.3749%2C$ratio_1.776846%2C$width_1059%2C$x_0%2C$y_219/t_crop_custom/q_62%2Cf_auto/e55e63fb43478cd8520765579414dc74d9087f55 2x"></source><img alt="Downton Abbey star Joanne Froggatt is set to star in new Stan series." data-pfsrc="https://static.ffx.io/images/$zoom_0.795%2C$multiply_0.3541%2C$ratio_1.776846%2C$width_1059%2C$x_0%2C$y_219/t_crop_custom/q_86%2Cf_auto/e55e63fb43478cd8520765579414dc74d9087f55" height="112" src="https://static.ffx.io/images/$zoom_0.795%2C$multiply_0.7554%2C$ratio_1.776846%2C$width_1059%2C$x_0%2C$y_219/t_crop_custom/q_86%2Cf_auto/e55e63fb43478cd8520765579414dc74d9087f55" srcset="https://static.ffx.io/images/$zoom_0.795%2C$multiply_0.3541%2C$ratio_1.776846%2C$width_1059%2C$x_0%2C$y_219/t_crop_custom/q_86%2Cf_auto/e55e63fb43478cd8520765579414dc74d9087f55, https://static.ffx.io/images/$zoom_0.795%2C$multiply_0.7082%2C$ratio_1.776846%2C$width_1059%2C$x_0%2C$y_219/t_crop_custom/q_62%2Cf_auto/e55e63fb43478cd8520765579414dc74d9087f55 2x" width="200" /></picture></div>
<figcaption class="_3CZmy"><span class="_2Li3P">Downton Abbey star Joanne Froggatt is set to star in new Stan cli-fi series.</span><cite class="ojLwA"><span class="_30ROC">Credit:</span>Sun-Herald</cite></figcaption></figure><br />
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<em>The Commons </em>is a "character-driven cli-fi thriller" playing on the very real topics of climate change and biotechnology but set in the near future.</div>
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Written by Shelley Birse (<em>The Code</em>) and produced by Playmaker in association with Sony Pictures Television, the show is set to be Stan's biggest investment – at more than $20 million – in an Australian original yet. The streaming platform's chief executive, Mike Sneesby, says the series was the perfect show to add to their catalogue, as Stan (which is owned by Nine, the owner of this masthead) aims to lead the way in the creation of local, Australian-made original productions.</div>
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"For us, this 8-part cli-fi drama is another step on that journey," says Sneesby<br />
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"We have increased our investment in local productions every year. The size and ambitions of our original productions have gotten bigger with every project that we've announced – in fact <em>The Commons</em> will be the biggest budget, and most ambitious project that we've undertaken.<br />
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"We're lifting the bar in terms of production values and the ambition of production here in the Australian market and we intend to continue to do that."</div>
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<picture><source media="(min-width: 1024px)" srcset="https://static.ffx.io/images/$zoom_0.652%2C$multiply_0.7554%2C$ratio_1.776846%2C$width_1059%2C$x_63%2C$y_114/t_crop_custom/q_86%2Cf_auto/386cfa714d28641e80438bb49566a01476b7e97d, https://static.ffx.io/images/$zoom_0.652%2C$multiply_1.5109%2C$ratio_1.776846%2C$width_1059%2C$x_63%2C$y_114/t_crop_custom/q_62%2Cf_auto/386cfa714d28641e80438bb49566a01476b7e97d 2x"></source><source media="(min-width: 768px)" srcset="https://static.ffx.io/images/$zoom_0.652%2C$multiply_0.6874%2C$ratio_1.776846%2C$width_1059%2C$x_63%2C$y_114/t_crop_custom/q_86%2Cf_auto/386cfa714d28641e80438bb49566a01476b7e97d, https://static.ffx.io/images/$zoom_0.652%2C$multiply_1.3749%2C$ratio_1.776846%2C$width_1059%2C$x_63%2C$y_114/t_crop_custom/q_62%2Cf_auto/386cfa714d28641e80438bb49566a01476b7e97d 2x"></source><img alt="Australian actor Damon Herriman." data-pfsrc="https://static.ffx.io/images/$zoom_0.652%2C$multiply_0.3541%2C$ratio_1.776846%2C$width_1059%2C$x_63%2C$y_114/t_crop_custom/q_86%2Cf_auto/386cfa714d28641e80438bb49566a01476b7e97d" height="112" src="https://static.ffx.io/images/$zoom_0.652%2C$multiply_0.7554%2C$ratio_1.776846%2C$width_1059%2C$x_63%2C$y_114/t_crop_custom/q_86%2Cf_auto/386cfa714d28641e80438bb49566a01476b7e97d" srcset="https://static.ffx.io/images/$zoom_0.652%2C$multiply_0.3541%2C$ratio_1.776846%2C$width_1059%2C$x_63%2C$y_114/t_crop_custom/q_86%2Cf_auto/386cfa714d28641e80438bb49566a01476b7e97d, https://static.ffx.io/images/$zoom_0.652%2C$multiply_0.7082%2C$ratio_1.776846%2C$width_1059%2C$x_63%2C$y_114/t_crop_custom/q_62%2Cf_auto/386cfa714d28641e80438bb49566a01476b7e97d 2x" width="200" /></picture></div>
<figcaption class="_3CZmy"><span class="_2Li3P">Australian actor Damon Herriman.</span><cite class="ojLwA"><span class="_30ROC">Credit:</span>Belinda Rolland</cite></figcaption></figure>Sneesby hopes <em>The Commons</em>' topical storyline, top-notch production team and casting wins in Herriman and Froggatt mean it will have potential in the lucrative overseas market.<br /></div>
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Herriman is one of Australia's busiest and most successful actors, and stars as Charles Manson in Quention Tarantino's much-hyped <em>Once Upon a Time in… Hollywood</em>, due for an August release.<br />
Froggatt, who was nominated for three Emmys and won a Golden Globe for her work as beloved character Anna Bates in period drama <em>Downton Abbey</em>, will next be seen in the film of the same name, set to be released in September.<br />
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"The combination of the creative idea with the partners involved certainly makes it very attractive and obviously for us we have to look at projects that are a great fit for the platform and the Australian audience ... and that we are confident will translate overseas," Sneesby said.</div>
"This is a project that ticks all of those boxes."<br />
Screen Australia's head of content Sally Caplan said the show's focus on climate change will make it a "compelling series".</div>
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"We're thrilled to see creator Shelley Birse, following on from the success of her series <em>The Code</em>, team up again with Playmaker, as well as an experienced team of writers to deliver this timely drama," she said.<br />
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"Putting a spotlight on the challenges of climate change, ethical boundaries, and the place of motherhood in saving the planet, <em>The Commons</em> is set to be a compelling and original series and I can't wait to see it."<br />
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Production of <em>The Commons</em> is expected to open up 290 local jobs across cast, crew and in post-production and the show is slated for 2020 premiere.</div>
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<strong>REPORTED BY</strong> Genevieve Rota who is a culture reporter with an interest in the rising new genre of cli-fi and she is a producer at The Sydney Morning Herald and The Age.</div>
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Joanne Froggatt (<em>Liar, Downton Abbey, A Crooked Somebody</em>) and Damon Herriman (<em>Once Upon A Time in Hollywood, Judy & Punch, Perpetual Grace, LTD</em>) head the cast of <em>The Commons</em>, an eight-hour <a href="http://cli-fi.net/">cli-fi</a> drama commissioned by Stan.<br />
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Created by showrunner Shelley Birse (<em>The Code</em>) and produced by Diane Haddon (<em>Reckoning, The Code, Friday On My Mind</em>) for Playmaker Media, the character-driven thriller set in the near future starts shooting in Sydney next week.<br />
Jeffrey Walker (<em>Lambs of God, Riot</em>) is the set-up director, working with Rowan Woods and Jen Leacey.<br />
Scripted by Birse, Matt Ford (<em>House Husbands, Hiding</em>), Michael Miller (<em>Pulse, Cleverman</em>) and Matt Cameron (<em>Secret City, Bloom</em>), the plot is said to play out at the intersection of climate change and the cutting edge of biotechnology, dealing with the “heroism inside us all when our backs are against the wall.”<br />
Graham Yost (<em>The Americans, Sneaky Pete, Justified</em>) is among the executive producers together with Playmaker’s David Taylor and David Maher, Stan’s chief content officer Nick Forward, Fred Golan (<em>Sneaky Pete, Justified, Roswell</em>) and Birse.<br />
Forward tells IF: “It’s a hugely ambitious project that deals with some big themes. It’s unlike anything we’ve seen in Australia.<br />
“The pairing of Shelley Birse and Graham Yost is such an exciting prospect. With actors of the calibre of Joanne Froggatt and Damon Herriman joining the cast, alongside a stellar creative team, <em>The Commons</em> continues to demonstrate our ambition as the home of original Australian productions.”<br />
There will be more cast announcements in the next week or so. The DOP is Earle Dresner (<em>Glitch, Sisters</em>) and Leigh Pickford is the casting director.<br />
Screen Australia’s head of content Sally Caplan said: “Putting a spotlight on the challenges of climate change, ethical boundaries and the place of motherhood in saving the planet, <em>The Commons</em> is set to be a compelling and original series.”<br />
Elizabeth W. Scott, Create NSW’s executive director, investment and engagement, said the production will provide more than 290 jobs across cast, crew and post-production.<br />
Sony Pictures Television will handle worldwide sales of the series, which is set to premiere in 2020.</div>
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<span class="ILfuVd"><span class="e24Kjd"><a href="https://korgw101.blogspot.com/2019/10/maja-lunde-far-sin-del-av-ren-for-ha.html">https://korgw101.blogspot.com/2019/10/maja-lunde-far-sin-del-av-ren-for-ha.html</a></span></span><br />
<span class="ILfuVd"><span class="e24Kjd"></span></span><br />Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-2356427239794946847.post-64570787503614420362019-10-22T23:25:00.002-07:002020-07-08T20:43:00.691-07:00''JE SUIS 2050'' - a ''cli-fi'' movie from France<div class="g" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 14px; line-height: 1.2; margin-bottom: 27px; margin-top: 0px;">
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What felt impossible has become thinkable. The spring of 2020 is suggestive of how much, and how quickly, we can change as a civilization.</div>
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<span class="byline__preamble" style="box-sizing: border-box; text-align: inherit;">By </span><span itemprop="name" style="box-sizing: border-box; text-align: inherit;"><span class="byline__name" style="box-sizing: border-box; display: inline-block; margin: 0px; text-align: inherit;"><a class="byline__name-link" href="https://www.newyorker.com/contributors/kim-stanley-robinson" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; text-align: inherit; text-decoration-line: none; transition: color 0.2s ease 0s;">Kim Stanley Robinso<span class="link__last-letter-spacing" style="box-sizing: border-box; letter-spacing: 0px; text-align: inherit;">n</span></a></span></span></div>
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<a class="top NQHJEb dfhHve" href="https://laviedesidees.fr/Cli-fi-Sci-fi.html" ping="/url?sa=t&source=web&rct=j&url=https://laviedesidees.fr/Cli-fi-Sci-fi.html&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCCswAA" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><time class="content-header__publish-date content-header__publish-date--with-float-left" style="box-sizing: border-box; color: black; display: block; float: left; font-family: Graphik, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 12px; line-height: 1.7; padding-left: 0px; padding-top: 0px; text-align: inherit;">May 1, 2020</time></a></div>
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<a class="top NQHJEb dfhHve" href="https://laviedesidees.fr/Cli-fi-Sci-fi.html" ping="/url?sa=t&source=web&rct=j&url=https://laviedesidees.fr/Cli-fi-Sci-fi.html&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCCswAA" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><span class="responsive-asset lead-asset__media" style="box-sizing: border-box; display: block; margin-right: 1.5625rem; overflow: hidden; text-align: inherit; transition: opacity 1s ease 0s; width: 596.594px;"><picture class="lead-asset__media responsive-image" style="box-sizing: border-box; display: inline-block; height: auto; position: relative; text-align: inherit; width: 596.594px;"><source media="(max-width: 767px)" sizes="100vw" srcset="https://media.newyorker.com/photos/5eab4888b66d511e18359cba/master/w_1024%2Cc_limit/Robinson-CoronavirusFuture.jpg 1024w" style="box-sizing: border-box; text-align: inherit;"></source><source media="(min-width: 768px)" sizes="100vw" srcset="https://media.newyorker.com/photos/5eab4888b66d511e18359cba/master/w_2560%2Cc_limit/Robinson-CoronavirusFuture.jpg 2560w" style="box-sizing: border-box; text-align: inherit;"></source><img alt="A heat map shows people standing in a distanced line." class="responsive-image__image" src="https://media.newyorker.com/photos/5eab4888b66d511e18359cba/master/w_2560%2Cc_limit/Robinson-CoronavirusFuture.jpg" style="border: 0px; box-sizing: border-box; height: auto; max-height: 1000px; max-width: 100%; object-fit: contain; object-position: center center; text-align: inherit; vertical-align: bottom; width: 596.594px;" /></picture></span></a></div>
<figcaption class="caption lead-asset__caption caption-shade--light" data-event-boundary="click" data-event-click="{"pattern":"Caption"}" data-include-experiments="true" style="box-sizing: border-box; color: black; font-family: TNYAdobeCaslonPro, "Times New Roman", Times, serif; font-size: 18px; font-style: italic; justify-self: left; line-height: 1.28em; margin-top: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0.625rem; width: 596.594px;"><a class="top NQHJEb dfhHve" href="https://laviedesidees.fr/Cli-fi-Sci-fi.html" ping="/url?sa=t&source=web&rct=j&url=https://laviedesidees.fr/Cli-fi-Sci-fi.html&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCCswAA" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><span class="caption__text" style="box-sizing: border-box; line-height: 1.28em; margin-right: 0.625rem; padding-top: 0px; text-align: inherit;">Possibly, in a few months, we’ll return to some version of the old normal. But this spring won’t be forgotten.</span><span class="caption__credit" style="box-sizing: border-box; color: #666666; font-family: Graphik, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 12px; font-style: normal; line-height: 1.3em; margin-top: 0px; padding-top: 0.625rem;">Photograph by Antoine d'Agata / Magnum</span></a></figcaption></figure><div class="lead-asset__rail-anchor" style="box-sizing: border-box; margin-top: 1.25rem; position: absolute; text-align: inherit; top: 0px;">
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The critic Raymond Williams once wrote that every historical period has its own “structure of feeling.” How everything seemed in the nineteen-sixties, the way the Victorians understood one another, the chivalry of the Middle Ages, the world view of Tang-dynasty China: each period, Williams thought, had a distinct way of organizing basic human emotions into an overarching cultural system. Each had its own way of experiencing being alive.</div>
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In mid-March, in a prior age, I spent a week rafting down the Grand Canyon. When I left for the trip, the United States was still beginning to grapple with the reality of the <a href="https://www.newyorker.com/tag/coronavirus" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; line-height: inherit; transition: color 0.2s ease 0s;">coronavirus pandemic</a>. Italy was <a href="https://www.newyorker.com/news/dispatch/what-italians-have-learned-from-the-coronavirus" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; line-height: inherit; transition: color 0.2s ease 0s;">suffering</a>; the N.B.A. had just <a href="https://www.newyorker.com/sports/sporting-scene/the-day-the-games-stopped-coronavirus" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; line-height: inherit; transition: color 0.2s ease 0s;">suspended</a> its season; Tom Hanks had been reported ill. When I hiked back up, on March 19th, it was into a different world. I’ve spent my life writing science-fiction novels that try to convey some of the strangeness of the future. But I was still shocked by how much had changed, and how quickly.</div>
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Schools and borders had closed; the governor of California, like governors elsewhere, had asked residents to begin staying at home. But the change that struck me seemed more abstract and internal. It was a change in the way we were looking at things, and it is still ongoing. The virus is rewriting our imaginations. What felt impossible has become thinkable. We’re getting a different sense of our place in history. We know we’re entering a new world, a new era. We seem to be learning our way into a new structure of feeling.</div>
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In many ways, we’ve been overdue for such a shift. In our feelings, we’ve been lagging behind the times in which we live. The Anthropocene, the Great Acceleration, the age of climate change—whatever you want to call it, we’ve been out of synch with the biosphere, wasting our children’s hopes for a normal life, burning our ecological capital as if it were disposable income, <a href="https://www.newyorker.com/culture/cultural-comment/what-if-we-stopped-pretending" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; line-height: inherit; transition: color 0.2s ease 0s;">wrecking our one and only home</a> in ways that soon will be beyond our descendants’ ability to repair. And yet we’ve been acting as though it were 2000, or 1990—as though the neoliberal arrangements built back then still made sense. We’ve been paralyzed, living in the world without feeling it.</div>
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Now, all of a sudden, we’re acting fast as a civilization. We’re trying, despite many obstacles, to <a href="https://www.newyorker.com/news/q-and-a/the-vital-importance-of-isolation" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; line-height: inherit; transition: color 0.2s ease 0s;">flatten the curve</a>—to avoid mass death. Doing this, we know that we’re living in a moment of historic importance. We realize that what we do now, well or badly, will be remembered later on. This sense of enacting history matters. For some of us, it partly compensates for the disruption of our lives.</div>
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Actually, we’ve already been living in a historic moment. For the past few decades, we’ve been called upon to act, and have been acting in a way that will be scrutinized by our descendants. Now we feel it. The shift has to do with the concentration and intensity of what’s happening. September 11th was a single day, and everyone felt the shock of it, but our daily habits didn’t shift, except at airports; the President even urged us to keep shopping. This crisis is different. It’s a biological threat, and it’s global. Everyone has to change together to deal with it. That’s really history.</div>
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It seems as though science has been mobilized to a dramatic new degree, but that impression is just another way in which we’re lagging behind. There are 7.8 billion people alive on this planet—a stupendous social and technological achievement that’s unnatural and unstable. It’s made possible by science, which has already been saving us. Now, though, when disaster strikes, we grasp the complexity of our civilization—we feel the reality, which is that the whole system is a technical improvisation that science keeps from crashing down.</div>
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On a personal level, most of us have accepted that we live in a scientific age. If you feel sick, you go to a doctor, who is really a scientist; that scientist tests you, then sometimes tells you to take a poison so that you can heal—and you take the poison. It’s on a societal level that we’ve been lagging. Today, in theory, everyone knows everything. We know that our accidental alteration of the atmosphere is leading us into a mass-extinction event, and that we need to move fast to dodge it. But we don’t act on what we know. We don’t want to change our habits. This knowing-but-not-acting is part of the old structure of feeling.</div>
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Now comes this disease that can kill anyone on the planet. It’s invisible; it spreads because of the way we move and congregate. Instantly, we’ve changed. As a society, we’re watching the statistics, following the recommendations, listening to the scientists. Do we believe in science? Go outside and you’ll see the proof that we do everywhere you look. We’re learning to trust our science as a society. That’s another part of the new structure of feeling.</div>
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Possibly, in a few months, we’ll return to some version of the old normal. But this spring won’t be forgotten. When later shocks strike global civilization, we’ll remember how we behaved this time, and how it worked. It’s not that the coronavirus is a dress rehearsal—it’s too deadly for that. But it is the first of many calamities that will likely unfold throughout this century. Now, when they come, we’ll be familiar with how they feel.</div>
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What shocks might be coming? Everyone knows everything. Remember when Cape Town almost ran out of water? It’s very likely that there will be more water shortages. And food shortages, electricity outages, devastating storms, droughts, floods. These are easy calls. They’re baked into the situation we’ve already created, in part by ignoring warnings that scientists have been issuing since the nineteen-sixties. Some shocks will be local, others regional, but many will be global, because, as this crisis shows, we are interconnected as a biosphere and a civilization.</div>
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<a aria-label="Read <em>The New Yorker’s</em> complete news coverage and analysis of the coronavirus pandemic." class="external-link external-link-embed__hed-link" data-event-click="{"element":"ExternalLink","outgoingURL":"https://www.newyorker.com/tag/coronavirus"}" href="https://www.newyorker.com/tag/coronavirus" rel="nofollow noopener" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; text-decoration-line: none; transition: color 0.2s ease 0s;" target="_blank"><div class="external-link-embed__hed" style="box-sizing: border-box; display: inline; font-size: 18px; line-height: 1.3em;">
Read <em style="box-sizing: border-box; line-height: inherit;">The New Yorker’s</em> complete news coverage and analysis of the coronavirus pandemic.</div>
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Imagine what a food scare would do. Imagine a heat wave hot enough to kill anyone not in an air-conditioned space, then imagine power failures happening during such a heat wave. (The novel I’ve just finished begins with this scenario, so it scares me most of all.) Imagine pandemics deadlier than the coronavirus. These events, and others like them, are easier to imagine now than they were back in January, when they were the stuff of dystopian science fiction. But science fiction is the realism of our time. The sense that we are all now stuck in a science-fiction novel that we’re writing together—that’s another sign of the emerging structure of feeling.</div>
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Science-fiction writers don’t know anything more about the future than anyone else. Human history is too unpredictable; from this moment, we could descend into a mass-extinction event or rise into an age of general prosperity. Still, if you read <a href="https://www.newyorker.com/magazine/2019/12/16/how-william-gibson-keeps-his-science-fiction-real" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; line-height: inherit; transition: color 0.2s ease 0s;">science fiction</a>, you may be a little less surprised by whatever does happen. Often, science fiction traces the ramifications of a single postulated change; readers co-create, judging the writers’ plausibility and ingenuity, interrogating their theories of history. Doing this repeatedly is a kind of training. It can help you feel more oriented in the history we’re making now. This radical spread of possibilities, good to bad, which creates such a profound disorientation; this tentative awareness of the emerging next stage—these are also new feelings in our time.</div>
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Memento mori: remember that you must die. Older people are sometimes better at keeping this in mind than younger people. Still, we’re all prone to forgetting death. It never seems quite real until the end, and even then it’s hard to believe. The reality of death is another thing we know about but don’t feel.</div>
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VIDEO FROM THE NEW YORKER</div>
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Photojournalists on the Front Lines of Documenting Coronavirus</div>
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So this epidemic brings with it a sense of panic: we’re all going to die, yes, always true, but now perhaps this month! That’s different. Sometimes, when hiking in the Sierra, my friends and I get caught in a lightning storm, and, completely exposed to it, we hurry over the rocky highlands, watching lightning bolts crack out of nowhere and connect nearby, thunder exploding less than a second later. That gets your attention: death, all too possible! But to have that feeling in your ordinary, daily life, at home, stretched out over weeks—that’s too strange to hold on to. You partly get used to it, but not entirely. This mixture of dread and apprehension and normality is the sensation of plague on the loose. It could be part of our new structure of feeling, too.</div>
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Just as there are charismatic megafauna, there are charismatic mega-ideas. “Flatten the curve” could be one of them. Immediately, we get it. There’s an infectious, deadly plague that spreads easily, and, although we can’t avoid it entirely, we can try to avoid a big spike in infections, so that hospitals won’t be overwhelmed and fewer people will die. It makes sense, and it’s something all of us can help to do. When we do it—if we do it—it will be a civilizational achievement: a new thing that our scientific, educated, high-tech species is capable of doing. Knowing that we can act in concert when necessary is another thing that will change us.</div>
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People who study <a href="https://www.newyorker.com/tag/climate-change" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; line-height: inherit; transition: color 0.2s ease 0s;">climate change</a> talk about “the tragedy of the time horizon.” The tragedy is that we don’t care enough about those future people, our descendants, who will have to fix, or just survive on, the planet we’re now wrecking. We like to think that they’ll be richer and smarter than we are and so able to handle their own problems in their own time. But we’re creating problems that they’ll be unable to solve. You can’t fix <a href="https://www.newyorker.com/magazine/2019/05/20/climate-change-and-the-new-age-of-extinction" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; line-height: inherit; transition: color 0.2s ease 0s;">extinctions</a>, or ocean acidification, or melted permafrost, no matter how rich or smart you are. The fact that these problems will occur in the future lets us take a magical view of them. We go on exacerbating them, thinking—not that we think this, but the notion seems to underlie our thinking—that we will be dead before it gets too serious. The tragedy of the time horizon is often something we encounter, without knowing it, when we buy and sell. The market is wrong; the prices are too low. Our way of life has environmental costs that aren’t included in what we pay, and those costs will be borne by our descendents. We are operating a multigenerational Ponzi scheme.</div>
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And yet: “Flatten the curve.” We’re now confronting a miniature version of the tragedy of the time horizon. We’ve decided to sacrifice over these months so that, in the future, people won’t suffer as much as they would otherwise. In this case, the time horizon is so short that we are the future people. It’s harder to come to grips with the fact that we’re living in a long-term crisis that will not end in our lifetimes. But it’s meaningful to notice that, all together, we are capable of learning to extend our care further along the time horizon. Amid the tragedy and death, this is one source of pleasure. Even though our economic system ignores reality, we can act when we have to. At the very least, we are all freaking out together. To my mind, this new sense of solidarity is one of the few reassuring things to have happened in this century. If we can find it in this crisis, to save ourselves, then maybe we can find it in the big crisis, to save our children and theirs.</div>
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Margaret Thatcher said that “there is no such thing as society,” and Ronald Reagan said that “government is not the solution to our problem; government is the problem.” These stupid slogans marked the turn away from the postwar period of reconstruction and underpin much of the bullshit of the past forty years.</div>
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We are individuals first, yes, just as bees are, but we exist in a larger social body. Society is not only real; it’s fundamental. We can’t live without it. And now we’re beginning to understand that this “we” includes many other creatures and societies in our biosphere and even in ourselves. Even as an individual, you are a biome, an ecosystem, much like a forest or a swamp or a coral reef. Your skin holds inside it all kinds of unlikely coöperations, and to survive you depend on any number of interspecies operations going on within you all at once. We are societies made of societies; there are nothing but societies. This is shocking news—<a href="https://www.newyorker.com/culture/annals-of-inquiry/the-pandemic-is-not-a-natural-disaster" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; line-height: inherit; transition: color 0.2s ease 0s;">it demands a whole new world view</a>. And now, when those of us who are sheltering in place venture out and see everyone in masks, sharing looks with strangers is a different thing. It’s eye to eye, this knowledge that, although we are practicing social distancing as we need to, we want to be social—we not only <em style="box-sizing: border-box; line-height: inherit;">want</em> to be social, we’ve <em style="box-sizing: border-box; line-height: inherit;">got to be</em> social, if we are to survive. It’s a new feeling, this alienation and solidarity at once. It’s the reality of the social; it’s seeing the tangible existence of a society of strangers, all of whom depend on one another to survive. It’s as if the reality of citizenship has smacked us in the face.</div>
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As for government: it’s government that listens to science and responds by taking action to save us. Stop to ponder what is now obstructing the performance of that government. Who opposes it? Right now we’re hearing two statements being made. One, from the President and his circle: we have to save money even if it costs lives. The other, from the Centers for Disease Control and similar organizations: we have to save lives even if it costs money. Which is more important, money or lives? Money, of course! says capital and its spokespersons. Really? people reply, uncertainly. Seems like that’s maybe going too far? Even if it’s the common wisdom? Or was.</div>
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Some people can’t stay isolated and still do their jobs. If their jobs are important enough, they have to expose themselves to the disease. My younger son works in a grocery store and is now one of the <a href="https://www.newyorker.com/culture/cover-story/cover-story-2020-04-20" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; line-height: inherit; transition: color 0.2s ease 0s;">front-line workers</a> who keep civilization running.</div>
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My son is now my hero: this is a good feeling. I think the same of all the people still working now for the sake of the rest of us. If we all keep thinking this way, the new structure of feeling will be better than the one that’s dominated for the past forty years.</div>
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The neoliberal structure of feeling totters. What might a post-capitalist response to this crisis include? Maybe rent and debt relief; unemployment aid for all those laid off; government hiring for contact tracing and the manufacture of necessary health equipment; the world’s militaries used to support health care; the rapid construction of hospitals.</div>
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What about afterward, when this crisis recedes and the larger crisis looms? If the project of civilization—including science, economics, politics, and all the rest of it—were to bring all eight billion of us into a long-term balance with Earth’s biosphere, we could do it. By contrast, when the project of civilization is to create profit—which, by definition, goes to only a few—much of what we do is actively harmful to the long-term prospects of our species. Everyone knows everything. Right now pursuing profit as the ultimate goal of all our activities will lead to a mass-extinction event. Humanity might survive, but traumatized, interrupted, angry, ashamed, sad. A science-fiction story too painful to write, too obvious. It would be better to adapt to reality.</div>
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Economics is a system for optimizing resources, and, if it were trying to calculate ways to optimize a sustainable civilization in balance with the biosphere, it could be a helpful tool. When it’s used to optimize profit, however, it encourages us to live within a system of destructive falsehoods. We need a new political economy by which to make our calculations. Now, acutely, we feel that need.</div>
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It could happen, but it might not. There will be enormous pressure to forget this spring and go back to the old ways of experiencing life. And yet forgetting something this big never works. We’ll remember this even if we pretend not to. History is happening now, and it will have happened. So what will we do with that?</div>
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A structure of feeling is not a free-floating thing. It’s tightly coupled with its corresponding political economy. How we feel is shaped by what we value, and vice versa. Food, water, shelter, clothing, education, health care: maybe now we value these things more, along with the people whose work creates them. To survive the next century, we need to start valuing the planet more, too, since it’s our only home.</div>
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It will be hard to make these values durable. Valuing the right things and wanting to keep on valuing them—maybe that’s also part of our new structure of feeling. As is knowing how much work there is to be done. But the spring of 2020 is suggestive of how much, and how quickly, we can change. It’s like a bell ringing to start a race. Off we go—into a new time.</div>
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A Guide to the Coronavirus</h2>
<ul style="box-sizing: border-box; margin: 20px 0px 20px 1.875rem; padding: 0px;">
<li style="box-sizing: border-box; margin-left: 1.0625rem;">Twenty-four hours at the <a href="https://www.newyorker.com/magazine/2020/05/04/twenty-four-hours-at-the-epicenter-of-the-coronavirus-pandemic?itm_content=footer-recirc" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">epicenter of the pandemic</a>: nearly fifty <em style="box-sizing: border-box;">New Yorker</em> writers and photographers fanned out to document life in New York City on April 15th.</li>
<li style="box-sizing: border-box; margin-left: 1.0625rem;">Seattle leaders let scientists take the lead in responding to the coronavirus. <a href="https://www.newyorker.com/magazine/2020/05/04/seattles-leaders-let-scientists-take-the-lead-new-yorks-did-not?itm_content=footer-recirc" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">New York leaders did not</a>.</li>
<li style="box-sizing: border-box; margin-left: 1.0625rem;">Can survivors help <a href="https://www.newyorker.com/news/news-desk/can-survivors-of-the-coronavirus-help-cure-the-disease-and-rescue-the-economy?itm_content=footer-recirc" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">cure the disease and rescue the economy</a>?</li>
<li style="box-sizing: border-box; margin-left: 1.0625rem;">What the coronavirus has <a href="https://www.newyorker.com/magazine/2020/05/04/what-the-coronavirus-crisis-reveals-about-american-medicine?itm_content=footer-recirc" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">revealed about American medicine</a>.</li>
<li style="box-sizing: border-box; margin-left: 1.0625rem;">Can we <a href="https://www.newyorker.com/tech/annals-of-technology/can-we-track-covid-19-and-protect-privacy-at-the-same-time?itm_content=footer-recirc" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">trace the spread of <span class="small" style="box-sizing: border-box; font-variant-caps: small-caps; font-variant-east-asian: normal; font-variant-numeric: normal; text-transform: lowercase;">covid</span>-19</a> and protect privacy at the same time?</li>
<li style="box-sizing: border-box; margin-left: 1.0625rem;">The coronavirus is <a href="https://www.newyorker.com/news/news-desk/how-long-will-it-take-to-develop-a-coronavirus-vaccine?itm_content=footer-recirc" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">likely to spread for more than a year</a> before a vaccine is widely available.</li>
<li style="box-sizing: border-box; margin-left: 1.0625rem;">How to practice <a href="https://www.newyorker.com/news/q-and-a/the-vital-importance-of-isolation?itm_content=footer-recirc" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">social distancing</a>, from responding to a sick housemate to the pros and cons of <a href="https://www.newyorker.com/culture/annals-of-gastronomy/pick-up-the-damn-phone-and-other-thoughts-on-ordering-restaurant-delivery?itm_content=footer-recirc" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">ordering food</a>.</li>
<li style="box-sizing: border-box; margin-left: 1.0625rem;">The long crusade of <a href="https://www.newyorker.com/magazine/2020/04/20/how-anthony-fauci-became-americas-doctor?itm_content=footer-recirc" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">Dr. Anthony Fauci</a>, the infectious-disease expert pinned between Donald Trump and the American people.</li>
<li style="box-sizing: border-box; margin-left: 1.0625rem;"><a href="https://www.newyorker.com/tag/coronavirus-social-distancing-cultural-recommendations?itm_content=footer-recirc" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">What to read, watch, cook, and listen to under quarantine</a>.</li>
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<a href="https://www.newyorker.com/contributors/kim-stanley-robinson" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">Kim Stanley Robinson</a> is a science-fiction writer who lives in Davis, California. His next novel, “<a href="https://www.amazon.com/Ministry-Future-Kim-Stanley-Robinson/dp/0316300136/?ots=1&tag=thneyo0f-20&linkCode=w50" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; transition: color 0.2s ease 0s;">The Ministry for the Future</a>,” will be published in October.</div>
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<span class="tag-cloud__section-header" style="box-sizing: border-box; color: black; margin-bottom: 0.9375rem; margin-right: 1.875rem;">More:</span><a class="tag-cloud__tag-link" href="https://www.newyorker.com/tag/coronavirus" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; margin-bottom: 0.9375rem; margin-right: 1.875rem; text-decoration-line: none; transition-duration: 0.2s; transition-property: color, background, text-shadow; transition-timing-function: ease-in-out;"><span class="tag-cloud__tag-name" style="box-sizing: border-box; margin-bottom: 0px; margin-right: 0px;">Coronavirus</span></a><a class="tag-cloud__tag-link" href="https://www.newyorker.com/tag/climate-change" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; margin-bottom: 0.9375rem; margin-right: 1.875rem; text-decoration-line: none; transition-duration: 0.2s; transition-property: color, background, text-shadow; transition-timing-function: ease-in-out;"><span class="tag-cloud__tag-name" style="box-sizing: border-box; margin-bottom: 0px; margin-right: 0px;">Climate Change</span></a><a class="tag-cloud__tag-link" href="https://www.newyorker.com/tag/philosophy" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; margin-bottom: 0.9375rem; margin-right: 1.875rem; text-decoration-line: none; transition-duration: 0.2s; transition-property: color, background, text-shadow; transition-timing-function: ease-in-out;"><span class="tag-cloud__tag-name" style="box-sizing: border-box; margin-bottom: 0px; margin-right: 0px;">Philosophy</span></a><a class="tag-cloud__tag-link" href="https://www.newyorker.com/tag/science-fiction" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; margin-bottom: 0.9375rem; margin-right: 1.875rem; text-decoration-line: none; transition-duration: 0.2s; transition-property: color, background, text-shadow; transition-timing-function: ease-in-out;"><span class="tag-cloud__tag-name" style="box-sizing: border-box; margin-bottom: 0px; margin-right: 0px;">Science Fiction</span></a><a class="tag-cloud__tag-link" href="https://www.newyorker.com/tag/government" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; margin-bottom: 0.9375rem; margin-right: 1.875rem; text-decoration-line: none; transition-duration: 0.2s; transition-property: color, background, text-shadow; transition-timing-function: ease-in-out;"><span class="tag-cloud__tag-name" style="box-sizing: border-box; margin-bottom: 0px; margin-right: 0px;">Government</span></a></div>
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Annals of Inquiry</div>
<a class="summary-item-tracking__hed-link summary-item__hed-link" data-component-type="recirc-river" data-recirc-id="item-hed-1" data-recirc-pattern="summary-item" href="https://www.newyorker.com/culture/annals-of-inquiry/the-pandemic-is-not-a-natural-disaster" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; text-decoration-line: none; transition-duration: 0.2s; transition-property: color, background, text-shadow; transition-timing-function: ease-in-out;"><div class="summary-item__hed" style="box-sizing: border-box; font-family: IrvinHeadingWeb, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 24px; line-height: 1.19em; margin-bottom: 1.25rem; margin-top: 0px;">
The Pandemic Is Not a Natural Disaster</div>
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The coronavirus isn’t just a public-health crisis. It’s an ecological one.</div>
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<span class="byline__preamble" style="box-sizing: border-box;">By </span><span itemprop="name" style="box-sizing: border-box;"><span class="byline__name" style="box-sizing: border-box; display: inline-block; margin: 0px;"><a class="byline__name-link" href="https://www.newyorker.com/contributors/kate-brown" style="background-color: transparent; box-sizing: border-box; color: #121212; cursor: pointer; text-decoration-line: none; transition: color 0.2s ease 0s;">Kate Brow<span class="link__last-letter-spacing" style="box-sizing: border-box;">n</span></a></span></span></div>
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Annals of a Warming Planet</div>
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The Coronavirus and the Climate Movement</div>
</a><div class="summary-item__dek" style="box-sizing: border-box; font-size: 19px; line-height: 1.3em; margin-bottom: 0.625rem;">
One frustration of the pandemic is that it’s temporarily interrupting the movement-building that is necessary to beat the fossil-fuel industry.</div>
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<span class="byline__preamble" style="box-sizing: border-box;">By </span><span itemprop="name" style="box-sizing: border-box;"><span class="byline__name" style="box-sizing: border-box; display: inline-block; margin: 0px;"><a class="byline__name-link" href="https://www.newyorker.com/contributors/bill-mckibben" style="background-color: transparent; box-sizing: border-box; color: #121212; cursor: pointer; text-decoration-line: none; transition: color 0.2s ease 0s;">Bill McKibbe<span class="link__last-letter-spacing" style="box-sizing: border-box;">n</span></a></span></span></div>
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<a aria-hidden="true" class="summary-item__image-link summary-item-tracking__image-link" data-component-type="recirc-river" data-recirc-id="item-image-3" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/annals-of-a-warming-planet/how-public-opinion-changes-for-the-better#intcid=recommendations_the-new-yorker-bottom-recirc_1ef613bb-09ce-4846-b1f8-a9f2c984a1e3_text2vec1-mab" style="background-color: transparent; box-sizing: border-box; color: #e5e5e5; cursor: pointer; display: block; position: relative; transition-duration: 0.2s; transition-property: color, background, text-shadow; transition-timing-function: ease-in-out;" tabindex="-1"><span class="responsive-asset summary-item__image" style="box-sizing: border-box; display: block; overflow: hidden; transition: opacity 1s ease 0s;"><picture class="summary-item__image responsive-image" style="box-sizing: border-box; display: block; height: auto; position: relative; width: 288.734px;"><source media="(max-width: 767px)" sizes="100vw" srcset="https://media.newyorker.com/photos/5eea2721e0eb9787731477aa/16:9/w_720%2Cc_limit/McKibben-PublicOpinionChange.jpg 720w" style="box-sizing: border-box;"></source><source media="(min-width: 768px)" sizes="100vw" srcset="https://media.newyorker.com/photos/5eea2721e0eb9787731477aa/4:3/w_480%2Cc_limit/McKibben-PublicOpinionChange.jpg 480w" style="box-sizing: border-box;"></source><img alt="" class="responsive-image__image" src="https://media.newyorker.com/photos/5eea2721e0eb9787731477aa/4:3/w_480%2Cc_limit/McKibben-PublicOpinionChange.jpg" style="border: 0px; box-sizing: border-box; height: auto; max-width: 100%; vertical-align: bottom; width: 288.734px;" /></picture></span></a><div class="summary-item__content" style="box-sizing: border-box; padding: 1.25rem 0px 2.5rem;">
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<a class="rubric__link" href="https://www.newyorker.com/news/annals-of-a-warming-planet" style="background-color: transparent; box-sizing: border-box; color: #db3334; cursor: pointer; display: inline-block; text-decoration-line: none; transition-duration: 0.2s; transition-property: color, background, text-shadow; transition-timing-function: ease-in-out; vertical-align: middle;">Annals of a Warming Plane<span class="link__last-letter-spacing" style="box-sizing: border-box;">t</span></a></div>
<a class="summary-item-tracking__hed-link summary-item__hed-link" data-component-type="recirc-river" data-recirc-id="item-hed-3" data-recirc-pattern="summary-item" href="https://www.newyorker.com/news/annals-of-a-warming-planet/how-public-opinion-changes-for-the-better#intcid=recommendations_the-new-yorker-bottom-recirc_1ef613bb-09ce-4846-b1f8-a9f2c984a1e3_text2vec1-mab" style="background-color: transparent; box-sizing: border-box; color: black; cursor: pointer; text-decoration-line: none; transition-duration: 0.2s; transition-property: color, background, text-shadow; transition-timing-function: ease-in-out;"><div class="summary-item__hed" style="box-sizing: border-box; font-family: IrvinHeadingWeb, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 24px; line-height: 1.19em; margin-bottom: 1.25rem; margin-top: 0px;">
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How Public Opinion Changes for the Better</div>
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</a><div class="summary-item__dek" style="box-sizing: border-box; font-size: 19px; line-height: 1.3em; margin-bottom: 0.625rem;">
There are signs that we’re reaching a paradigm shift, on racial and climate justice—both because of powerful organizing and events that demonstrate our reality more plainly all the time.</div>
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<span class="byline__preamble" style="box-sizing: border-box;">By </span><span itemprop="name" style="box-sizing: border-box;"><span class="byline__name" style="box-sizing: border-box; display: inline-block; margin: 0px;">Bill McKibben</span></span></div>
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cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><br /></a><a class="top NQHJEb dfhHve" href="https://laviedesidees.fr/Cli-fi-Sci-fi.html" ping="/url?sa=t&source=web&rct=j&url=https://laviedesidees.fr/Cli-fi-Sci-fi.html&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCCswAA" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><br /></a><a class="top NQHJEb dfhHve" href="https://laviedesidees.fr/Cli-fi-Sci-fi.html" ping="/url?sa=t&source=web&rct=j&url=https://laviedesidees.fr/Cli-fi-Sci-fi.html&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCCswAA" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><br /></a><a class="top NQHJEb dfhHve" href="https://laviedesidees.fr/Cli-fi-Sci-fi.html" ping="/url?sa=t&source=web&rct=j&url=https://laviedesidees.fr/Cli-fi-Sci-fi.html&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCCswAA" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><img alt="關於「cli-fi」的報導圖片 (來源:La Vie des Idées)" class="th BbeB2d" data-atf="1" data-iml="1594265856798" src="https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcTAv3gH8mM84Q9vqGrTwMse8FTTwrJ9ANnrDWbJYLW5wpw3CBNvl54WIdeYSyYkPnvevSQmVOk&s" style="border: 0px; height: 100px; margin: 0px; width: 100px;" /></a><div class="gG0TJc" style="color: #545454; font-size: 13px; padding-bottom: 4px;">
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<a class="l lLrAF" href="https://laviedesidees.fr/Cli-fi-Sci-fi.html" ping="/url?sa=t&source=web&rct=j&url=https://laviedesidees.fr/Cli-fi-Sci-fi.html&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQqQIILCgAMAA" style="color: #660099; cursor: pointer; font-size: 15px; text-decoration-line: none;"><span style="color: #dd4b39;">Cli-fi</span> & Sci-fi</a></h3>
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<span class="xQ82C e8fRJf" style="color: #006621;">La Vie des Idées</span><span class="v0c3xd" style="color: #666666; padding: 0px 4px;">-</span><span class="f nsa fwzPFf" style="color: #666666; display: inline-block; line-height: 1.58;">2020年7月6日</span></div>
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Les <span style="color: #dd4b39;">cli-fi</span> (fictions climatiques) se multiplient et forment peut-être désormais un genre à part entière. Elles disent nos préoccupations, nos ...</div>
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<a class="top NQHJEb dfhHve" href="https://www.stuff.co.nz/environment/climate-news/300026244/resilience--a-clifi-short-story-by-octavia-cade" ping="/url?sa=t&source=web&rct=j&url=https://www.stuff.co.nz/environment/climate-news/300026244/resilience--a-clifi-short-story-by-octavia-cade&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCC8wAQ" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><img alt="關於「cli-fi」的報導圖片 (來源:Stuff.co.nz)" class="th BbeB2d" data-atf="1" data-iml="1594265856798" src="https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcSdelsHxmJ7UpL9nNkUw1TFPVtccj_iyTx-RxZsKS11wGmTL0FnvNoBhEo0z-M3uJTxwgo846Eh&s" style="border: 0px; height: 100px; margin: 0px; width: 100px;" /></a><div class="gG0TJc" style="color: #545454; font-size: 13px; padding-bottom: 4px;">
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<a class="l lLrAF" href="https://www.stuff.co.nz/environment/climate-news/300026244/resilience--a-clifi-short-story-by-octavia-cade" ping="/url?sa=t&source=web&rct=j&url=https://www.stuff.co.nz/environment/climate-news/300026244/resilience--a-clifi-short-story-by-octavia-cade&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQqQIIMCgAMAE" style="color: #660099; cursor: pointer; font-size: 15px; text-decoration-line: none;">Resilience - a <span style="color: #dd4b39;">cli-fi</span> short story by Octavia Cade</a></h3>
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<span class="xQ82C e8fRJf" style="color: #006621;">Stuff.co.nz</span><span class="v0c3xd" style="color: #666666; padding: 0px 4px;">-</span><span class="f nsa fwzPFf" style="color: #666666; display: inline-block; line-height: 1.58;">2020年6月23日</span></div>
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Climate fiction – or <span style="color: #dd4b39;">cli-fi</span> – is an emerging genre of literature exploring issues raised by climate change. The best way to win at hide and seek, ...</div>
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<a class="top NQHJEb dfhHve" href="https://www.irishtimes.com/culture/books/iceapelago-a-climate-change-or-cli-fi-thriller-1.4274875" ping="/url?sa=t&source=web&rct=j&url=https://www.irishtimes.com/culture/books/iceapelago-a-climate-change-or-cli-fi-thriller-1.4274875&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCDMwAg" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><img alt="關於「cli-fi」的報導圖片 (來源:The Irish Times)" class="th BbeB2d" data-atf="1" data-iml="1594265856798" src="https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcTXxObt63RSa9LchVRV_TO_jTHx3kAmoSqexoXAFZCVA795e79gMX7y6EtRYcQtcz5884nSWyPw&s" style="border: 0px; height: 100px; margin: 0px; width: 100px;" /></a><div class="gG0TJc" style="color: #545454; font-size: 13px; padding-bottom: 4px;">
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<a class="l lLrAF" href="https://www.irishtimes.com/culture/books/iceapelago-a-climate-change-or-cli-fi-thriller-1.4274875" ping="/url?sa=t&source=web&rct=j&url=https://www.irishtimes.com/culture/books/iceapelago-a-climate-change-or-cli-fi-thriller-1.4274875&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQqQIINCgAMAI" style="color: #660099; cursor: pointer; font-size: 15px; text-decoration-line: none;">Iceapelago, a climate change or <span style="color: #dd4b39;">cli-fi</span> thriller</a></h3>
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<span class="xQ82C e8fRJf" style="color: #006621;">The Irish Times</span><span class="v0c3xd" style="color: #666666; padding: 0px 4px;">-</span><span class="f nsa fwzPFf" style="color: #666666; display: inline-block; line-height: 1.58;">2020年6月28日</span></div>
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Iceapelago is a plot-driven climate change thriller: a new <span style="color: #dd4b39;">cli-fi</span> (climate fiction) genre. Iceapelago describes a country – in this case the island of ...</div>
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<a class="top NQHJEb dfhHve" href="https://menafn.com/1100448088/A-sense-of-climate-crisis-now-haunts-stories-which-arent-even-about-the-environment" ping="/url?sa=t&source=web&rct=j&url=https://menafn.com/1100448088/A-sense-of-climate-crisis-now-haunts-stories-which-arent-even-about-the-environment&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCDcwAw" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><img alt="關於「cli-fi」的報導圖片 (來源:MENAFN.COM)" class="th BbeB2d" data-atf="1" data-iml="1594265856775" id="news-thumbnail-image--7960855832788799174" src="data:image/jpeg;base64,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" 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<a class="l lLrAF" href="https://menafn.com/1100448088/A-sense-of-climate-crisis-now-haunts-stories-which-arent-even-about-the-environment" ping="/url?sa=t&source=web&rct=j&url=https://menafn.com/1100448088/A-sense-of-climate-crisis-now-haunts-stories-which-arent-even-about-the-environment&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQqQIIOCgAMAM" style="color: #660099; cursor: pointer; font-size: 15px; text-decoration-line: none;">A sense of climate crisis now haunts stories which aren't even ...</a></h3>
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<span class="xQ82C e8fRJf" style="color: #006621;">MENAFN.COM</span><span class="v0c3xd" style="color: #666666; padding: 0px 4px;">-</span><span class="f nsa fwzPFf" style="color: #666666; display: inline-block; line-height: 1.58;">2020年7月7日</span></div>
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Awareness is emerging in every genre and form, and is no longer confined to the nature writing or <span style="color: #dd4b39;">cli-fi</span> shelves. Until recently, climate change ...</div>
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<a class="top NQHJEb dfhHve" href="https://www.popmatters.com/amnesia-scanner-tearless-review-2646283911.html" ping="/url?sa=t&source=web&rct=j&url=https://www.popmatters.com/amnesia-scanner-tearless-review-2646283911.html&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCDswBA" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><img alt="關於「cli-fi」的報導圖片 (來源:PopMatters)" class="th BbeB2d" data-atf="4" data-iml="1594265856776" id="news-thumbnail-image--7762237737043394542" src="data:image/jpeg;base64,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" 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<a class="l lLrAF" href="https://www.popmatters.com/amnesia-scanner-tearless-review-2646283911.html" ping="/url?sa=t&source=web&rct=j&url=https://www.popmatters.com/amnesia-scanner-tearless-review-2646283911.html&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQqQIIPCgAMAQ" style="color: #660099; cursor: pointer; font-size: 15px; text-decoration-line: none;">Amnesia Scanner's 'Tearless' Aesthetically Maps the Failing ...</a></h3>
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<span class="xQ82C e8fRJf" style="color: #006621;">PopMatters</span><span class="v0c3xd" style="color: #666666; padding: 0px 4px;">-</span><span class="f nsa fwzPFf" style="color: #666666; display: inline-block; line-height: 1.58;">2020年6月29日</span></div>
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Tearless is, as Amnesia Scanner told, "a breakup album with the planet". Tearless begins as a <span style="color: #dd4b39;">cli-fi</span> novel might end, on the precipice of climatic ...</div>
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<a class="l lLrAF" href="https://morgenbladet.no/ideer/2020/06/der-var-klimafiksjon-baerer-preg-av-melankoli-har-de-afrikanske-tekstene-en-sint-og" ping="/url?sa=t&source=web&rct=j&url=https://morgenbladet.no/ideer/2020/06/der-var-klimafiksjon-baerer-preg-av-melankoli-har-de-afrikanske-tekstene-en-sint-og&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQqQIIPygAMAU" style="color: #660099; cursor: pointer; font-size: 15px; text-decoration-line: none;">Der vår klimafiksjon bærer preg av melankoli, har de ...</a></h3>
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<span class="xQ82C e8fRJf" style="color: #006621;">Morgenbladet</span><span class="v0c3xd" style="color: #666666; padding: 0px 4px;">-</span><span class="f nsa fwzPFf" style="color: #666666; display: inline-block; line-height: 1.58;">2020年6月25日</span></div>
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Skrives det <span style="color: #dd4b39;">cli-fi</span> på det afrikanske kontinentet? I så fall, ser den forestilte fremtiden annerledes ut for disse skaperne, enn for europeiske og ...</div>
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<a class="top NQHJEb dfhHve" href="https://www.broadwayworld.com/article/Beth-Malone-George-Bartenieff-and-More-to-Star-in-Reading-of-OTHER-THAN-WE-20200706" ping="/url?sa=t&source=web&rct=j&url=https://www.broadwayworld.com/article/Beth-Malone-George-Bartenieff-and-More-to-Star-in-Reading-of-OTHER-THAN-WE-20200706&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCEIwBg" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><img alt="關於「cli-fi」的報導圖片 (來源:Broadway World)" class="th BbeB2d" data-atf="4" data-iml="1594265856776" id="news-thumbnail-image-2474727073832193323" src="data:image/jpeg;base64,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" style="border: 0px; height: 100px; margin: 0px; width: 100px;" /></a><div class="gG0TJc" style="color: #545454; font-size: 13px; padding-bottom: 4px;">
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<a class="l lLrAF" href="https://www.broadwayworld.com/article/Beth-Malone-George-Bartenieff-and-More-to-Star-in-Reading-of-OTHER-THAN-WE-20200706" ping="/url?sa=t&source=web&rct=j&url=https://www.broadwayworld.com/article/Beth-Malone-George-Bartenieff-and-More-to-Star-in-Reading-of-OTHER-THAN-WE-20200706&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQqQIIQygAMAY" style="color: #660099; cursor: pointer; font-size: 15px; text-decoration-line: none;">Beth Malone, George Bartenieff and More to Star in Reading ...</a></h3>
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<span class="xQ82C e8fRJf" style="color: #006621;">Broadway World</span><span class="v0c3xd" style="color: #666666; padding: 0px 4px;">-</span><span class="f nsa fwzPFf" style="color: #666666; display: inline-block; line-height: 1.58;">2020年7月6日</span></div>
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A <span style="color: #dd4b39;">Cli-fi</span> fable with music that moves from a dystopian reality to astonishing hope. Other Than We is futuristic <span style="color: #dd4b39;">cli-fi</span>, harrowing yet hope-filled.</div>
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<a class="top NQHJEb dfhHve" href="https://www.birgun.net/haber/iklim-krizi-ve-sinemadaki-izleri-2-307093" ping="/url?sa=t&source=web&rct=j&url=https://www.birgun.net/haber/iklim-krizi-ve-sinemadaki-izleri-2-307093&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCEYwBw" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><img alt="關於「cli-fi」的報導圖片 (來源:BirGün Gazetesi)" class="th BbeB2d" data-atf="4" data-iml="1594265856776" id="news-thumbnail-image-8141940219236105987" src="data:image/jpeg;base64,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" style="border: 0px; height: 100px; margin: 0px; width: 100px;" /></a><div class="gG0TJc" style="color: #545454; font-size: 13px; padding-bottom: 4px;">
<h3 class="r dO0Ag" style="font-size: 20px; font-weight: normal; line-height: 1.3; margin: 0px; overflow: hidden; padding: 0px; text-overflow: ellipsis; white-space: nowrap;">
<a class="l lLrAF" href="https://www.birgun.net/haber/iklim-krizi-ve-sinemadaki-izleri-2-307093" ping="/url?sa=t&source=web&rct=j&url=https://www.birgun.net/haber/iklim-krizi-ve-sinemadaki-izleri-2-307093&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQqQIIRygAMAc" style="color: #660099; cursor: pointer; font-size: 15px; text-decoration-line: none;">İklim Krizi ve Sinemadaki İzleri (2)</a></h3>
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<span class="xQ82C e8fRJf" style="color: #006621;">BirGün Gazetesi</span><span class="v0c3xd" style="color: #666666; padding: 0px 4px;">-</span><span class="f nsa fwzPFf" style="color: #666666; display: inline-block; line-height: 1.58;">2020年7月3日</span></div>
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<span style="color: #dd4b39;">Cli-fi</span> üst başlığını biraz açmak gerek. Geçen haftaki yazımı okuyarak bana geri dönüş yapan, <span style="color: #dd4b39;">Cli-fi</span> kelimesini 2000'lerin başlarında icat eden ...</div>
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<a class="top NQHJEb dfhHve" href="https://www.eenews.net/stories/1062318169" ping="/url?sa=t&source=web&rct=j&url=https://www.eenews.net/stories/1062318169&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCEowCA" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><img alt="關於「cli-fi」的報導圖片 (來源:E&E News)" class="th BbeB2d" data-atf="4" data-iml="1594265856776" id="news-thumbnail-image--6772692678730647959" src="data:image/jpeg;base64,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" style="border: 0px; height: 100px; margin: 0px; width: 100px;" /></a><div class="gG0TJc" style="color: #545454; font-size: 13px; padding-bottom: 4px;">
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<a class="l lLrAF" href="https://www.eenews.net/stories/1062318169" ping="/url?sa=t&source=web&rct=j&url=https://www.eenews.net/stories/1062318169&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQqQIISygAMAg" style="color: #660099; cursor: pointer; font-size: 15px; text-decoration-line: none;">Meet <span style="color: #dd4b39;">cli-fi</span>. It's dark, it's gloomy — and it might help</a></h3>
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<span class="xQ82C e8fRJf" style="color: #006621;">E&E News</span><span class="v0c3xd" style="color: #666666; padding: 0px 4px;">-</span><span class="f nsa fwzPFf" style="color: #666666; display: inline-block; line-height: 1.58;">2020年2月14日</span></div>
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This is <span style="color: #dd4b39;">cli-fi</span>. Authors like El Akkad are turning to climate fiction to craft stories about the dark possibilities of a climate-threatened planet and the ...</div>
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<a class="top NQHJEb dfhHve" href="https://scroll.in/article/947197/seven-cli-fi-novels-that-show-us-how-life-might-imitate-art-when-it-comes-to-climate-change" ping="/url?sa=t&source=web&rct=j&url=https://scroll.in/article/947197/seven-cli-fi-novels-that-show-us-how-life-might-imitate-art-when-it-comes-to-climate-change&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQvIgBCE4wCQ" style="color: #660099; cursor: pointer; float: left; margin: 3px 8px 0px 0px; text-decoration-line: none; width: 100px;"><img alt="關於「cli-fi」的報導圖片 (來源:Scroll.in)" class="th BbeB2d" data-atf="4" data-iml="1594265856776" id="news-thumbnail-image--402811848542711776" src="data:image/jpeg;base64,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" style="border: 0px; height: 100px; margin: 0px; width: 100px;" /></a><div class="gG0TJc" style="color: #545454; font-size: 13px; padding-bottom: 4px;">
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<a class="l lLrAF" href="https://scroll.in/article/947197/seven-cli-fi-novels-that-show-us-how-life-might-imitate-art-when-it-comes-to-climate-change" ping="/url?sa=t&source=web&rct=j&url=https://scroll.in/article/947197/seven-cli-fi-novels-that-show-us-how-life-might-imitate-art-when-it-comes-to-climate-change&ved=0ahUKEwi8lvKRn7_qAhUnBKYKHQlrCrQQqQIITygAMAk" style="color: #660099; cursor: pointer; font-size: 15px; text-decoration-line: none;">Seven <span style="color: #dd4b39;">cli-fi</span> novels that show us how life might imitate art when ...</a></h3>
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<span class="xQ82C e8fRJf" style="color: #006621;">Scroll.in</span><span class="v0c3xd" style="color: #666666; padding: 0px 4px;">-</span><span class="f nsa fwzPFf" style="color: #666666; display: inline-block; line-height: 1.58;">2019年12月21日</span></div>
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The rise of <span style="color: #dd4b39;">cli-fi</span>. Just a decade ago, when I first began reading and researching literary representations of climate change, there was a curious ...</div>
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<span style="font-size: x-large;">Nice message of hope from the scriptwriter....</span><br />
Feel free to comment, support and share so that the French film "I am 2050" will serve the ecological cause and make as many people as possible aware that we must act now for our planet!<br />
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<span style="font-size: x-large;">Christophe Davis wrote:</span><br />
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December 7 at 10:52 PM<br />
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My desire to write this film comes above all from my concern for our future generations. What planet are we going to leave them?! What does the future hold for them? Is it too late or can we still react?<br />
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The ecological issue is becoming increasingly important and worrying in our lives. People are becoming more and more aware of the impact of man on the environment. It is becoming a major and daily subject in the press and media.<br />
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I recently realized that the younger generation had a pessimistic vision for their future on our planèteThey are not sure what to expect. They imagine themselves living in bubbles protecting them from the outside because the environment has become too harmful to humans. A world without nature?!<br />
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Most of this younger generation do not want to become parents in order to avoid subjecting their children to the mistakes of their own parents who did not know how to react in time...<br />
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My desire to make this film is a way for me to contribute to this ecological movement, a willingness to make people aware of what could happen to us if we do nothing, that the consequences will be for tomorrow, that is, for our own children and not for a future, distant generation...<br />
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I therefore take advantage of the platform of the Nikon Film Festival which is open to the public to discuss this ecological theme and especially so that I AM 2050 can be seen by all!<br />
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Today, I am very touched to announce that "I AM 2050" is one of the 20 most supported films 🙂. So we are still counting on you to comment, support and above all SHARE our project<br />
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JE SUIS 2050</div>
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Notre belle planète ! Avec sa faune et sa flore, ses immenses espaces verts et ses océans. Cette belle planète pleine de vie. Mais voilà... En 2050, pour survivre l’humanité est obligée de se terrer dans des bunkers jusqu’au jour où...</div>
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CHRISTOPHEDAVIS<br style="box-sizing: border-box;" /><br style="box-sizing: border-box;" /><div class="share" style="box-sizing: border-box;">
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LIONELKABAC<br style="box-sizing: border-box;" /><br style="box-sizing: border-box;" /><div class="separator" style="clear: both; text-align: center;">
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CREDITS</div>
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<span style="color: red;">Directors of photography: </span><span style="color: #111111;">Lionel KABAC, Olivier TRESSON Script: Christophe DAVIS Actor : Loren TROUBAT, Christophe DAVIS, Lou-Anne, Adélie, Kelly CONSTANT ZERBIB, Cédric ZERBIB, Anton, Siana. 1st assistant: Isabelle KABAC Voix Off : Céline BERTI, Christophe DAVIS Musique : Robert DAVID Montage, VFX, Motion design : Lionel KABAC Décors : Lucie BERNARD, Gaël LARVOR Make-up artist FX : David KOLEO DESIR Costumes X2050 : Kelly CONSTANT ZERBIB Electros : Damien DOUCHEZ, Pierre ALIX Camera assistants : Angèle DUFRENOY, Sylvain GUEBE </span><span style="color: red;">Communication</span><span style="color: #111111;"> : Marie TROUBAT</span></div>
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BIOGRAPHY</div>
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From a friendship born during a trip, both passionate about images, we wanted to make a film together for the Nikon Festival. 1st participation for Lio in 2014 with "I am your happiness" and Chris in 2015 with "I am an inconvenient gesture"</div>
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STORY GOES LIKE THIS:</div>
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Our beautiful planet EARTH! With its fauna and flora, its immense green spaces and oceans. This beautiful planet full of life. But here's the thing... In 2050, to survive, humanity is forced to hide in bunkers until the day when...WHEN...WHEN....</div>
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CRÉDITS</h5>
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Directeurs de la photographie : Lionel KABAC, Olivier TRESSON Scénario : Christophe DAVIS Comédiens : Loren TROUBAT, Christophe DAVIS, Lou-Anne, Adélie, Kelly CONSTANT ZERBIB, Cédric ZERBIB, Anton, Siana. 1er assistant : Isabelle KABAC Voix Off : Céline BERTI, Christophe DAVIS Musique : Robert DAVID Montage, VFX, Motion design : Lionel KABAC Décors : Lucie BERNARD, Gaël LARVOR Maquilleur FX : David KOLEO DESIR Costumes X2050 : Kelly CONSTANT ZERBIB Electros : Damien DOUCHEZ, Pierre ALIX Assistants caméra : Angèle DUFRENOY, Sylvain GUEBE Communication : Marie TROUBAT</div>
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BIOGRAPHIE</h5>
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D’une amitié née lors d’un voyage, tous deux passionnés d’images, nous avions envie de réaliser ensemble un film pour le Festival Nikon. 1ère participation pour Lio en 2014 avec "Je suis ton bonheur" et Chris en 2015 avec "Je suis un geste qui dérange"</div>
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<span style="background-color: #eae9e9; color: #626262; font-size: 15.6px;">Notre belle planète ! Avec sa faune et sa flore, ses immenses espaces verts et ses océans. Cette belle planète pleine de vie. Mais voilà... En 2050, pour survivre l’humanité est obligée de se terrer dans des bunkers jusqu’au jour où...</span></div>
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Entre anticipation et écologie, la "climate-fiction" progresse "à la vitesse de l'éclair"</h1>
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<a href="https://www.rtbf.be/culture/scene/detail_forces-de-leslie-mannes-et-ida-de-lara-barsacq-du-tourbillon-a-la-reflexion-soiree-magique-aux-brigittines?id=10382743" style="background-color: transparent; box-sizing: border-box; color: #434343; text-decoration-line: none;">" Forces" (Mannès,Turine, Lemaître) et " Ida "(Lara Barsacq): du tourbillon à la réflexion. Soirée magique aux...</a></h4>
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Disparition des abeilles, lutte pour "<em style="box-sizing: border-box;">l'or bleu</em>" ou pénurie d'essence: la "<em style="box-sizing: border-box;">climate-fiction</em>", cousine de la science-fiction, a le vent en poupe dans les librairies et à l'écran.</div>
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Au cinéma, l'humanité devenue stérile dans "<em style="box-sizing: border-box;">Les Fils de l'homme</em>" (Alfonso Cuaron, 2006) et la Statue de la Liberté congelée par une nouvelle ère glacière dans "<em style="box-sizing: border-box;">Le Jour d'après</em>" (Roland Emmerich, 2004) illustrent bien les futurs proches servant de cadre à la "<em style="box-sizing: border-box;">climate-fiction</em>". </div>
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Mais ce courant n'a été baptisé qu'au tournant des années 2010, par Dan Bloom. D'après ce journaliste américain, il progresse "<em style="box-sizing: border-box;">à la vitesse de l'éclair</em>" depuis "<em style="box-sizing: border-box;">environ cinq ans</em>", notamment "<em style="box-sizing: border-box;">en réaction à Donald Trump</em>" et aux climatosceptiques.</div>
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"<em style="box-sizing: border-box;">La +cli-fi+ est un sous-genre de la science-fiction</em>" précise Andrew Milner, professeur de littérature comparée à l'université Monash de Melbourne. "<em style="box-sizing: border-box;">Ses auteurs, lecteurs, éditeurs et réalisateurs s'identifient à la tradition de la science-fiction.</em>" S'il estime que la "<em style="box-sizing: border-box;">cli-fi</em>" doit encore évoluer pour "<em style="box-sizing: border-box;">devenir autonome</em>", il note aussi qu'elle se développe "<em style="box-sizing: border-box;">très rapidement</em>".</div>
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"<em style="box-sizing: border-box;">Ce développement répond à des préoccupations du monde réel</em>" explique J.R. Burgmann, également professeur à Monash et coauteur de "<a href="https://global.oup.com/academic/product/science-fiction-and-climate-change-9781789621723?cc=us%E2%8C%A9=en" style="background-color: transparent; box-sizing: border-box; color: #428bca; text-decoration-line: none;" target="_blank" title="Oxford University"><em style="box-sizing: border-box;">Science fiction and climate change : a sociological approach</em></a>" avec Andrew Milner. "<em style="box-sizing: border-box;">La littérature a été assez lente à s'emparer du changement climatique, mais elle rattrape son retard</em>".</div>
<h2 style="box-sizing: border-box; color: inherit; font-family: "Source Sans Pro", Helvetica, Arial, sans-serif; font-size: 2.6rem; line-height: 1.1; margin-bottom: 10px; margin-top: 20px;">
Phénomène mondial </h2>
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Venu des pays anglophones, un vent de "<em style="box-sizing: border-box;">cli-fi</em>" souffle partout dans le monde. En France, les séries "<em style="box-sizing: border-box;">La Dernière Vague</em>" et "<em style="box-sizing: border-box;">L'Effondrement</em>", illustrent sa popularité grandissante. Mais il ne s'agit que de la partie émergée d'un iceberg d'abord littéraire.</div>
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En témoigne <a href="https://www.lisez.com/livre-grand-format/une-histoire-des-abeilles/9782258135086" style="background-color: transparent; box-sizing: border-box; color: #428bca; text-decoration-line: none;" target="_blank" title="Presses de la Cité">"<em style="box-sizing: border-box;">Une histoire des abeilles</em>" de Maja Lunde</a>, best-seller 2017 en Allemagne traduit dans une trentaine de langues, racontant une société où les fleurs doivent être pollinisées à la main. "<em style="box-sizing: border-box;">Je pense que nous verrons plus de ces livres dans les années à venir</em>", car "<em style="box-sizing: border-box;">les gens sont de plus en plus préoccupés par le changement climatique et les auteurs écrivent sur ce qui leur fait peur</em>" déclarait-elle à l'AFP en 2018.</div>
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<a href="https://fr.calameo.com/read/004245550cd1ed7c712aa" style="background-color: transparent; box-sizing: border-box; color: #428bca; text-decoration-line: none;" target="_blank" title=""><em style="box-sizing: border-box;">pour lire un extrait de "Une histoire des abeilles"</em></a></div>
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En effet, le courant semble s'accélérer. </div>
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Dans<a href="http://www.gaia-editions.com/content/sigridur-hagalin-bjornsdottir" style="background-color: transparent; box-sizing: border-box; color: #428bca; text-decoration-line: none;" title="Gaia Editions"> "<em style="box-sizing: border-box;">L'île</em>" de Sigridur Hagalin Björnsdottir </a>(2018), l'Islande se retrouve coupée du monde et tente de vivre en autarcie. <a href="https://www.gallmeister.fr/livres/fiche/193/hegland-jean-dans-la-foret" style="background-color: transparent; box-sizing: border-box; color: #428bca; text-decoration-line: none;" target="_blank" title="éditions Gallmeister">"<em style="box-sizing: border-box;">Dans la forêt</em>" de Jean Hegland</a> (grand succès en 2017 de la traduction en français) raconte la survie de deux jeunes filles dans un monde sans électricité ni essence. Les Américains Paolo Bacigalupi et Claire Vaye Watkins explorent, eux, le thème de la sécheresse et de la bataille pour "<em style="box-sizing: border-box;">l'or bleu</em>" dans <a href="https://audiable.com/boutique/cat_litterature-etrangere/water-knife/" style="background-color: transparent; box-sizing: border-box; color: #428bca; text-decoration-line: none;" target="_blank" title="Au Diable Vauvert éditions">"<em style="box-sizing: border-box;">Water Knife</em>"</a> (2015) et "<a href="https://www.albin-michel.fr/ouvrages/les-sables-de-lamargosa-9782226328588" style="background-color: transparent; box-sizing: border-box; color: #428bca; text-decoration-line: none;" target="_blank" title="Albin Michel"><em style="box-sizing: border-box;">Les Sables de l'Amargosa</em></a>" (2017).</div>
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Le genre fleurit aussi en littérature jeunesse sous les plumes de Jérôme Leroy dans "<em style="box-sizing: border-box;">Lou après tout, Le grand effondrement</em>" (2019) et de Lorris Murail dans "<em style="box-sizing: border-box;">L'Horloge de l'Apocalypse</em>" (2018). "<em style="box-sizing: border-box;">D'un certain point de vue, il ne peut plus y avoir d'autre sujet</em>" résume ce dernier, "<em style="box-sizing: border-box;">même si les jeunes lecteurs ont parfois l'impression qu'on leur fait la morale</em>".</div>
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Incontournable</h2>
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"<em style="box-sizing: border-box;">C'est devenu difficile de faire l'impasse sur le sujet</em>" estime Jean-Marc Ligny, grande plume de la science-fiction et principal auteur "<em style="box-sizing: border-box;">cli-fi</em>" en France avec "<em style="box-sizing: border-box;">Aqua TM</em>" et ses suites. Pour lui, "<em style="box-sizing: border-box;">le changement climatique a besoin d'histoires, les lecteurs ont besoin qu'il soit mis en scène. Les chiffres, les statistiques, ça ne leur parle pas. La +cli-fi+ permet de mieux prendre conscience de la situation</em>".</div>
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"<em style="box-sizing: border-box;">Aujourd'hui, un auteur de science-fiction ne peut pas passer à côté de la question</em>" abonde Yann Quero, auteur français de plusieurs ouvrages "<em style="box-sizing: border-box;">cli-fi</em>" et coordinateur de l'anthologie "<em style="box-sizing: border-box;">Le réchauffement climatique et après...</em>" aux éditions Arkuiris. "<em style="box-sizing: border-box;">Même dans un space opéra, on peut se demander pourquoi l'humanité va essaimer dans les étoiles.</em>"</div>
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S'ils est devenu central récemment, le thème de la dégradation de l'environnement est néanmoins exploité dans la "<em style="box-sizing: border-box;">SF</em>" depuis plus de 50 ans, comme dans "<em style="box-sizing: border-box;">Sécheresse</em>" de J.G. Ballard (1964) ou "<em style="box-sizing: border-box;">Le Troupeau Aveugle</em>" de John Brunner (1972). Une œuvre aussi ancienne que "<em style="box-sizing: border-box;">Les Raisins de la Colère</em>" (1934) est considérée comme pionnière, puisque John Steinbeck y raconte les ravages des tempêtes de poussière provoquées par la surexploitation des terres agricoles en Oklahoma.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBjj9Ow7yBsH6uR8MW4bcaiifDjl7XT0s9t9DApQOyvLo2iEeGc3IJxrKmbtpnOYLsaVhNZWB9_G9lUr3bHz4eK5iScsabzt4HmeINrNKGWCTyk_LtgE8tewAMDGDnkoW7bSDThD_9KZE/s1600/42_40140.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBjj9Ow7yBsH6uR8MW4bcaiifDjl7XT0s9t9DApQOyvLo2iEeGc3IJxrKmbtpnOYLsaVhNZWB9_G9lUr3bHz4eK5iScsabzt4HmeINrNKGWCTyk_LtgE8tewAMDGDnkoW7bSDThD_9KZE/s1600/42_40140.jpg" /></a></div>
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=================================== FILES IGNORE===============<br />
<span style="font-size: xx-small;">''TOR Books'' webmaster now has the URL to manually fix the ISO countries list, which includes this infamous "Taiwan, province of China" (they most certainly did not intend that result). If their webmaster is open-minded enough, please refer them to this manual correction: Their website might be using the ISO countries list, which includes this infamous "Taiwan, province of China" (they most certainly did not intend that result). If their webmaster is open-minded enough, please refer them to this manual correction -- <a href="https://www.drupal.org/project/drupal/issues/2595595"><span style="font-size: xx-small;">https://www.drupal.org/project/drupal/issues/2595595</span></a><span style="font-size: xx-small;"> </span></span><br />
<span style="font-size: xx-small;"><span style="font-size: xx-small;"></span><br /></span>
<span style="font-size: xx-small;">Having a <strong>technical problem</strong> with the TOR Website? Please send an email to: <a href="mailto:webmaster@tor-forge.com"><span style="color: black;">webmaster@tor-forge.com</span></a>. We won’t be able to respond to every message personally, but we appreciate the feedback and will address each technical issue accordingly. Thank you.</span></div>
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Some news about sci-fi imprint TOR Books' webmaster's ''issues'' with PRC communist China and TOR's ''unintended registration prejudice'' against Taiwanese sci-fi fans: <br /><br /> With this URL I am sending to ''TOR Books'' webmaster he or she now has access to the URL to manually ''fix'' the ISO ''countries'' list, which includes this infamous <span style="color: orange;"><span style="color: red;">"Taiwan, province of China"</span> non-country name (and TOR</span> most certainly did not intend that result). If their webmaster is open-minded enough, please refer him or her to this manual correction: </span><nav class="breadcrumb container-12"><a href="https://www.drupal.org/project/issues/drupal"><span style="font-size: xx-small;">Issues</span></a></nav></h1>
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Update the country list to match latest CLDR</span></h1>
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<span style="font-size: xx-small;"><br /><a href="https://www.drupal.org/project/drupal/issues/2595595">https://www.drupal.org/project/drupal/issues/2595595</a></span></h1>
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</article>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-83556523572490006572019-10-22T23:02:00.001-07:002019-11-13T21:41:08.409-08:00Academic and cli-fi expert Casper Bruun Jensen sat down to write a paper titled "Cli-fi, Education and Speculative Futures" and he started off with three interesting quotes: <h3 class="r dO0Ag">
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When academic and cli-fi expert Casper Bruun Jensen sat down to write a paper titled "Cli-fi, Education and Speculative Futures" for the "<span class="il">Comparative Education" journal, he started off with three interesting quotes: </span></h3>
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<span style="color: red; font-size: x-large;">*</span> “Asked my 17 year old about the OK Boomer discourse. “yeah, my entire generation is going to die on an uninhabitable planet, but sure, their feelings about a meme are super important to me” [<span style="color: red;">Tweet by</span> <span style="color: cyan;">@BethLynch2020</span>, <span style="color: red;">November 8, 2019</span>]. </h3>
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<span style="color: red;"><em><span style="font-size: x-large;">*</span></em> </span>“The University of Southern Denmark [SDU] wants to be Denmark’s first sustainable university” [<span style="color: red;">headline in the newspaper Politiken, June 23, 2019</span>]. </h3>
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<span style="color: red; font-size: x-large;">*</span> “SDU’s new policy is going to fit the truth to management by world goals.” [<span style="color: red;">Tweet by Danish education researcher in response to SDU’s new strategy, August 11, 2019</span>]. </h3>
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<span style="color: blue;">Then he explained why he started off that way, writing:</span></h3>
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''These discrepant expressions tie together two questions “What kind of world are we going to live in?” and “How do educational institutions need to respond?” They do so via the vector of climate change. Since the latter is unknown in its specific effects, though not in general trajectory, a space is opened for speculation about futures. This opening speaks to the increasing relevance of the swiftly ascending genre of <a href="http://cli-fi.net/">cli-fi</a> for social research.''</h3>
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Dr Jensen added: "It is not fortuitous that cutting-edge social science (Danowski and Viveiros de Castro 2016; Yusoff 2018) increasingly turn to cli-fi (and indigenous science fiction (e.g. Dillon 2012)) for conceptual resources adequate to Anthropocene threats. A recent special issue of the anthropological open-access journal NatureCulture was dedicated to “thinking across worlds” (<span class="il">Jensen</span> and Kemiksiz 2019). Given that “thinking across” is also the remit of comparative education, it is worth pondering what a similar imaginative leap might mean for this field.'' </h3>
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Dr Jensen goes on:</h3>
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"Octavia Butler’s Parable of the Sower and Parable of the Talents (1996) follow the journey of young hyper-empathic woman, Olamina, as she attempts to establish a new community, Earthseed, in a California environmentally devastated and taken over by violent right-wing militias. Nora Jemisin’s (2015-17) ''Broken Earth'' trilogy depicts the complex socio-geological situation of the “Stillness.” Unpredictably ravaged by catastrophic geological events, this supercontinent is inhabited by various castes, some of them (“orogenes”) with the power to control energy and mitigate or intensify the disruptions. Published two decades apart, both offer powerful testimony to the political, social, economic, racial, and gendered consequences of living in highly unstable environments. Neither speaks “directly” to the present planetary situation of accelerating climate change, though Butler’s Parables appear prophetic in several respects. Yet, both offer imaginative templates for grappling with current challenges. </h3>
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''Cli-fi works are not always entirely dystopic," Jensen notes. "Barbara Kingsolver’s Flight Behavior (2012) chronicles unfolding events around a threatened population of Monarch butterflies in rural Kentucky, and the changing relations between local people and visiting scientists attempting to discern the cause of the problems. Kim Stanley Robinson’s novels develop quasi-utopian solutions to the environmental, economic, and political conundrums facing communities—from Mars (1992-6) to New York (2017) (see also Kemiksiz and <span class="il">Jensen</span> 2019). Yet, despite the fact that cli-fi is often perceived as provocative and insightful, it has proven more difficult to imagine just how it might inform or reshape social research agendas. ''</h3>
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''In a recent article (2018),"Jensen adds: "I explored the speculative potentials of analyzing cli-fi literature (Paolo Bacigalupi’s (2009) The Wind-Up Girl, which takes place in a severely disrupted future Bangkok) alongside, or on the same plane as, actually unfolding climate change in the Mekong region. By describing these settings as mixing in a Deleuzian “zone of indiscernibility,” I attempted to highlight the disturbing continuities between the slowly emerging effects of climate change today, and the violent disruptions of the (imagined but not unlikely) future. It is, of course, not given that such continuities will come to pass. However, by vividly articulating the virtual consequences of crossing catastrophic thresholds, cli-fi authors push us also to speculate about what it will take to prevent us from getting there; how we might (perhaps) still embark on a route towards alternative futures, climatic and educational."</h3>
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"Cli-fi, then, confronts us with the difficult collective question of how to modify our thought collectives and thought styles (Fleck 1979 [1935]) in ways adequate to the cosmopolitical perplexities, tensions and threats emerging in tandem with the accelerating Anthropocene. We sorely need fresh ways of thinking and living with a new, changing Earth," he wrote.</h3>
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Going back to the beginning of his paper (and this blog post), Dr Jensen wrote: "To return to the tweets with which I began, it may be that the University of Southern Denmark’s new strategic orientation to the UN sustainability goals is problematic. But the critical scenography is changing. To the educational critic scandalized by the very idea that sustainability might become a 21st Century university’s guiding value, we might simply respond <span style="color: red;">“OK Boomer.”</span> For the central problem today is not that taking climate change seriously poses a (fictive, imagined) threat to truth, enlightenment, or free inquiry. It is, rather, that the University’s commitment—though certainly far better than nothing—is still much too vague and fuzzy; woefully inadequate to the looming threat so clearly articulated in the teenage tweet. Who cares whether educational visions are based on Kantian enlightenment or UN’s sustainability goals? What, indeed, does it matter that PISA tests and the reflections of the Frankfurt school go down the same drain, if “my entire generation is going to die on an uninhabitable planet” anyway? ''</h3>
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<span style="color: red;">''Generation Z</span> <span style="color: blue;">is hopefully not going to go extinct</span> but there is little doubt that massive demographic, economic, social, and political consequences will accompany accelerating climate change," Jensen notes: "Cli-fi, of course, cannot rescue us. It can, however, help us to speculatively sharpen the stakes and imagine the range of possible consequences and responses. Institutional and curricular transformations at all levels, for example, are urgently needed. But what forms would they take?"</h3>
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''It is worth checking Bacigalupi, Jemisin or Atwood to imagine not only what might be in store for us but also how institutions capable of dealing with such events would have to change and adapt," Professor Jensen writes: "Cross-cutting, transdisciplinary forms of critical-constructive thinking, spanning everything from ecology and anthropology to education and geology will surely be needed to tackle emerging problems. But what will these problems look like, and what forms should such pedagogies take? Why not look to Butler, Robinson or Le Guin for guidance and inspiration about new themes, speculative questions, and fresh hypotheses? <span style="color: red;">In the Anthropocene, the importance of alternative futures will continue to grow. Speculative fiction leads the way</span>. ''</h3>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-19274206163625809352019-10-22T22:55:00.001-07:002019-10-22T22:56:49.730-07:00Cli-fi News - MANORAMAONLINE<br /><br /><a href="https://english.manoramaonline.com/lifestyle/books/2019/09/24/cli-fi-impact-global-warming.html"> https://english.manoramaonline.com/lifestyle/books/2019/09/24/cli-fi-impact-global-warming.html</a><br />
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<a href="https://english.manoramaonline.com/lifestyle/books/2019/09/24/cli-fi-impact-global-warming.html">https://english.manoramaonline.com/lifestyle/books/2019/09/24/cli-fi-impact-global-warming.html</a> -Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-55234269414664671022019-10-22T22:50:00.003-07:002019-11-28T01:47:36.559-08:00I'm launching a "10-year Hollywood Cli-Fi movies initiative" to get the "cli-fi" term into the ears eyes and minds of major Hollywood players<div class="separator" style="clear: both; text-align: center;">
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I'm launching a "10-year Hollywood <a class="twitter-hashtag pretty-link js-nav" data-query-source="hashtag_click" dir="ltr" href="https://twitter.com/hashtag/CliFi?src=hash"><span style="color: #1b95e0;"><b>Cli-Fi</b></span></a> movies initiative" to get the <a href="http://cli-fi.net/">"cli-fi"</a> term into the ears eyes and minds of major Hollywood players. I need all the help I can get. via social media and this blog. Tweets, FB updates, emails to make cli-fi a genre term that everyone in Hollywood knows by 2030. <br />
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Cli-fi has already caught on in the book publishing world and among literary critics worldwide for novels and short story collections as A LITERARY TERM. This effort was ongoing since 2011 and got a huge boost in 2013 when NPR did a 5 minute radio broadcast titled "It's so hot, it's time for a new literary genre!" <a href="http://npr.org/">GOOGLE IT.</a><br />
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Now my focus for the next 10 years will be on Hollywood, and with the help of many people, cli-fi will catch on as cinema term among Hollywood producers, PR people, directors, actors, scriptwriters, talent agents, Hollywood journalists and film critics. We begin now.<br />
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A few notes of interest for your interest:<br />
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A few years ago, I was talking on the phone to veteran TV producer and social activist in Hollywood, Sonny Fox, and I was asking how him criptwriters and directors and producers in Los Angeles and other TV and film capitals around the world can make better use of their expertise and people to turn out more feature shows about climate change themes. Not documentaries, we have enough of them, good ones, too, but real movies, real TV serial dramas, written by people like Aaron Sorkin and produced by people like Marshall Herskovitz and, well, like veteran visionary Sonny Fox. <br />
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While Sonny is retired now at 94, he remains active as a passionate and concerned observer of where the world is headed, especially the world in this Age of Trump. He knows that runaway global warming is a serious issue and he knows that TV and movie producers have the means to address it.<br />
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"It's just a question of getting the right people together and setting up some organizations to work on this issue in Hollywood," the Brooklyn-born Fox tells me. And he's been arond the block a couple of times, many times, in Hollywood and New York. He knows what the game is all about.<br />
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Could we use serial dramas -- narrative TV shows -- for the primary purpose of entertainment that also inspires and educates people about climtae change themes through role modeling? </div>
Sonny says we can. And should.<br />
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There was a big wave of such interest back in the 1970s and 1980s that saw Fox, back then president of the Academy of Television Arts and Sciences, teaming up with such figures as David Poindexter, Miguel Sabido, and Albert Bandura to basically turn the industry’s attention to teaching people about health issues and family planning through mainstream TV. They got involved with Everett Rogers and the three biggest TV networks in the U.S. to do this together with the Center for Disease Control, and their effort is still survived today by the organization Hollywood Health & Society which has a powerful advisory position to the Writer’s Guild of America.<br />
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So Sonny knows of what he speaks.<br />
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"It's important to get TV and movie people involved in climate change discussions," he says. "And to goad them into making TV shows and movies that go right to the heart of the matter: how will future generations fare in a world beset by dire climate situations worldwide -- doughts, floods, wildfires, sea level rise, heat waves."<br />
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Outside of Hollywood and New York, there are groups now in Vermont and China working on these concepts and trying to organize for actions to take, creative actions with movies and TV shows. Storytelling can work wonders. Story can capitivate the human imagination and push the emotional buttons that might result in civic action, at the voting booths and in local communities nationwide.<br />
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<a href="http://newyork.thecityatlas.org/people/marshall-herskovitz/">Then there was a fantastic interview with Marshall Herskovitz the TV and movie producer</a> and writer, Brandeis alum, major Hollywood climate movie activist. Listen to him here:<br />
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<a data-saferedirecturl="https://www.google.com/url?q=http://newyork.thecityatlas.org/people/marshall-herskovitz/&source=gmail&ust=1575018372369000&usg=AFQjCNHGmGJ0c0m69ZLOsNGMMyzRDnNRmw" href="http://newyork.thecityatlas.org/people/marshall-herskovitz/" target="_blank">http://newyork.thecityatlas.<wbr></wbr>org/people/marshall-<wbr></wbr>herskovitz/</a><br />
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<span class="gmail_default" style="font-family: "garamond" , serif; font-size: medium;"><span style="font-weight: 400;">Marshall Herskovitz is an important Hollywood player to watch. A producer, director and screenwriter who has also served as president of the Producers Guild of America (2006 – 2010) his credits include films such as “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/Traffic_(2000_film)&source=gmail&ust=1575018372373000&usg=AFQjCNEETGWX4w2UE58ydXEDXFyTzgi0UA" href="https://en.wikipedia.org/wiki/Traffic_(2000_film)" target="_blank"><span style="color: #0066cc;">Traffic</span></a>,” “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/The_Last_Samurai&source=gmail&ust=1575018372373000&usg=AFQjCNErWbBvvgXlgZUJ4HJ6Cgk7BVFb8A" href="https://en.wikipedia.org/wiki/The_Last_Samurai" target="_blank"><span style="color: #0066cc;">The Last Samurai</span></a>,” and “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/Blood_Diamond_(film)&source=gmail&ust=1575018372373000&usg=AFQjCNEV10zxE85uDzRqW62Z4SdeT1jTFA" href="https://en.wikipedia.org/wiki/Blood_Diamond_(film)" target="_blank"><span style="color: #0066cc;">Blood Diamond</span></a>,” and with his creative partner, Ed Zwick, he created the groundbreaking television series “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/Thirtysomething&source=gmail&ust=1575018372373000&usg=AFQjCNHnl3-dxkF0nYqZT7d-1TpKIDb_ZQ" href="https://en.wikipedia.org/wiki/Thirtysomething" target="_blank"><span style="color: #0066cc;">thirtysomething</span></a>,” “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/My_So-Called_Life&source=gmail&ust=1575018372373000&usg=AFQjCNHan5rRMATbSTeSRuhvuHhlD3OX0Q" href="https://en.wikipedia.org/wiki/My_So-Called_Life" target="_blank"><span style="color: #0066cc;">My So-Called Life</span></a>,” and “<a data-saferedirecturl="https://www.google.com/url?q=https://en.wikipedia.org/wiki/Once_and_Again&source=gmail&ust=1575018372373000&usg=AFQjCNHDvHHxEoMJmVP9uy8QqV6I1DOzOg" href="https://en.wikipedia.org/wiki/Once_and_Again" target="_blank"><span style="color: #0066cc;">Once And Again</span></a>.” Alongside his career in the film industry, Herskovitz has devoted years to thinking about our society’s climate change problem. </span><br />
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<span style="font-weight: 400;">"I first got into this more than 20 years ago, just by reading the science and getting really terrified. There was a big dividing line before and after “An Inconvenient Truth.” Before “Inconvenient Truth” the issue really was that people were not aware of climate change. After “Inconvenient Truth,” it became more complicated because people were aware of it, but it became much more politicized.," he told an interviewer iat City Atlas n 2015.</span><br />
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<span style="font-weight: 400;">'So, before “Inconvenient Truth,” I was trying myself to put together a large communications campaign to get people aware of it, and I ended up through this weird, flukey thing, testifying in front of a committee in Congress. And basically what I was saying then is what I say now, which is that we are not even remotely on the right scale of what we need to be doing, and that we are all still in denial, and that, except for a small group of very vocal people, even among people who are really on board in terms of moving to combat climate change we aren’t really thinking about what we have to do. The only analogy for what we have to do is a World War Two-style mobilization.''</span><br />
<br />When asked if he thinks that Hollywood can create the narratives that needed to prod people to take action, Herskovitz said <span style="color: red;">yes</span>.<br />
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<span style="font-weight: 400;"><span style="color: red;">''Yes, we have the professionals who could do it. We have the professionals who could create the stories. Absolutely.</span> ''</span><br />
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<span style="font-weight: 400;">''I live in mass communications. I live or die by whether millions of people come and pay to see my product, and advertisers, the big advertising agencies, live or die by whether they get millions of people to respond, and that’s where the communications have to come from, and that costs a lot of money! Because you’re talking about television buys, and you’re talking about the kinds of marketing efforts that I’ve seen happen scores of times in my business. Where, for instance, we make a movie, nobody’s ever heard of that movie, you know? We then take 30, 40 million dollars and four weeks later, 96% of Americans know all about it. This is a very well established discipline, advertising and marketing, it just hasn’t been applied to this. So, that’s, to me, what still needs to be done. ''</span><br />
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<span style="font-weight: 400;">''We are seeing that the tide is turning in America, there’s no question about it. There’s no question that a majority of Americans believe that one, climate change is real, two, it’s caused by humans, and three, that we need to do something about it.''</span><br />
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<span style="font-weight: 400;">''I sort of keep track of these numbers, and basically, about 20-25% of Americans think it’s an emergency. And then there’s another 40% who think that we have to do something, but they don’t know what to do and they feel overwhelmed and so they don’t really deal with it in their lives. And then, on the other side, there’s another 35% who either don’t believe, don’t care, and a smaller percentage of them are actively opposed. But about 65% of Americans think we gotta do something, it’s just that we need a much bigger percentage of those people to become active. We have to make it possible for them to do something about it. Right now, they go, “It doesn’t matter what I do, you know? Even if America acts, what’s China gonna do? What’s India gonna do?” It’s changing that perception, and there are ways to do that. ''</span><br />
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<span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;">''Most millennials grew up, I think, feeling like there were a lot of things in the world that were really awful that they couldn’t do anything about, and so many kids have said to me it’s so hard to see what the future’s going to be like, and there really wasn’t a belief that there was going to be a great future. And that’s upsetting. So, I wish I saw that zeal, that sense of omnipotence, that we are going to change the world, we are going to make the world do what we want it to do. I wish I saw that, because, boy that’s what we need. ''</span></span></strong></span><br />
<span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"></span></span></strong></span><br />
<span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"><a href="http://newyork.thecityatlas.org/people/marshall-herskovitz/">Listen to Marshall Herskovitz</a>.. He is on Twitter now at <span style="color: blue;">@MarshallHerskovitz</span></span></span></strong></span><br />
<span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="color: blue;"></span></span></span></strong></span><br />
<span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="color: blue;">HIS CITY ATLAS INTERVIEW FROM 2015 is HERE:</span></span></span></strong></span><br />
<span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"><a data-saferedirecturl="https://www.google.com/url?q=http://newyork.thecityatlas.org/people/marshall-herskovitz/&source=gmail&ust=1575018372369000&usg=AFQjCNHGmGJ0c0m69ZLOsNGMMyzRDnNRmw" href="http://newyork.thecityatlas.org/people/marshall-herskovitz/" target="_blank">http://newyork.thecityatlas.<wbr></wbr>org/people/marshall-<wbr></wbr>herskovitz/</a></span></span></span><br />
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<span style="font-weight: 400;"><strong><span style="font-weight: 400;"><span style="font-weight: 400;"><span style="color: blue;">THEN there's CNN producer and reporter Jen Christensen who wrote a very good piece on how cli-fi can make a difference in Hollywood, see link here:</span></span></span></strong></span><br />
<span style="font-weight: 400;"><span style="font-weight: 400;"><span style="font-weight: 400;"><a data-saferedirecturl="https://www.google.com/url?q=https://www.cnn.com/2019/02/08/world/climate-change-movies-eprise/index.html&source=gmail&ust=1575018375756000&usg=AFQjCNGfyzHr30LosK4tdF3xWW3JBwFr3w" href="https://www.cnn.com/2019/02/08/world/climate-change-movies-eprise/index.html" target="_blank">https://www.cnn.com/2019/02/<wbr></wbr>08/world/climate-change-<wbr></wbr>movies-eprise/index.html</a></span></span></span><br />
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Cli-fi (climate fiction) on the big screen changes minds about real climate change</span></span></span></span></h1>
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<a href="https://edition.cnn.com/profiles/jen-christensen"></a><div class="byline-images byline-images-total--1">
<a href="https://edition.cnn.com/profiles/jen-christensen"><img alt="" class="media__image" src="https://cdn.cnn.com/cnnnext/dam/assets/170609154042-jen-christensen-no-glasses-small-11.jpg" /></a></div>
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<span class="metadata__byline__author">By <a href="https://edition.cnn.com/profiles/jen-christensen"><span style="color: #006598;">Jen Christensen</span></a>, CNN</span></div>
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<strong><span style="font-size: x-large;"> February 8, 2019</span></strong> </div>
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AND POST-SCRIPT: December 1, 2019</div>
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I communicated with Hollywood director and producer <strong><a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html">Daniel Hinerfeld</a></strong> who also work with NRDC in Los Angeles and he told my in a recent email in reply to my letter introducing myself and my work with cli-fi:</div>
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<em><strong>''Hi Dan,</strong></em></div>
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<em><strong></strong></em> </div>
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<a href="http://cli-fi.net/"><em><strong>''Cli-fi</strong></em></a><em><strong> is a brilliant term..... I just started perusing your </strong></em><a href="http://cli-fi.net/"><em><strong>website</strong></em></a><em><strong>. It’s very useful and I’ll share it with a few folks. Thank you for your efforts.''<u></u><u></u></strong></em></div>
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<em><strong><a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html">''I’ve attached some info on a panel we hosted</a> on November 19 in Los Angeles called </strong></em><a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html"><em><strong>Hollywood Takes on the Climate Crisis.</strong></em></a><em><strong> It was panel discussion with four writers (two of whom are also actors), whose shows have dealt with climate change. We got a big reaction from Hollywood creative professionals -- well over 200 RSVPs. ''</strong></em></div>
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<a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html">https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html</a></div>
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<span style="font-size: x-large;">ADDITIONAL INFO AND LINK HERE:</span><br />
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<a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html">''Hollywood Takes on the Climate Crisis'':</a> An Event That Took Place on November 19th 2019 with panelists Alex Maggio, Donte Clark, Dorothy Fortenberry, Glenn Howerton and others (see LINK and graphic for credits)<br />
<a href="https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html">https://korgw101.blogspot.com/2019/11/hollywood-takes-on-climate-crisis-event.html</a><br />
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'The Commons' is an 8-part cli-fi drama series that depicts a climate-ravaged Australia of the not-so-distant future. Starts on Christmas Day 2019 in Australia. <a href="https://korgw101.blogspot.com/2019/10/maja-lunde-far-sin-del-av-ren-for-ha.html">https://korgw101.blogspot.com/2019/10/maja-lunde-far-sin-del-av-ren-for-ha.html</a><br />
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<span style="font-size: x-large;">OPED by Dan Bloom</span><br />
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Dear Hollywood Producers, Directors, Writers, Actors: It’s Time To Shed Some "Lights, Camera Action!" On Climate Change Issues, Too<br />
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Forget sci-fi...cli-fi is the terrifying theme of many new novels </h3>
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and movies, says GOOGLE SEARCH. </h3>
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Go look and see <a href="https://cli-fi-books.blogspot.com/2019/11/noam-chomsky-anecdote-thanks-to.html"><span style="color: #336699;">here!</span></a></h3>
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<a href="https://cli-fi-books.blogspot.com/2019/11/noam-chomsky-anecdote-thanks-to.html"><span style="color: #336699;">https://cli-fi-books.blogspot.com/2019/11/noam-chomsky-anecdote-thanks-to.html</span></a></div>
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<span style="color: red; font-size: xx-small;">Dear Hollywood Producers, Directors, Writers, Actors: It’s Time To Shed Some "Lights, Camera Action!" On Climate Change Issues, Too</span></h2>
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Hollywood, the land of dreams and the boulevard of tentpole marketing campaigns. do something! With a plethora of films with boffo box office revenues annually, not one decent motion picture made on the burning - literally - topic of our age: climate change. </div>
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I mean Hollywood, California is on fire in 2019! Get with the program!</div>
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But for the most part, Hollywood relies on a false sense of escape instead of realism to survive and prosper. </div>
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Hollywood has slowly and steadily moved from the fantasy culture to more relatable and realistic cinema based on historical events, believable science fiction, and, most importantly, the day-to-day life of the audiences. But in terms of making <a href="http://cli-fi.net/"><span style="color: #336699;">cli-fi</span></a> movies with important themes and A-List actors, there is still much work that needs to be done.</div>
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Ask Marshall Herskovitz, ask Sonny Fox, <a href="http://cli-fi.net/"><span style="color: #336699;">ask me!</span></a></div>
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One of the worst victims of Hollywood’s gross neglect of our society’s truth - other than people’s intelligence – has been runaway climate change risks. Whether or not, we as a society, indulge in measures to manage climate change, and the harmful effects of global warming, we all know one reality; that we have irreversibly damaged our ecosystem in the past, in a way that our ancestors couldn’t do in close to five millennia.</div>
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Almost everyone knows that the sea levels are rising, precipitation has become scarce, and the global temperatures continue to increase by the day. We, however, conveniently ignore the naked truth to live an apparently ignorant existence. Ask Greta Thunberg.There is no surprise then, that American and UK pop culture too, very skillfully ignores the topic of climate change, and doesn’t depict it at all on the silver screen.</div>
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<span style="color: #333333;">Look at the history of the Film Industry, and you’ll realise that few viable movies or documentaries have been made on the harmful effects of climate change and global warming. When in the 2000s, Hollywood was making movies like The Core (2003) and The Day After Tomorrow (2004), starring top Hollywood superstars, things started to look promising. Leonardo DiCaprio even gave a shout out to cli-fi in one of his Oscar acceptance speeches. But sadly, the handful of cli-fi movies that have indeed been made on climate change can be counted on one hand.</span><span style="color: red;"> [Listen to the sound of one hand clapping!]</span></div>
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<br /><br /><figure aria-describedby="caption-attachment-520821" class="wp-caption aligncenter" id="attachment_520821" style="box-sizing: border-box; color: #333333; margin: 0px auto; max-width: 100%; width: 600px;"><span style="font-family: inherit;"><i>''So I ask the big studios of Hollywood: Isn’t the cli-fi genre a relatable issue? Isn’t this something that the entertainment industry should invest in?''</i></span></figure><figure aria-describedby="caption-attachment-520821" class="wp-caption aligncenter" id="attachment_520821" style="box-sizing: border-box; color: #333333; margin: 0px auto; max-width: 100%; width: 600px;"><span style="font-family: inherit;"><br /></span></figure><br /><div style="-webkit-font-smoothing: antialiased; box-sizing: border-box; color: #333333; font-family: inherit; line-height: inherit; margin-bottom: 15px;">
Why is the American motion picture industry only a moneymaking venture? Where did the days go when a screen artist wanted art and social commentary?. We stand witness to the horrors that humans, animals, and nature have to undergo every day due to the damage we have done to our surroundings. What about them? Don’t they deserve their time on the infamous silver screen, too?</div>
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In fact, the thick smog of negligence and nature’s plight has gradually moved from the rural areas to the cities we live in. Wildfires, floods, killer hurricanes. </div>
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Hell, why not make a cli-fi movie on that?</div>
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DearHollywood, as Bob Dylan said long ago, the times are changing, and it is imperative that we change with it. Global Warming is no longer a ghost story mothers use to scare their children to sleep. Climate change is here and now.</div>
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Temperatures are climbing by the day, and sea levels are rising by the hour. Every year crops fail. And more of "America The Beautiful" becomes clouded by smog. If not for yourself, do it for your children’s health.</div>
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Dumb or dumber, we can’t deny the fact that Hollywood and its equivalent TV facets in other parts of the country are trendsetters. What they show on screen is what society follows and believes. Behind a small line of seemingly intelligent people, there are hordes of people who worship the actors and actresses as living gods, and goddesses. Distractions. A movie made on the right topic can hit the issue in the heart and make sure that people understand the gravity of the situation.</div>
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The human mind is a fickle thing, and it doesn’t work on fear. To make people more aware, and most importantly, more effortful and involved in the effort to reverse climate change, we have to indulge them in a personal way. We have to show the audience what happens when a farmers loses their crops and their land to floods caused by climate change. What happens when the climbing temperatures force climate refugees worldwide to change their homes and uproot their lives. Roland Emmerich is planning a movie of this theme right now, for release in 2025. Hollywood boys and girls, show audiences in the 2020s and 2030s how Mother Earth has done nothing except giving us food, water, and shelter all its life and in return, has received only suffering from the humans who inhabit this Earth's surface.</div>
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See also: ''The Cli-Fi Report'': <a href="http://www.cli-fi.net/"><span style="color: #336699;">www.cli-fi.net</span></a></div>
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And what better way to package all these dreadful and eye-opening scenes than cinema. If mainstream movies and big actors like Leonardo DiCaprio and Arnold and Stallone and Meryl Streep can be cast in some good cli-fi movies in the future about climate change, the responses of our bankable Hollywood stars will go all the way from utter ignorance to asking what they can do about it. You can do a lot if you try, Hollywood movers and shakers!</div>
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Think about it. Cli-fi movies are here to stay. Start making more of them!</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-6567469715457012402019-10-21T23:10:00.004-07:002019-11-30T21:40:51.264-08:00Climate activist of the literary and cinema kind Dan Bloom has launched a 10-year Hollywood cli-fi movies initiative of Hollywood producers and celebrities to push for studio action to raise awareness of climate change through the production and release of cli-fi movies in Hollywood in the 2020s and 2030s. <div id="app">
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<main id="site-content"><header class="css-1bymuyk e1suatyy1"><a href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/">Climate activist of the literary and cinema kind Dan Bloom has launched a 10-year Hollywood cli-fi movies initiative of Hollywood producers and celebrities to push for studio action to raise awareness of climate change through the production and release of cli-fi movies in Hollywood in the 2020s and 2030s.</a> </header><header class="css-1bymuyk e1suatyy1"></header><header class="css-1bymuyk e1suatyy1">He made a list and he is contacting everyone on it now.</header><header class="css-1bymuyk e1suatyy1"></header><header class="css-1bymuyk e1suatyy1"><a data-saferedirecturl="https://www.google.com/url?q=https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/&source=gmail&ust=1575262991762000&usg=AFQjCNGhHBqrAirY-m1z1qAff3mgxG0rAQ" href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/" target="_blank">https://www.sdjewishworld.com/<wbr></wbr>2019/11/30/activist-pushes-hol<wbr></wbr>lywood-to-adopt-cli-fi-genre/</a></header><header class="css-1bymuyk e1suatyy1"></header><div aria-hidden="false">
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Former presidents Bill Clinton and Jimmy Carter will hopefully be part of the effort. Moderate Republican lawmakers like Arnold Schwarzenegger, the former governor of California, and John Kasich, the former governor of Ohio, are on the list. Stars like Leonardo DiCaprio, Sting and Ashton Kutcher round out the roster of more than 60 people. Their goal is to hold “climate conversations” in the coming decade with Hollywood producers and directors across the political spectrum.</div>
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With a small starting budget, Mr. Bloom said, he and other coalition members intend to ''take'' Hollywood meetings and push for the more interest in the cli-fi genre of movie-making in the next 10 years.</div>
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“We’re going to try to reach millions of people through Hollywood movies, Americans and people in other parts of the world, in order to mobilize an army of people who are going to demand action now on producing and releasing more cli-fi movies in the near future,” Mr. Bloom, 70, said in an interview.</div>
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<span style="font-size: x-large;">OK, Boomer.</span></div>
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The launch of the initiative comes as diplomats gathered in Madrid for global climate negotiations aimed at strengthening the 2015 Paris Agreement</div>
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United Nations scientists have said the world needs to cut carbon emissions in half by 2030, and must eliminate them by 2050 to limit warming to relatively safe levels. To do that, the United States would need to phase out all fossil fuels, including gas, as rapidly as possible. <a href="https://www.sdjewishworld.com/2019/11/30/activist-pushes-hollywood-to-adopt-cli-fi-genre/">Cli-fi movies from Hollywood studios can help raise awareness of the issues, Mr Bloom said.</a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-10753842446620351112019-10-11T01:16:00.002-07:002019-10-15T23:09:30.094-07:00PUBLIC FILES: ERIC HOLTHAUS' now-deleted profile of Greta Thunberg<span style="color: #1b95e0;"><span style="color: black;"><span style="font-size: x-large;"><span style="color: red;"><strong>UPDATED:</strong></span> October 14</span></span></span><br />
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<span style="color: #1b95e0;"><span style="color: black;"><span style="font-size: x-large;">See now below the Mathew Ingram item at CJR </span></span></span><br />
<span style="color: #1b95e0;"><span style="color: black;"><span style="font-size: x-large;">with two important tweets:</span></span></span><br />
<span style="font-size: x-large;"></span><br />
Why was the Eric Holthaus moving profile of Greta Thunberg and her dad taken down? "Readers who saw the piece said it was “revealing of some of their personal aspects” and “some details could be misused in the wrong hands.” <br />
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As the mostly-unreported saga of the now-mysteriously-deleted post by Eric Holthaus re his moving portrait and interview with Greta Thunberg and her father Svante Thunberg at <strong><em>The Correspondent</em></strong> continutes to be unreported by the mainstream press, not one word about the sudden deletion and the real and exact reasons why it was taken down, <a href="https://www.cjr.org/the_media_today/facebook-disinformation-antitrust.php"><span style="color: #336699;">CJR columnist Mathew Ingram goes into a little here</span></a>:\<br /><br /> Matt at the Columbia Journalism Review explained that the crowdfunded journalism site that is an English-language spinoff of the Dutch site De Correspondent,<a href="https://thecorrespondent.com/61/update-on-greta-thunberg-article/8075584979-956d0542" rel="noopener noreferrer" target="_blank"><span style="font-weight: 400;"><span style="color: #336699;"> took down an article</span></span></a><span style="font-weight: 400;"> by its climate writer Eric Holthaus that included a first-person interview with teenage activist Greta Thunberg, 16.</span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;">In a note, Eric told readers that Thunberg’s family didn’t see the article prior to publication and “after it was published, they raised a number of concerns around sensitivities within the piece with me,” Ingram wrote, adding:<strong> "Readers who saw the piece</strong></span><a href="https://twitter.com/tarjuccia/status/1182416370396553217" rel="noopener noreferrer" target="_blank"><span style="font-weight: 400;"><strong><span style="color: #336699;"> said it was</span></strong></span></a><span style="font-weight: 400;"><strong> “revealing of some of their personal aspects”</strong></span><a href="https://twitter.com/tomvanenckevort/status/1182414533962485760" rel="noopener noreferrer" target="_blank"><span style="font-weight: 400;"><strong><span style="color: #336699;"> and</span></strong></span></a><span style="font-weight: 400;"><strong> “some details could be misused in the wrong hands.”</strong></span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;"><strong><span style="font-size: medium;">The Correspondent website tweeted:</span></strong></span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;"><em>''We've taken our piece on Greta Thunberg down. The Thunberg family did not see the piece pre-publication. After publication, they raised concerns around sensitivities within the piece. We understand their concerns and have decided that the right thing to do is take it down.''</em></span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;"><span style="font-size: large;">Tom van Eckevort tweeted in response:</span></span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;"><em>''When I read it I did think it was quite revealing and some details could be misused in the wrong hands. But I'm surprised a piece like this wasn't approved first. I'm hoping lessons will be learned from this, because you don't want to lose trust between writers and interviewees.</em>''</span><br /><span style="font-weight: 400;"><br /><strong><span style="font-size: large;">Tarja tweeted in reply to Tom:</span></strong></span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;"><em>''Yes, my thoughts exactly. I also read it this morning and thought it was rather revealing of some of their personal aspects. Hope no harm will come from it to Greta and her family, and that you've learned your lesson of letting your subjects to preview before publication.''</em></span><br /><span style="font-weight: 400;"><em></em></span><br /><span style="font-weight: 400;"><span style="color: red;">So now where do things stand?</span> When will the blogosphere or the Twitter World or the mainstream media MSM like the New York Times or the UK Guardian delve into <span style="color: red;">the real reaons</span> that Holthaus article with pics was taken down? </span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;">Not one journalist on the left or the right is looking into this, and <a href="https://www.cjr.org/the_media_today/facebook-disinformation-antitrust.php"><span style="color: #336699;">just accepting that it had to be taken down, deleted, for reasons that are nobody' business, except for the Thunberg family and Eric.</span></a></span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;">Meanwhile, a blogger in South Africa read the piece the night it appeared online and although it was deleted son after, Grace Smith remembed what was in the article and blogged about it here below. </span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;"><a href="https://www.cjr.org/the_media_today/facebook-disinformation-antitrust.php"><span style="color: #336699;">When will the media in the USA</span></a> or Sweden look into this and report the reaon reasons the story was abruptly deleted with no real explanation that made any sense. This story needs to be reported, delicately, sensitively, openly. Who will do it?</span><br /><span style="font-weight: 400;"></span><br /><span style="font-weight: 400;"><span style="font-size: large;">GRACE SMITH BLOGGED:</span></span><br /><span style="font-weight: 400;"></span><br /><br /><span style="font-weight: 400;"><a href="http://www.amindofgrace.co.za/#contact"><span style="color: #336699;">http://www.amindofgrace.co.za/#contact</span></a><br /><br /><a href="http://www.amindofgrace.co.za/#contact"><span style="color: #336699;">AN ELDERLY BRTISH WOMAN NAMED GRACE</span></a> SMITH / in Capetown, South Africa <br /> BLOGS:<br /><br /> ......I read a brilliant article last night by the Climate Editor of <em>The Correspondent</em>, Eric Holthaus. He described a visit he enjoyed in his American home from <a href="https://www.biographyonline.net/people/greta-thunberg.html"><span style="color: #0066cc;">Greta Thunberg</span></a> and her father Svante.<br /> At this moment the two Thunbergs are travelling in America where they have been invited to speak at various international conferences. I read an article about them late last night (10<sup><span style="font-size: xx-small;">th</span></sup> October 2019) in <em>The Correspondent.</em> I was too tired to concentrate at that late hour, so decided I would come back to it this morning.<br /><br /> ...I was so excited when I first read this revealing story about Greta and her father. It offers a very personal perspective of this young 16 year old Climate Activist. She was at that moment a favoured contender for the award of this year’s Nobel Peace Prize but in the end she did not win this year. In his story Holthaus included the informal WhatsApp postings between himself and Greta when they were negotiating her stay at his home. As far as I recall, his two young sons are aged about 3 and 5. A beautiful picture of the two youngsters interacting with Greta and their soft animal toys, illustrated the story.<br /><br /> As I continue my tale, I am aware it may not be a fully accurate reflection of what I read as I am unable to check my facts. I will forge ahead anyway! I am a great fan of this young Swedish woman and am not prepared to abandon the story because my source material has disappeared into the ether.<br /><br /> The image remains with me of an unaffected but passionate young woman who has made sacrifices in order to promote the ideas she feels so strongly about. Greta and her father have been away from home for a couple of months already. They were offered a trip across the Atlantic in a yacht as air-flight is totally against Greta’s principles. The pollution produced by aeroplanes is far too extreme.<br /> As I do not have Greta’s memory for articulating facts, I need to speak in generalisations. What I learned in the article was that an alternative fuel for aeroplanes is going to be very difficult to find. Batteries are too heavy, and other potential sources of energy have other practical difficulties. Therefore the possibility of them being used for air flight in the near future is very low.</span><h3>
<span style="font-weight: 400;"> The Challenges of being a Celebrity</span></h3>
<span style="font-weight: 400;"> In his description of the stay of Greta and Svelte, Holthaus gave me an idea of the sacrifices the couple have made by spending so much time away from home and the rest of the family. Greta’s mother and younger sister remain behind in Sweden, and it may be a good few months before the family is once again united. Greta and her Dad have been invited to a major conference in South America in Chile in December.<br /><br /> The one problem with attending this conference will be negotiating a return trip to Europe by sea in March 2020. Apparently at that time of the year the currents are not favourable for sailing from West to East. The travelling duo has still to overcome that practical issue before finalising their plans.<br /><br /> An idealistic new piece of journalism describes the story of an idealistic Climate Activist and her father. And, true to the aims of <em>The Correspondent,</em> the delightful story has been taken down because of its sensitive content. I hope my memory grasps the essence of the story without causing any offence.<br /><br /><span style="color: blue;"><b><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;">A few times, whilst </span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;">talking</span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;"> about the complex logistics of their travels</span></b></span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;">, </span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: 14px;">the conversation shifts to what Svante calls</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;"> “</span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: 14px;">escape routes</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;">”. </span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;"><span style="color: blue;"><b>At every point on their trip, they have at least one or two ways to leave the continent immediately, if necessary, with varying levels of carbon spent, he explained to Eric.</b></span></span><br /><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;"><span style="color: blue;"><b></b></span></span><br /><br /> I didn't notice any "sensitive travel plans" with "legit safety concerns" in Eric olthaus interview with GretaThunberg and Svante Thunberg that Eric <span style="color: red;">was forced to delete after getting strong complaints from Greta Incorporated.</span> I'm guessing that the biggest reason her family said "please delete entire text and photos" was <span style="color: red;">because of their admission that they are considering flying Greta and dad back to Sweden if stress levels get too high ...or ....after the Chile UN conference is over in December....</span></span><br /><span style="font-weight: 400;"></span></div>
<span style="color: #1b95e0;"><span style="color: black;"><span style="font-size: x-large;"><br /></span></span></span>
<span style="color: #1b95e0;"><span style="color: black;"><span style="font-size: x-large;">THEN <span style="color: red;">SCROLL</span> DOWN</span></span></span><br />
<h3>
<a href="http://www.amindofgrace.co.za/#contact">http://www.amindofgrace.co.za/#contact</a></h3>
<a href="http://www.amindofgrace.co.za/#contact">AN ELDERLY BRTISH WOMAN NAMED GRACE</a> SMITH / in Capetown, South Africa BLOGS:<br />
<br />
......I read a brilliant article last night by the Climate Editor of <em>The Correspondent</em>, Eric Holthaus. He described a visit he enjoyed in his American home from <a href="https://www.biographyonline.net/people/greta-thunberg.html"><span style="color: #0066cc;">Greta Thunberg</span></a> and her father Svante.<br />
At this moment the two Thunbergs are travelling in America where they have been invited to speak at various international conferences. I read an article about them late last night (10<sup><span style="font-size: x-small;">th</span></sup> October 2019) in <em>The Correspondent.</em> I was too tired to concentrate at that late hour, so decided I would come back to it this morning.<br />
<br />
...I was so excited when I first read this revealing story about Greta and her father. It offers a very personal perspective of this young 16 year old Climate Activist. She was at that moment a favoured contender for the award of this year’s Nobel Peace Prize but in the end she did not win this year. In his story Holthaus included the informal WhatsApp postings between himself and Greta when they were negotiating her stay at his home. As far as I recall, his two young sons are aged about 3 and 5. A beautiful picture of the two youngsters interacting with Greta and their soft animal toys, illustrated the story.<br />
<br />
As I continue my tale, I am aware it may not be a fully accurate reflection of what I read as I am unable to check my facts. I will forge ahead anyway! I am a great fan of this young Swedish woman and am not prepared to abandon the story because my source material has disappeared into the ether.<br />
<br />
The image remains with me of an unaffected but passionate young woman who has made sacrifices in order to promote the ideas she feels so strongly about. Greta and her father have been away from home for a couple of months already. They were offered a trip across the Atlantic in a yacht as air-flight is totally against Greta’s principles. The pollution produced by aeroplanes is far too extreme.<br />
As I do not have Greta’s memory for articulating facts, I need to speak in generalisations. What I learned in the article was that an alternative fuel for aeroplanes is going to be very difficult to find. Batteries are too heavy, and other potential sources of energy have other practical difficulties. Therefore the possibility of them being used for air flight in the near future is very low.<br />
<h3>
The Challenges of being a Celebrity</h3>
In his description of the stay of Greta and Svelte, Holthaus gave me an idea of the sacrifices the couple have made by spending so much time away from home and the rest of the family. Greta’s mother and younger sister remain behind in Sweden, and it may be a good few months before the family is once again united. Greta and her Dad have been invited to a major conference in South America in Chile in December.<br />
<br />
The one problem with attending this conference will be negotiating a return trip to Europe by sea in March 2020. Apparently at that time of the year the currents are not favourable for sailing from West to East. The travelling duo has still to overcome that practical issue before finalising their plans.<br />
<br />
An idealistic new piece of journalism describes the story of an idealistic Climate Activist and her father. And, true to the aims of <em>The Correspondent,</em> the delightful story has been taken down because of its sensitive content. I hope my memory grasps the essence of the story without causing any offence.<br />
<br />
<span style="color: blue;"><b><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;">A few times, whilst </span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;">talking</span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;"> about the complex logistics of their travels</span></b></span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;">, </span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: 14px;">the conversation shifts to what Svante calls</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;"> “</span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: 14px;">escape routes</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;">”. </span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;"><span style="color: blue;"><b>At every point on their trip, they have at least one or two ways to leave the continent immediately, if necessary, with varying levels of carbon spent, he explained to Eric.</b></span></span><br />
<span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;"><span style="color: blue;"><b></b></span></span><br />
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[I didn't notice any "sensitive travel plans" with "legit safety concerns" in Eric olthaus interview with GretaThunberg and Svante Thunberg that Eric <span style="color: red;">was forced to delete after getting strong complaints from Greta Incorporated.</span> I'm guessing that the biggest reason her family said "please delete entire text and photos" was <span style="color: red;">because of their admission that they are considering flying Greta and dad back to Sweden if stress levels get too high ...or ....after the Chile UN conference is over in December....]</span><br />
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</h3>
<span style="color: #1b95e0;"><span style="color: black;"></span></span><br />
<span style="color: #1b95e0;"><span style="color: black;">=============================================================</span></span><br />
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<br />
<span style="color: #1b95e0;"><span style="color: black;">''This is a pretty remarkable piece from Eric </span><strong><span style="color: black;">Holthaus</span></strong><span style="color: black;"> about when </span><strong><span style="color: black;">Greta</span></strong><span style="color: black;"> came to tea.''</span></span><br />
<span style="color: #1b95e0;"><span style="color: black;"><br /></span></span>
<span style="color: #1b95e0;"><span style="color: black;">BUT: ''</span></span><span style="color: blue;"><b><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;">A few times, while </span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;">talking</span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;"> about the complex logistics of their travels</span></b></span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;">, </span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: 14px;">the conversation shifts to what Svante calls</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;"> “</span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: 14px;">escape routes</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;">”. </span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;"><span style="color: blue;"><b>At every point on their trip, they have at least one or two ways to leave the continent immediately, if necessary, with varying levels of carbon spent.''</b></span></span><br />
<span style="background-color: white; font-family: "arial" , sans-serif; font-size: 14px;"><span style="color: blue;"><b><br /></b></span></span>
<span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: x-large;">''THEN the conversation shifts to what </span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: x-large;">Svante</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: x-large;"> calls “</span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: x-large;">escape routes</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: x-large;">”.''</span><br />
<span style="color: #1b95e0;"><span style="color: black;"><br /></span></span>
<span style="color: #1b95e0;"><span style="color: black;"><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: 14px;">Eric</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;"> Holthaus ... The first glimpse I got of </span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: 14px;">Greta</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;"> Thunberg was late at night, ...She had come to my home in Minnesota with her father, </span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: 14px;">Svante</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;">, in a Tesla .... travels, </span></span></span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;"> </span><br />
<span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;"><br /></span>
<span style="font-size: x-large;"><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif;">''She had come to my home in Minnesota with her father, </span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif;">Svante</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif;">, in a Tesla...'' </span></span><br />
<span style="color: #1b95e0;"><span style="color: black;"><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: 14px;"><br /></span></span></span>
<span style="color: #1b95e0;"><span style="color: black; font-size: x-large;"><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif;">''THEN the conversation shifts to what </span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif;">Svante</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif;"> calls “</span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif;">escape routes</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif;">”.''</span></span></span><br />
<br />
NEWS TIP: "I didn't notice any "sensitive travel plans" with "legit safety concerns" in @EricHolthaus interview with @GretaThunberg and @savante_Thunberg that Eric was forced to delete after getting string complaints from Greta Incorporated. I'm guessing that the biggest reason her family said "please delete entire text and photos" was <span style="color: red;">because of their admission that they are considering flying Greta and dad back to Sweden if stress levels get too high."</span><br />
<br />
<span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: x-large;">ERIC WROTE: ''THEN ...the conversation shifts to what </span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: x-large;">Svante</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: x-large;"> calls “</span><span style="background-color: white; color: #dd4b39; font-family: "arial" , sans-serif; font-size: x-large;">escape routes</span><span style="background-color: white; color: #545454; font-family: "arial" , sans-serif; font-size: x-large;">”.''</span><br />
<br />
<span style="color: #1b95e0;"><span style="color: black;">BRIAN KAHN <span style="color: blue;">@BLKAHN</span> Replying to </span><a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a><span style="color: black;"> </span><a class="pretty-link js-user-profile-link" data-user-id="1006419421244678144" dir="ltr" href="https://twitter.com/GretaThunberg" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>GretaThunberg</b></span></span></a><span style="color: black;"> </span><br />
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<span style="color: #1b95e0;"><span style="font-size: x-large;">''this piece is so good Eric!!''</span></span><br />
<span style="color: #1b95e0; font-size: x-large;"></span><br />
<u>ERIC</u>: ''I reflect on the 24 hours she and her father spent with my <em><span style="color: #dd4b39;">family</span></em>, and realise what is so often missed: ... The first glimpse I got of <em><span style="color: #dd4b39;">Greta Thunberg</span></em> was late at night, ... In the months before the visit, <em><span style="color: #dd4b39;">Greta</span></em> had addressed billionaires at the ...''<br />
<span style="color: #1b95e0; font-size: x-large;"></span><br />
'''In more normal times,' correspondent Eric <strong>Holthaus</strong> writes, '<strong>Greta</strong> Thunberg would not be in my living room.' But these times, of course, are not normal.'''<br />
<span style="color: #1b95e0; font-size: x-large;"></span><br />
<span style="color: #1b95e0; font-size: x-large;">CA said ''<span style="color: black; font-size: small;">In a recent article by </span><strong><span style="color: black; font-size: small;">Holthaus</span></strong><span style="color: black; font-size: small;">, </span><strong><span style="color: black; font-size: small;">Greta</span></strong><span style="color: black; font-size: small;"> and her parents view about the Nobel was clear: they hoped not to win; it would have thrown them even more under the spotlight, and they don't want it at all.
The article's been taken down 'cause it revealed sensitive info on the US travel.''</span></span></div>
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<span style="color: #1b95e0;"> who Replying to <a class="pretty-link js-user-profile-link" data-user-id="108408529" dir="ltr" href="https://twitter.com/blkahn" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>blkahn</b></span></span></a> <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> <a class="pretty-link js-user-profile-link" data-user-id="1006419421244678144" dir="ltr" href="https://twitter.com/GretaThunberg" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>GretaThunberg</b></span></span></a> </span></div>
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<span style="color: #1b95e0;"><strong><span style="color: red;">What Brian said.
A beautiful examination of what the *cost* of climate change looks like for one unlikely Swedish family.
Thank you for your choices in writing this, Eric. And I hope the stop at your home was the brief respite it sounds like it might have been for Greta and Svante.</span></strong></span></div>
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AND:added ''<span style="color: red;">Unfortunate but understandable, the need to delete it.. It was a lovely account of Greta's visit to Minnesota and their stay with Eric Holthaus. I read it as a beautiful description of what Greta and her family are experiencing on her journey and in her life right now. I wish them well on their quest.''</span><br />
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AND: ''Others have called the sudden deletion of entire story "surreal" . This file marked files secret has the deleted stuff from Twitter. The story will eventually come out about how <strong>holthaus</strong> punked <strong>Greta</strong> and her dad to further his own so-called career. ''<br />
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''Svante Toonberg Greta's dad speaking with Eric holthaus during homestay visit via arnies sleek $$$$$ electric car in driveway about Greta and svante planning possible ESCAPE ROUTES if stress of being on the road so long gets to be a problem, including buying airplane tix to home''<br />
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<span style="color: blue;">“I have many, many hobbies, and interests,” Greta tells PEOPLE. “But I have had to put them aside for now.”</span><br />
<span style="color: blue;"></span><br />
Since August, she has been on sabbatical from school, traveling the world to raise awareness about the urgent need to take action against climate change.<br />
While she’s traveling, she says, “I read and I go for walks. <span style="color: red;">When I’m home, then I am with my dogs – Moses and Roxy.”</span><br />
<span style="color: red;">She misses them a lot – as well as “my sister, my family – everything at home.”</span><br />
<span style="color: red;"></span><br />
<span style="color: red;">If everyone understood the implications of the science, she says, it would be clear what we need to do. The science, on its own, is revolutionary enough. Greta and Svante try to decide what percent of the world’s population “really gets it”. <img alt="🌱" aria-label="Emoji: Seedling" class="Emoji Emoji--forText" draggable="false" src="https://abs.twimg.com/emoji/v2/72x72/1f331.png" title="Seedling" /><img alt="🌍" aria-label="Emoji: Earth globe europe-africa" class="Emoji Emoji--forText" draggable="false" src="https://abs.twimg.com/emoji/v2/72x72/1f30d.png" title="Earth globe europe-africa" /></span><br />
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<span style="color: red;">Update </span>on Eric Holthaus' Greta Thunberg article </span></h1>
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After reading it, I also thought it might have been a better idea publishing this only at a later point. In a few weeks or months time. Hope this will not cause too much troubles. Both your and Greta’s work are way too important to be perturbed by this. <img alt="😳" aria-label="Emoji: Flushed face" class="Emoji Emoji--forText" draggable="false" src="https://abs.twimg.com/emoji/v2/72x72/1f633.png" title="Flushed face" /></div>
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<span style="color: #1b95e0;"><a href="https://www.volkskrant.nl/nieuws-achtergrond/the-correspondent-trekt-interview-met-greta-thunberg-terug-na-bezorgdheid-familie~b50dfc36/">https://www.volkskrant.nl/nieuws-achtergrond/the-correspondent-trekt-interview-met-greta-thunberg-terug-na-bezorgdheid-familie~b50dfc36/</a> </span></h1>
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<span style="color: red; font-size: large;"><strong>The Thunberg family did not see the piece pre-publication. After it was published, they raised a number of concerns around sensitivities within the piece with me.</strong></span><br />
<span style="color: red; font-size: large;"><strong>I understand their concerns and based on that, myself and the team at The Correspondent have decided that the right thing to do was to take it down.</strong></span><br />
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A personal conversation with Greta Thunberg on climate, fame ...</span></h3>
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<span style="color: #1b95e0;"><cite class="iUh30 bc">https://thecorrespondent.com › a-personal-conversation-with...</cite></span></div>
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<span style="color: #1b95e0;"><span class="st"><em><span style="color: #dd4b39;">Eric Holthaus</span></em> ... Greta poses with my two boys. The first glimpse I got of <em><span style="color: #dd4b39;">Greta Thunberg</span></em> was late at night, a silhouette wearing a blue jacket, ...</span></span><br />
<span style="color: #1b95e0;"></span><br />
<span style="font-size: x-large;"><a href="https://www.volkskrant.nl/nieuws-achtergrond/the-correspondent-trekt-interview-met-greta-thunberg-terug-na-bezorgdheid-familie~b50dfc36/">News Greta Thunberg</a></span><br />
<span style="font-size: x-large;"></span><br />
<span style="font-size: x-large;">IN DUTCH</span><br />
<a href="https://www.volkskrant.nl/nieuws-achtergrond/the-correspondent-trekt-interview-met-greta-thunberg-terug-na-bezorgdheid-familie~b50dfc36/">https://www.volkskrant.nl/nieuws-achtergrond/the-correspondent-trekt-interview-met-greta-thunberg-terug-na-bezorgdheid-familie~b50dfc36/</a><br />
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'The Correspondent' withdraws interview with Greta Thunberg back after concerns family <br />
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<a href="https://www.volkskrant.nl/nieuws-achtergrond/the-correspondent-trekt-interview-met-greta-thunberg-terug-na-bezorgdheid-familie~b50dfc36/">The Correspondent - international edition of The Correspondent - published Thursday an exclusive interview with the Swedish climate activist Greta Thunberg, but withdrew the piece again as the pre-family no access has had.</a><br />
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<span style="vertical-align: inherit;">Greta Thunberg was the first piece, since the international launch of The Correspondent last week that online considerably circulated . </span><span style="vertical-align: inherit;">"A personal conversation with Greta Thunberg on climate, fame, and trying to get home," was the headline above a report of a two-day stay of the 16-year-old Swedish climate activist with correspondent Eric Holthaus home in the US state of Minnesota. </span><br />
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<span style="vertical-align: inherit;">The day after the article was taken offline. </span><span style="vertical-align: inherit;">The family Thunberg could not see the text for publication and was concerned about some "sensitivities" said a statement on the website. </span><span style="vertical-align: inherit;">So the editors decided to withdraw the whole piece, an exceptional measure in journalism. </span><span style="vertical-align: inherit;">Sleeping Spot The story Holthaus told how the family Thunberg by the United States pulls in one of Arnold Schwarzenegger borrowed Tesla. </span><span style="vertical-align: inherit;">In a series appjes which time indications and place names were deleted, was to read how Holthaus and Thunberg discuss the deal and a place to sleep. </span><br />
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<span style="vertical-align: inherit;">Eventually she decided to take up the invitation Holthaus to stay home with him and his two sons. </span><span style="vertical-align: inherit;"></span><br />
<span style="vertical-align: inherit;"></span><br />
<span style="vertical-align: inherit;">The result of the play was the Nobel Peace Prize, which would make Thunberg chance, but that went Friday to the Ethiopian Prime Minister Ahmed Abiy. </span><span style="vertical-align: inherit;">The article was published a day before the ceremony. </span><span style="vertical-align: inherit;">Or the deadline has resulted in a hurry, or if there is another reason why the text is presented, is unclear. </span><span style="vertical-align: inherit;">Rob Wijnberg founder and editor Eliza Anyangwe do not respond, "because of the situation in which the family's current. </span><br />
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<span style="vertical-align: inherit;">In America it is not common, as is the case in the Netherlands, to submit a pre-interview in its entirety to sources. </span><span style="vertical-align: inherit;">But since it is a minor, is greater precaution required. </span><br />
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<span style="vertical-align: inherit;">Safety issues </span><br />
<span style="vertical-align: inherit;"></span><br />
<span style="vertical-align: inherit;">Holthaus, who writes exclusively about climate meteorologist, in the piece described some safety issues regarding the family and the route they will take in the coming months. </span><span style="vertical-align: inherit;">Perhaps he acted too much detail in these passages. </span><br />
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<span style="color: #1b95e0;">Replying to <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </span></div>
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<span style="color: #1b95e0;"><span style="color: red;">Oh wow. Especially since it was so personal I thought it was agreed upon by them. Kinda makes me feel guilty for having read it.</span></span></div>
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<span style="color: red;">Sorry, Eric. Tweeted out your story before I saw this. Have taken it down now. It was beautiful and sad and made my heart ache for Greta. I hope you are able to post a revised version some time in the future.</span></div>
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Replying to <a class="pretty-link js-user-profile-link" data-user-id="1170981083816419329" dir="ltr" href="https://twitter.com/MaycockAlex" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>MaycockAlex</b></span></span></a> <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </div>
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<span style="color: red;">The article was read online by over 10, 000 people in USA and 25000 in Europe in translation, Sweden Germany etc. The cat is out of the bad. In the digital age, nothing is deleted forever. Watch it resurface next week on 4Chan etc</span></div>
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<span style="color: red;">It was a lovely piece... made her seem so real... and so vulnerable. It is indeed a strange new world we are now entering</span></div>
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Replying to <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </div>
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I saw your news about the article yesterday, but I had no time to read it. I think it's a
bit like to read the Greta's book. You look for an activist and you find a family. A small community that found the way to look at the global world through its internal links.</div>
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Replying to <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </div>
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<span style="color: red;">Sorry to hear. It was a very nice piece. But understandably so......</span></div>
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<a class="account-group js-account-group js-action-profile js-user-profile-link js-nav" data-user-id="18233935" href="https://twitter.com/redreamer"><img alt="" class="avatar js-action-profile-avatar" src="https://pbs.twimg.com/profile_images/1116322874783141888/MklsoiJw_bigger.png" /><span style="color: #1b95e0;"> </span><span style="color: #1b95e0;"><span class="FullNameGroup"><strong class="fullname show-popup-with-id u-textTruncate " data-aria-label-part="">Wendy Bandurski</strong><span class="UserBadges"></span><span class="UserNameBreak"> </span></span><span class="username u-dir u-textTruncate" data-aria-label-part="" dir="ltr">@<b>redreamer</b></span></span></a> <small class="time"> <a class="tweet-timestamp js-permalink js-nav js-tooltip" data-conversation-id="1182407151240843270" href="https://twitter.com/redreamer/status/1182433553419788289" title="4:11 PM - 10 Oct 2019"><span class="_timestamp js-short-timestamp " data-aria-label-part="last" data-long-form="true" data-time-ms="1570749102000" data-time="1570749102"><span style="color: #1b95e0;">Oct 10</span></span></a> </small></div>
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<small class="time"><span style="font-size: small;">Yikes! Do you know how much traffic it got before it was removed? I have an idea of some of the concerns. I am concerned a little too.</span></small></div>
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<small class="time"><span style="color: red; font-size: x-large;">Why not publish an adapted version of the piece instead?</span></small></div>
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<small class="time"><span style="color: red; font-size: small;">I saw your news about the article yesterday, but I had no time to read it. I think it's a
bit like to read the Greta's book. You look for an activist and you find a family. A small community that found the way to look at the global world through its internal links.</span></small></div>
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<small class="time"><span style="color: red; font-size: small;">If their family regrets, then publish again. I think it was one of the best articles I've read about them.</span></small></div>
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<small class="time"><span style="color: red; font-size: small;">It was! We Americans loved it. It filled in the blanks the pR handlers leave out. Eric did very sensitive portrait of dad too. But family concerns come first. Someone online has already copy pasted original. I know I did. Let me know if u want to read it w/out pics. I won't show</span></small></div>
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Replying to <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </div>
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<span style="color: red;">Yikes! Do you know how much traffic it got before it was removed? I have an idea of some of the concerns. I am concerned a little too.</span></div>
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<span style="color: #1b95e0;">Replying to <a class="pretty-link js-user-profile-link" data-user-id="18233935" dir="ltr" href="https://twitter.com/redreamer" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>redreamer</b></span></span></a> <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </span></div>
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<span style="color: red;">Most concerning for me, although I read the entire and was moved by G and her dad's candor about being so far away from home, Sweden, mom, sister...but the part about Svante having ESCAPE ROUTES devised in case of emergency or stress or road ennui, even take a plane quickly back</span></div>
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<span style="color: red;">If their family regrets, then publish again. I think it was one of the best articles I've read about them.</span></div>
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Replying to <a class="pretty-link js-user-profile-link" data-user-id="401366585" dir="ltr" href="https://twitter.com/Cykelpendlare" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>Cykelpendlare</b></span></span></a> <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </div>
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<span style="color: red;">It was! We Americans loved it. It filled in the blanks the pR handlers leave out. Eric did very sensitive portrait of dad too. But family concerns come first. Someone online has already copy pasted original. I know I did. Let me know if u want to read it w/out pics. I won't show</span></div>
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Replying to <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </div>
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Why not publish an adapted version of the piece instead?</div>
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Replying to <a class="pretty-link js-user-profile-link" data-user-id="151082603" dir="ltr" href="https://twitter.com/matsdelangeee" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>matsdelangeee</b></span></span></a> <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </div>
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Mats, I think it's best to let this text item die a quiet deleted death. It was an interesting story but if toonberg family said please take it down for safety concerns, pics of Arnold's black sedan in driveway, hippie looking dad, best to delete forever. It will be reloaded soon</div>
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Replying to <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </div>
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Oh <img alt="☹️" aria-label="Emoji: Frowning face" class="Emoji Emoji--forText" draggable="false" src="https://abs.twimg.com/emoji/v2/72x72/2639.png" title="Frowning face" /> I’m glad I got to read it but I can sympathize</div>
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title="https://twitter.com/ericholthaus/status/1176170421135249408" width="130" /></span></g-img></g-inner-card></a></span></div>
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style="margin-left: -33px; margin-right: -25px;" title="https://thecorrespondent.com/61/a-personal-conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/8075584979-956d0542" width="232" /></span></g-img></g-inner-card></a></span><br />
<div class="YNRftd">
<span style="color: #1b95e0;"><a class="bia" data-ved="2ahUKEwitydb75pPlAhVR4qwKHYrXC9AQ9QEwA3oECAkQDA" href="https://www.google.com/search?q=greta+thunberg+eric+holthaus&client=gmail&rls=aso&authuser=0&sxsrf=ACYBGNQVJIX0BmGvQ1f3PnTDaFHhAS10-w:1570783079284&tbm=isch&source=iu&ictx=1&fir=TK0eR5rNPKf1gM%253A%252CeBfy3DbW6RxUAM%252C_&vet=1&usg=AI4_-kRmYE0bNlWbv8i8BNCyYd7Hq2Ot4w&sa=X&ved=2ahUKEwitydb75pPlAhVR4qwKHYrXC9AQ9QEwA3oECAkQDA#imgrc=TK0eR5rNPKf1gM:" id="TK0eR5rNPKf1gM:" jsaction="fire.ivg_o" role="link" tabindex="0">18 小時前</a></span></div>
<span style="color: #1b95e0;"><a class="bia" data-ved="2ahUKEwitydb75pPlAhVR4qwKHYrXC9AQ9QEwA3oECAkQDA" href="https://www.google.com/search?q=greta+thunberg+eric+holthaus&client=gmail&rls=aso&authuser=0&sxsrf=ACYBGNQVJIX0BmGvQ1f3PnTDaFHhAS10-w:1570783079284&tbm=isch&source=iu&ictx=1&fir=TK0eR5rNPKf1gM%253A%252CeBfy3DbW6RxUAM%252C_&vet=1&usg=AI4_-kRmYE0bNlWbv8i8BNCyYd7Hq2Ot4w&sa=X&ved=2ahUKEwitydb75pPlAhVR4qwKHYrXC9AQ9QEwA3oECAkQDA#imgrc=TK0eR5rNPKf1gM:" id="TK0eR5rNPKf1gM:" jsaction="fire.ivg_o" role="link" tabindex="0">
</a></span></div>
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<div class="YDJP6c" data-ved="2ahUKEwitydb75pPlAhVR4qwKHYrXC9AQ5W0oA3oECAkQDQ" data-vis="" jsaction="rcuQ6b:npT2md" jscontroller="xc1DSd">
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" style="margin-left: -74px;" title="https://www.commondreams.org/news/2019/08/28/greta-thunberg-comes-america-celebrations-teen-climate-activist-arrives-coney-island" width="248" /></g-img></g-inner-card></a></span></div>
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<span style="color: #1b95e0;"><span class="st"><span class="f"><span style="color: #70757a;">23 小時前 - </span></span>Update on <em><span style="color: #dd4b39;">Greta Thunberg</span></em> article. The Thunberg family did not see the piece pre<wbr></wbr>-publication. After it was ... <em><span style="color: #dd4b39;">Eric Holthaus</span></em>. <em><span style="color: #dd4b39;">Eric Holthaus</span></em>.</span></span></div>
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<span style="color: #1b95e0;">If you read one thing on <a class="twitter-hashtag pretty-link js-nav" data-query-source="hashtag_click" dir="ltr" href="https://twitter.com/hashtag/climatechange?src=hash"><span style="color: #1b95e0;"><s>#</s><b>climatechange</b></span></a> today, please make it <a class="twitter-atreply pretty-link js-nav" data-mentioned-user-id="3017412700" dir="ltr" href="https://twitter.com/The_Corres"><span style="color: #1b95e0;"><s>@</s><b>The_Corres</b></span></a> account by <a class="twitter-atreply pretty-link js-nav" data-mentioned-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus"><span style="color: #1b95e0;"><s>@</s><b>EricHolthaus</b></span></a> of <a class="twitter-atreply pretty-link js-nav" data-mentioned-user-id="1006419421244678144" dir="ltr" href="https://twitter.com/GretaThunberg"><span style="color: #1b95e0;"><s>@</s><b><strong>GretaThunberg</strong></b></span></a>'s visit with him and his children on her climate journey to <a class="twitter-hashtag pretty-link js-nav" data-query-source="hashtag_click" dir="ltr" href="https://twitter.com/hashtag/COP25Chile?src=hash"><span style="color: #1b95e0;"><s>#</s><b>COP25Chile</b></span></a>. <a class="twitter-timeline-link" data-expanded-url="https://thecorrespondent.com/61/a-personal-conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/8075584979-956d0542" dir="ltr" href="https://t.co/lL1GyCkB9c" rel="nofollow noopener" target="_blank" title="https://thecorrespondent.com/61/a-personal-conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/8075584979-956d0542"><span class="tco-ellipsis"></span><span style="color: #1b95e0;"><span class="invisible">https://</span><span class="js-display-url">thecorrespondent.com/61/a-personal-</span><span class="invisible">conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/8075584979-956d0542</span></span><span class="tco-ellipsis"><span class="invisible"><span style="color: #1b95e0;"> </span></span><span style="color: #1b95e0;">…</span></span></a><a class="twitter-timeline-link u-hidden" data-expanded-url="https://twitter.com/Revkin/status/1182319836862570497" dir="ltr" href="https://t.co/WP1c09U8kt" rel="nofollow noopener" target="_blank" title="https://twitter.com/Revkin/status/1182319836862570497"><span class="tco-ellipsis"></span><span style="color: #1b95e0;"><span class="invisible">https://</span><span class="js-display-url">twitter.com/Revkin/status/</span><span class="invisible">1182319836862570497</span></span><span class="tco-ellipsis"><span class="invisible"><span style="color: #1b95e0;"> </span></span><span style="color: #1b95e0;">…</span></span></a></span></div>
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<u><strong><span style="color: #1b95e0;">Andrew Revkin</span></strong><span style="color: #1b95e0;"><span class="UserBadges"><span class="Icon Icon--verified"><span class="u-hiddenVisually">Verified account</span></span></span><span class="UserNameBreak"> </span><span class="username u-dir u-textTruncate" data-aria-label-part="" dir="ltr">@<b>Revkin</b></span></span></u> <small class="time"> <a class="tweet-timestamp js-permalink js-nav js-tooltip" data-conversation-id="1182300448553877505" href="https://twitter.com/Revkin/status/1182319836862570497" title="11:39 AM - 10 Oct 2019"><span style="color: #1b95e0;"><span aria-hidden="true" class="_timestamp js-short-timestamp js-relative-timestamp" data-long-form="true" data-time-ms="1570721990000" data-time="1570721990">17h</span><span class="u-hiddenVisually" data-aria-label-part="last">17 hours ago</span></span></a> </small> <br />
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Replying to <a class="pretty-link js-user-profile-link" data-user-id="34317032" dir="ltr" href="https://twitter.com/KHayhoe" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>KHayhoe</b></span></span></a> <a class="pretty-link js-user-profile-link" data-user-id="1006419421244678144" dir="ltr" href="https://twitter.com/GretaThunberg" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>GretaThunberg</b></span></span></a> <a class="pretty-link js-user-profile-link" data-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus" rel="noopener"><span class="username u-dir u-textTruncate" dir="ltr"><span style="color: #1b95e0;">@<b>EricHolthaus</b></span></span></a> </div>
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<span style="color: red;">Great crystallizing line from </span><a class="twitter-atreply pretty-link js-nav" data-mentioned-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus"><span style="color: #1b95e0;"><span style="color: red;"><s>@</s><b>EricHolthaus</b></span></span></a><span style="color: red;">'s wonderful account of </span><a class="twitter-atreply pretty-link js-nav" data-mentioned-user-id="1006419421244678144" dir="ltr" href="https://twitter.com/GretaThunberg"><span style="color: #1b95e0;"><span style="color: red;"><s>@</s><b><strong>GretaThunberg</strong></b></span></span></a><span style="color: red;">'s road trip stop in his MN home:
"It’s this beautiful humanity of <strong>Greta</strong> Thunberg that is her most dangerous quality. Because if <strong>Greta</strong> is just like us, then what’s our excuse?"
And the shoes... </span><a class="twitter-timeline-link u-hidden" data-pre-embedded="true" dir="ltr" href="https://t.co/5c1vlLN1sR"><span style="color: red;">pic.twitter.com/5c1vlLN1sR</span></a></div>
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Eric Holthaus: Greta Thunberg en haar vader kwamen logeren. We hadden het over het klimaat, roem en de lange weg naar huis<a class="twitter-timeline-link u-hidden" data-expanded-url="https://decorrespondent.nl/10616/greta-thunberg-en-haar-vader-kwamen-logeren-we-hadden-het-over-het-klimaat-roem-en-de-lange-weg-naar-huis/4290584142328-e4ab2740" dir="ltr" href="https://t.co/G2hO0xjbGU" rel="nofollow noopener" target="_blank" title="https://decorrespondent.nl/10616/greta-thunberg-en-haar-vader-kwamen-logeren-we-hadden-het-over-het-klimaat-roem-en-de-lange-weg-naar-huis/4290584142328-e4ab2740"><span class="tco-ellipsis"></span><span style="color: #1b95e0;"><span class="invisible">https://</span><span class="js-display-url">decorrespondent.nl/10616/greta-th</span><span class="invisible">unberg-en-haar-vader-kwamen-logeren-we-hadden-het-over-het-klimaat-roem-en-de-lange-weg-naar-huis/4290584142328-e4ab2740</span></span><span class="tco-ellipsis"><span class="invisible"><span style="color: #1b95e0;"> </span></span><span style="color: #1b95e0;">…</span></span></a></div>
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‘We zoeken een plek om te overnachten', appte <strong>Greta Thunberg</strong> Klimaatcorrespondent Eric <strong>Holthaus</strong>. Zo geschiedde. In de 24 uur die hij met haar doorbracht realiseerde hij wat haar zo indrukwekkend maakt: ze is net als wij. <a class="twitter-timeline-link" data-expanded-url="https://decorrespondent.nl/10616/greta-thunberg-en-haar-vader-kwamen-logeren-we-hadden-het-over-het-klimaat-roem-en-de-lange-weg-naar-huis/15687673593328-6b85ff0c" dir="ltr" href="https://t.co/RhvE9i5DvK" rel="nofollow noopener" target="_blank" title="https://decorrespondent.nl/10616/greta-thunberg-en-haar-vader-kwamen-logeren-we-hadden-het-over-het-klimaat-roem-en-de-lange-weg-naar-huis/15687673593328-6b85ff0c"><span class="tco-ellipsis"></span><span style="color: #1b95e0;"><span class="invisible">https://</span><span class="js-display-url">decorrespondent.nl/10616/greta-th</span><span class="invisible">unberg-en-haar-vader-kwamen-logeren-we-hadden-het-over-het-klimaat-roem-en-de-lange-weg-naar-huis/15687673593328-6b85ff0c</span></span><span class="tco-ellipsis"><span class="invisible"><span style="color: #1b95e0;"> </span></span><span style="color: #1b95e0;">…</span></span></a></div>
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Translated from <span class="tweet-language">Dutch</span> by <a class="attribution-logo" href="https://aka.ms/Twitter2BingTranslator" rel="noopener" target="_blank"><span class="visuallyhidden"><span style="color: #1b95e0;">Microsoft</span></span></a> </div>
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Eric <strong>Holthaus</strong>: A personal conversation with <a class="twitter-hashtag pretty-link js-nav" data-query-source="hashtag_click" dir="ltr" href="https://twitter.com/hashtag/GretaThunberg?src=hash"><span style="color: #1b95e0;"><s>#</s><b><strong>GretaThunberg</strong></b></span></a> on climate, fame, and trying to get home <a class="twitter-timeline-link" data-expanded-url="https://thecorrespondent.com/61/a-personal-conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/8075584979-956d0542" dir="ltr" href="https://t.co/f5Q0Phf44k" rel="nofollow noopener" target="_blank" title="https://thecorrespondent.com/61/a-personal-conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/8075584979-956d0542"><span class="tco-ellipsis"></span><span style="color: #1b95e0;"><span class="invisible">https://</span><span class="js-display-url">thecorrespondent.com/61/a-personal-</span><span class="invisible">conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/8075584979-956d0542</span></span><span class="tco-ellipsis"><span class="invisible"><span style="color: #1b95e0;"> </span></span><span style="color: #1b95e0;">…</span></span></a> via <a class="twitter-atreply pretty-link js-nav" data-mentioned-user-id="3017412700" dir="ltr" href="https://twitter.com/The_Corres"><span style="color: #1b95e0;"><s>@</s><b>The_Corres</b></span></a> <a class="twitter-hashtag pretty-link js-nav" data-query-source="hashtag_click" dir="ltr" href="https://twitter.com/hashtag/climatechange?src=hash"><span style="color: #1b95e0;"><s>#</s><b>climatechange</b></span></a></div>
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Meteorologist Eric <strong>Holthaus</strong> <a class="twitter-atreply pretty-link js-nav" data-mentioned-user-id="290180065" dir="ltr" href="https://twitter.com/EricHolthaus"><span style="color: #1b95e0;"><s>@</s><b>EricHolthaus</b></span></a> had a special visitor at home...<img alt="🙂" aria-label="Emoji: Slightly smiling face" class="Emoji Emoji--forText" draggable="false" src="https://abs.twimg.com/emoji/v2/72x72/1f642.png" title="Slightly smiling face" /><img alt="💚" aria-label="Emoji: Green heart" class="Emoji Emoji--forText" draggable="false" src="https://abs.twimg.com/emoji/v2/72x72/1f49a.png" title="Green heart" /> <a class="twitter-hashtag pretty-link js-nav" data-query-source="hashtag_click" dir="ltr" href="https://twitter.com/hashtag/GretaThunberg?src=hash"><span style="color: #1b95e0;"><s>#</s><b><strong>GretaThunberg</strong></b></span></a>
<a class="twitter-timeline-link" data-expanded-url="https://thecorrespondent.com/61/a-personal-conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/1563430-5da603ec" dir="ltr" href="https://t.co/AwP4xogoh3" rel="nofollow noopener" target="_blank" title="https://thecorrespondent.com/61/a-personal-conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/1563430-5da603ec"><span class="tco-ellipsis"></span><span style="color: #1b95e0;"><span class="invisible">https://</span><span class="js-display-url">thecorrespondent.com/61/a-personal-</span><span class="invisible">conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/1563430-5da603ec</span></span><span class="tco-ellipsis"><span class="invisible"><span style="color: #1b95e0;"> </span></span><span style="color: #1b95e0;">…</span></span></a></div>
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<span style="color: red; font-size: x-large;">Nice article RT <span class="twitter-atreply pretty-link js-nav" data-mentioned-user-id="1197603440" dir="ltr"><s>@</s><b>decorrespondent</b></span>: ' We are looking for a place to stay overnight ', planetickets Greta Thunberg climate correspondent Eric Holthaus. So pass. In The 24 hours he spent with her he realized what makes her so impressive: she is like us.</span> </div>
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<span style="color: red;">Nice write-up by Eric Holthaus who had Greta Thunberg and her father Svante staying at his home for a day during their travels across the U.S</span>.</div>
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'In more normal times,' correspondent Eric <strong>Holthaus</strong> writes, '<strong>Greta Thunberg</strong> would not be in my living room.' But these times, of course, are not normal.' <a class="twitter-timeline-link" data-expanded-url="https://thecorrespondent.com/61/a-personal-conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/268440931-7a571d8e?fbclid=IwAR2O6MyUhupDnMbvNwr1WIcMr84l_yisxJjfpGTDYazE67ZbRXhC27Fk3VE" dir="ltr" href="https://t.co/Ame4zFiJTs" rel="nofollow noopener" target="_blank" title="https://thecorrespondent.com/61/a-personal-conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/268440931-7a571d8e?fbclid=IwAR2O6MyUhupDnMbvNwr1WIcMr84l_yisxJjfpGTDYazE67ZbRXhC27Fk3VE"><span class="tco-ellipsis"></span><span style="color: #1b95e0;"><span class="invisible">https://</span><span class="js-display-url">thecorrespondent.com/61/a-personal-</span><span class="invisible">conversation-with-greta-thunberg-on-climate-fame-and-trying-to-get-home/268440931-7a571d8e?fbclid=IwAR2O6MyUhupDnMbvNwr1WIcMr84l_yisxJjfpGTDYazE67ZbRXhC27Fk3VE</span></span><span class="tco-ellipsis"><span class="invisible"><span style="color: #1b95e0;"> </span></span><span style="color: #1b95e0;">…</span></span></a></div>
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Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-2356427239794946847.post-49149081987186848912019-10-10T23:39:00.001-07:002019-10-10T23:39:26.275-07:00News Item #2 -- If Greta Thunberg did not win the Nobel Peace Prize on October 11, READ THIS!<br />
Dallas-based reporter <strong>Andrew Hirschfeld</strong> recently published a news article on the website ''Mic'' that was headlined "How climate fiction is helping people understand the planet's uncertain future." <br />
<br />
The item was picked up by the book trade magazine <strong>Publishers Weekly</strong> as a tweet on its Twitter page, and <strong>Margaret Atwood</strong>, the Canadian novelist mentioned in the Mic article commented to this blogger in very brief email that read: <em>"Yes, this is now front and center."</em><br />
<br />
There are now hundreds of cli-fi courses at community colleges and major universities around the world now, largely in part to how Margaret Atwood helped propel the genre, Hirschfeld noted.<br />
<br />
<strong>Atwood, he said, has become a major figure across the cli-fi literary universe.</strong> <br />
<br />
She not only helped the term catch on when she tweeted about it in 2012, but her 2013 novel <strong>''MaddAddam''</strong> has been a popular teaching tool which largely summarizes the need for the genre in the first place, Hirschfeld added.<br />
<br />
“People need such stories, because however dark, a darkness with voices in it is better than a silent void,” Atwood has been quoted as saying. Her book was part of the curriculum for a course on cli-fi at Brandeis University in 2015, according to Hirschfeld.<br />
<br />
Cli-fi courses have popped up at major universities across the United States. The vast majority of young voters see climate change as a major issue -- and young people such as 16-year-old Swedish activist Greta Thunberg -- nominated for but in the end not awarded the 2019 Nobel Peace Prize -- have been at the forefront of major climate movements. <br />
<br />
Climate change-themed literature is even starting to catch on in K-12 education, too, according to Mic. <br />
<br />
"Places like Connecticut and Portland, Oregon are passing laws that would require climate change to be taught as part of the curriculum in public schools -- which would include the use of cli-fi literature in English classes," Hirschfeld wrote.<br />
<br />
With the effects of climate change looming, he added, it only makes sense that Americans will need more ways to help them grapple with how the world is changing. We might very well need literary tools that speak to us beyond science textbooks and government charts, which for some readers, just might require a deep dive into the world of fiction.<br />
<br />
But is the publishing industry in general warming up to the climate fiction genre, as it once warmed up to science fiction and fantasy genres? That is a question that appears to be being answered in a positive way given the increasing number of cli-fi novels and movie adaptations entering the mainstream now.<br />
<br />
The 2020s just might be the decade that climate fiction novels and movies earn a place in American culture. Nobel Peace Prize nominee Greta Thunberg sure ignited a global climate youth movement and a new generation of young novelists and film makers in their 20s and 30s will inherit Thunberg's passion. <br />
<br />
<a href="http://cli-fi.net/">Cli-fi, here they come!</a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-7931739873793976332019-10-10T23:36:00.001-07:002019-10-11T00:23:54.740-07:00NEWS ITEM #1 -- if Greta Thunberg wins the Nobel Peace Prize on October 11, READ THIS!<span style="font-size: xx-small;">HOWEVER [<span style="color: red;">News Item #2]</span> -- ....If Greta Thunberg did ***<span style="color: red;">not</span> win the Nobel Peace Prize on October 11, <span style="color: red;">READ THIS! [LATER] </span></span><br />
<span style="color: red; font-size: xx-small;"><a href="https://korgw101.blogspot.com/2019/10/news-item-2-if-greta-thunberg-did-not.html">https://korgw101.blogspot.com/2019/10/news-item-2-if-greta-thunberg-did-not.html</a></span><br />
<br />
<span style="color: red;"></span><br />
<span style="color: red;">============================</span><br />
<br />
<span style="color: red; font-size: x-large;">FIRST READ THIS!</span><br />
<br />
Dallas-based reporter <strong>Andrew Hirschfeld</strong> recently published a news article on the website ''Mic'' that was headlined "How climate fiction is helping people understand the planet's uncertain future." <br />
<br />
The item was picked up by the book trade magazine <strong>Publishers Weekly</strong> as a tweet on its Twitter page, and <strong>Margaret Atwood</strong>, the Canadian novelist mentioned in the Mic article commented to this blogger in very brief email that read: <em>"Yes, this is now front and center."</em><br />
<br />
There are now hundreds of cli-fi courses at community colleges and major universities around the world now, largely in part to how Margaret Atwood helped propel the genre, Hirschfeld noted.<br />
<br />
<strong>Atwood, he said, has become a major figure across the cli-fi literary universe.</strong> <br />
<br />
She not only helped the term catch on when she tweeted about it in 2012, but her 2013 novel <strong>''MaddAddam''</strong> has been a popular teaching tool which largely summarizes the need for the genre in the first place, Hirschfeld added.<br />
<br />
“People need such stories, because however dark, a darkness with voices in it is better than a silent void,” Atwood has been quoted as saying. Her book was part of the curriculum for a course on cli-fi at Brandeis University in 2015, according to Hirschfeld.<br />
<br />
Cli-fi courses have popped up at major universities across the United States. The vast majority of young voters see climate change as a major issue -- and young people such as 16-year-old Swedish activist Greta Thunberg -- winner of the 2019 Nobel Peace Prize awarded on October 11 in Oslo -- have been at the forefront of major climate movements. <br />
<br />
Climate change-themed literature is even starting to catch on in K-12 education, too, according to Mic. <br />
<br />
"Places like Connecticut and Portland, Oregon are passing laws that would require climate change to be taught as part of the curriculum in public schools -- which would include the use of cli-fi literature in English classes," Hirschfeld wrote.<br />
<br />
With the effects of climate change looming, he added, it only makes sense that Americans will need more ways to help them grapple with how the world is changing. We might very well need literary tools that speak to us beyond science textbooks and government charts, which for some readers, just might require a deep dive into the world of fiction.<br />
<br />
But is the publishing industry in general warming up to the climate fiction genre, as it once warmed up to science fiction and fantasy genres? That is a question that appears to be being answered in a positive way given the increasing number of cli-fi novels and movie adaptations entering the mainstream now.<br />
<br />
The 2020s just might be the decade that climate fiction novels and movies earn a place in American culture. Nobel Peace Prize winner Greta Thunberg sure ignited a global climate youth movement and a new generation of young novelists and film makers in their 20s and 30s will inherit Thunberg's passion. <br />
<br />
<a href="http://cli-fi.net/">Cli-fi, here they come!</a><br />
<br />
<br />
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-44852748663319994512019-10-07T22:54:00.001-07:002019-10-08T09:05:02.319-07:00Look what just popped into my inbox! A ''climate memoir'' in the making!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikiniGcxbvGUtuG4-6ZntX3rVm2ah52yWURJpLME7vLJ9oA9BT5YkX-vTPNYC2yxNszp5Z5ilRbzQo_9iAMzxx-STCwmBR-0c1wq-PRzeNlgbRMOElyG1joG8DsLKjmgDSATSWhWXoKdw/s1600/hollywood-2001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikiniGcxbvGUtuG4-6ZntX3rVm2ah52yWURJpLME7vLJ9oA9BT5YkX-vTPNYC2yxNszp5Z5ilRbzQo_9iAMzxx-STCwmBR-0c1wq-PRzeNlgbRMOElyG1joG8DsLKjmgDSATSWhWXoKdw/s320/hollywood-2001.jpg" width="320" /></a></div>
<br />
<div>
<strong>Look what just popped into my inbox! A ''climate memoir'' in the making!</strong></div>
<div>
<br /></div>
<div>
by staff blogger</div>
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<span style="font-size: x-large;">WEBPOSTED: October 19, 2019</span> </div>
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I recently received an email quite out of the blue from a writer, a British man, a memoirist it turns out, in his 50s, who told me: "I recently completed a manuscript for a memoir and philosophy related to climate change ethics and activism. I'm working on getting it published and am currently seeking an agent. However, I realize it's a long road ahead and I must be patient. Here's where things stand at this moment in time.</div>
<div>
<br />
''In the Spring of 2010 I embarked on what might be called ''a personal fast unto death'' campaign to influence the my national government. I was desperate for action on climate change. My dedication to this issue is underpinned by philosophy. I operate in accordance with an ethical doctrine I call Survivalism: the morally good action is that which maximizes our chances of survival. Humans are causing the 6th great extinction. As a result, scientists have named our era the Anthropocene. Our reckless behavior puts human civilization at risk of collapse. We’ve never needed Survivalist ethics more than we need it now. <br />
<br />
''In my memoir, I focus more attention on my story than I do on my philosophy. When I was younger, in my 20s, I was lost, depressed and nihilistic. During an intense psilocybin experience I had an epiphany -- people are animals! I watched the hair grow out of my arm and dance around: I am an animal! After sobering up, I understood evolution more intimately than I ever had before. This was a major catalyst for Survivalism. <br />
<br />
''My memoir is tentatively called ''Survivalism: Life and Philosophy in the Anthropocene.'' It’s just over 100,000 words. Millions of people around the world are pouring into the streets demanding action on climate change. This book is for them.<br />
<br />
''After graduating from college with a degree in philosophy and math, I decided to go back to school a graduate degree as well. Then I went to work, of course, to earn a living. As a climate change activist, I am deeply committed. I’ve even been arrested a few times during climate protests in Europe.<br />
<br />
''I recently learned that communicating climate science and philosophy are not sufficient means to motivate people to solve this crisis. After people learn about something as catastrophic as climate change, they need emotional support. Also, people are more inspired by stories than they are by scientific data or ethics. Hence, I chose to communicate Survivalist ethics via my memoir. I believe that we have until 2030 to cut greenhouse gas emissions in half and they need to be completely eliminated by 2050. In my proposed book, I’ll tell readers how we get there.''</div>
<div>
<br /></div>
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My new friend has sent me a copy of his memoir-in-progress and I am reading it now. I can't tell you much about it yet, other than what I have mentioned above, because I have just started to dig in, but the theme of his memoir intrigues me and it might intrigue other potential readers, too, if it ever gets a chance to see the light of day. </div>
<div>
</div>
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Not all memoirs get published. Some languish and bide their time for a long time in the writer's study or in his or her computer files, and the book eventually never appears online or in print. And that's okay, not all memories are written to be read by others. Sometimes there are written just for the author to ponder and re-read again and again.</div>
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On the other hand, this memoir just might have legs. It just might find a publisher. I will let you know if this ever happens. </div>
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</div>
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In the meantime, my friend's project is, I think, if nothing else, food for thought and perhaps a way to prod us all out of comfort zones and help us face the reality of the climate emergency now facing the 21st century that we all know is coming out way, or perhaps is already on its way -- maybe even here, now.</div>
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<br /></div>
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Would you like to read this memoir? Let me know and I can tell you more as time goes by...</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-57378958791544260562019-08-31T06:58:00.003-07:002020-01-04T20:53:24.907-08:00In a small Asian island nation, the seeds for a major climate-themed literary revolution in world literature and cinema were sown in 2011 when a new literary term ''cli-fi" (short for ''climate change science fiction'') was coined. <span style="font-size: x-large;"><div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
In a small Asian island nation, the seeds for a major climate-themed literary revolution in world literature and cinema were sown in 2011 when a new literary term ''cli-fi" (short for ''climate change science fiction'') was coined. </div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
<br /></div>
<div class="gmail_default" style="font-family: garamond,serif; font-size: large;">
Since then the term has caught on worldwide, with novelists and literary critics in dozens of countries latching on to the new term and placing it front and center in hundreds of newspaper articles and academic papers published in English and other languages. It's true:the eye-catching now-famous 5-letter literary buzzword was created in a nation known more for its noodles and potstickers than its literary culture and the term has exploded across the media world since its inception and initial promotion nearly ten years ago. </div>
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It wasn't a government project and it didn't have the sponsorship of a major university on the island or any think tank. It was created by a retired newspaper man noodling around one day with his pen and a piece of paper at a sidewalk noodle shop in a small rural town in the southern part of the island where the climate is subtropical and balmy. </div>
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Welcome to Taiwan where cli-fi was born, refined and passionately promoted by an internet warrior with a yen to make a difference and step up the world's fight against climate indifference. Yes, cli-fi was created to warn against climate apathy .</div>
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In related news, a group of government, academic and industry professionals on the island have recently called on leaders to prepare for the effects of climate change islandwide.</div>
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<span class="gmail_default" style="font-family: garamond,serif; font-size: medium;">The </span>Disaster Prevention Industry Association<span class="gmail_default" style="font-family: garamond,serif; font-size: medium;"> has </span>declared a climate emergency, urging the government to devise medium to long-term measures to prepare for climate change.</div>
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If the atmospheric concentration of carbon dioxide continues to increase at its current pace, it would exceed 450 parts per million by 2036, causing a rise of 2°C in global temperatures, the group of disaster prevention experts from industry, government and academia said.<br />
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Calling it an emergency is not meant to invoke fear, but is intended to highlight the need for early preparation for global warming, otherwise <span class="gmail_default" style="font-family: garamond,serif; font-size: medium;">the nation</span> could be caught in severe problems it would be unable to fix, they said.<br />
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That is why leaders should propose strategies, one of which should be to integrate disaster prevention systems across all governmental levels, association director Peng Chi-ming said.<br />
Climate change would affect <span class="gmail_default" style="font-family: garamond,serif; font-size: medium;">our</span> industries, National Chiao Tung University civil engineering professor Shan Hsin-yu said.<br />
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As the nation relies heavily on energy imports, the government should find ways to encourage reduced consumption of energy resources.<br />
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“<span class="gmail_default" style="font-family: garamond,serif; font-size: medium;">This nation</span> is no longer a frog sitting in tepid water, the water is already boiling,” Shan said.<br />
The nation must admit that measures taken up to this point to combat global warming are no longer enough to limit its changes, and Taiwan lacks a climate vision, unlike its neighbors, Ming Chuan University architecture professor Wang Jieh-jiuh said.<br />
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Japan proposed a nationwide disaster prevention project in 2013, Wang said.<br />
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UN data show that Taiwan faces some of the highest risks of climate change consequences, said Yao Ta-chun, chief executive of Eos Rhea Metis, a corporate and engineering risk management consulting firm.<br />
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The government should respond to the association’s statement and mobilize all parts of society to minimize losses, Yao said.<br />
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The group’s statement asked for four actions from the government: First, it should set clear carbon-reduction goals.<br />
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Second, the government should integrate its disaster prevention systems across all levels, and introduce a complete set of disaster prevention laws and plans, it said.<br />
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Third, it should open communication channels between it and the private sector to ensure better coordination and distribution of work, the statement said.<br />
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Last, more resources must be devoted to medium and long-term solutions, such as creating a green supply chain, mitigating the impact on global supply chains and turning the crisis into a new opportunity, it added.<br />
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<span class="gmail_default" style="font-family: garamond,serif; font-size: medium;">So yes, there is a </span>burning need for climate action<br />
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While much of the media’s attention has been on next elections, Beijing’s manipulation efforts and the protests racking Hong Kong, the Disaster Prevention Industry Association yesterday chose to focus on the bigger picture, with a grim prognostication for the nation this year regardless of which political party is in power come <span class="gmail_default" style="font-family: garamond,serif; font-size: medium;">in the future.</span><br />
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As of this year, Taiwan has officially entered <span class="gmail_default" style="font-family: garamond,serif; font-size: medium;">''</span>a climate emergency,<span class="gmail_default" style="font-family: garamond,serif; font-size: medium;">''</span> the association said.<br />
It cited the Oxford Dictionaries’ choice of the term — defined as “a situation in which urgent action is required to reduce or halt climate change and avoid potentially irreversible environmental damage resulting from it” — as its word of the year for last year.<br />
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The association’s warning comes just over six months after more than 30 groups marched in Taipei calling on the government to declare a climate emergency and urging politicians to pay more attention to climate issues that pose a threat to national security.<br />
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Given the scope of climate disasters facing two other nations in the region — the raging bushfires in Australia that have so far consumed at least 5 million hectares, killed an estimated half-billion native animals and almost a score of people, and the widescale flooding in Jakarta this week that has killed at least an equal number of people — it might be tempting to dismiss the association’s declaration on Taiwan as crying wolf.<br />
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However, it is exactly the scope of those disasters that makes it essential for Taiwanese to heed the association’s warning, for as several of its members said, despite all of the attention on international efforts to reduce carbon emissions and the debate over the cause and effect of global warming, many nations are failing to ensure that disaster prevention efforts are keeping pace with a rapidly changing climate.<br />
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The Environmental Protection Administration, in a press release on Nov. 13 last year, said that the government had created a National Climate Change Adaptation Action Plan aimed at responding to eight aspects of climate change, but since the headline was “Taiwan can be a valuable partner in the global response to climate change,” cynics might question whether the action plan was little more than a public relations effort.<br />
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The association certainly seems to believe that the government should do more.<br />
It urged the government to take more concrete measures by establishing a carbon reduction plan and long-term carbon neutrality goals, creating a national land plan that could respond to climate risks, building a complete disaster prevention legal system, and creating a mechanism to integrate the disaster prevention units of ministries and departments.<br />
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While the Indonesian Meteorology, Climatology and Geophysics Agency said that the monsoon rain that fell on Tuesday — the most in a single day in more than two decades — was “not ordinary rain,” Indonesian President Joko Widodo blamed delays in flood-control infrastructure projects for the severity of Jakarta’s flooding.<br />
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A 2018 report by Australia’s Bureau of Meteorology said that as spring rainfall has declined in recent decades, extreme heat events have become more common and droughts more severe, leading to a greater number of days with very high fire dangers, but the country’s top leaders have continued to downplay the dangers posed by climate change, just as they earlier dismissed the need to boost national defenses against bushfires and other natural disasters.<br />
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Tuesday closed out Australia’s hottest-ever decade, the same day that the Central Weather Bureau announced that Taiwan last year saw its highest average temperature on record since 1947, 24.56°C.<br />
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While some of that heat should be turned on national leaders who place more value on economic growth than natural systems and the global environment, the public must realize that the time for complacency is long past.</div>
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<br /><br /><span class="gmail_default" style="font-family: garamond,serif; font-size: medium;">Via </span>THE ''Cli-Fi ''REPORT:<br />100 academic and media links:<br /><a href="http://cli-fi.net/" target="_blank">http://cli-fi.net</a></div>
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<span style="font-size: x-large;">Why do we need <a href="http://cli-fi.net/">cli-fi</a> ? A term coined in 2011 via <a href="http://cli-fi.net/">The Cli-Fi Report.</a></span><br />
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<span style="color: red;"><span style="font-size: x-large;">Because we need to think <span style="color: red;">about the future</span></span></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2356427239794946847.post-70891447966966717672019-08-30T21:55:00.002-07:002019-10-18T22:57:55.440-07:00When crossword puzzle editors use the "cli-fi" term as an answer to a literary genre "clue", you know cli-fi's time has come.<div class="TweetTextSize TweetTextSize--jumbo js-tweet-text tweet-text" data-aria-label-part="0" lang="en">
<span style="font-size: x-large;"><a href="https://www.sdjewishworld.com/2019/10/18/remembering-his-hometown-from-across-the-world/">''Wait, what?''</a> </span><br />
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<span class="metadata" style="font-size: x-large;"><b>9:16 AM - 30 Aug 2019 </b></span></div>
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<span style="font-size: x-large;">The crossword puzzle was in NEWSDAY newspaper in New York and nationwide:</span><br />
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<li data-count="1"><a href="http://crosswordtracker.com/clue/dystopian-novels-like-the-carbon-diaries/">Dystopian novels like "The Carbon Diaries"</a></li>
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Recent usage in crossword puzzles:</h4>
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<li><span style="font-size: x-large;">Newsday - Aug. 30, 2019</span></li>
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<span style="font-size: x-large;">LINK:</span><br />
<a href="http://crosswordtracker.com/answer/clifi/?search_redirect=True">http://crosswordtracker.com/answer/clifi/?search_redirect=True</a></div>
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<span style="font-size: x-large;">PHOTO ABOVE </span><br />
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<span style="font-size: x-large;">thanks to an alert crossword guy</span><br />
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HOLY MOLEY! i coined this #clifi term in 2011 and do literary PR for it since then. It was answer on JEOPARDY TV show in March 2019. Now TODAY this nationwide crossword puzzle answer! omg. this is is so cool!<br />
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CROSSWORD PUZZLE 8-30-19 <br />
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AOL site: .......<br />
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#52 DOWN #clue was <br />
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"Dystopian novels like 'the Carbon Diaries'" -- <br />
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answer was CLIFI aka #clifi <br />
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NOTES and REFERENCES:<br />
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<span style="font-size: x-large;">Wait what?</span></div>
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<span class="metadata">9:16 AM - 30 Aug 2019 </span></div>
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<a href="http://google.com/">''THE CARBON DIARIES'' </a>is a YA cli-fi novel by UK novelist Saci LloydUnknownnoreply@blogger.com0