Hollywood movie website praises TAKLUB as cli fi movie of the year for 2015 via ''YAHOO! MOVIE NEWS''
Wednesday, June 24, 2015
Hollywood movie website praises TAKLUB as cli fi movie of the year for 2015 via ''YAHOO! MOVIE NEWS''
https://www.yahoo.com/movies/
Hollywood movie website praises TAKLUB as cli fi movie of the year for 2015 via ''YAHOO! MOVIE NEWS''
Hollywood movie website praises TAKLUB as cli fi movie of the year for 2015 via ''YAHOO! MOVIE NEWS''
Thursday, June 18, 2015
When the Washington Times does a positive story on cli-fi movies, you know that the cli-fi genre has arrived bigtime!
When the Washington Times does a positive story on cli-fi movies, you know that the cli-fi genre has arrived bigtime!
When the Washington Times does a positive story on cli-fi movies, you know that the cli-fi genre has arrived. And that's just what happened on June 17 when Denver-based national reporter Valerie Richardson, with over 20 years experience reporting for the Times, published her article on the rise of cli fi in Hollywood, with a fair and balanced piece using quotes from a wide variety of people concerned with the issues: Joe Romm, Marc Morano, George Miller, Derek Alan Hunter, Alan Leiserowitz, Justin Chang among others quoted in her story.
That's a good sign, and as Professor Joe Huemann in Illinois said after reading the article: ''When the Washington Times does a positive story on cli-fi movies, you know that the Earth is in serious serious trouble." (Paraphrasing).
The reporter's lead sentence, called a lede in the new business, was perfect: ''Disney’s “Tomorrowland” may be bombing at the box office, but on the plus side, it could win a Cliffie.''
What are the CLIFFIES? see BELOW:
http://pcillu101.blogspot.tw/2015/06/the-cli-fi-movie-awards-get-name.html
Nice way to start off a very good story!
THE HEADLINE was perfect:
George Clooney’s ‘Tomorrowland’ bombs at box office as Hollywood pushes 'cli-fi'
The Washington Times noted: "Even though the bad guy in "The Kingsman" is a "climate alarmist/eco-terrorist," the film is also in the running for a Cli-Fi movie award because it deals with climate fiction, said the journalist who started the Cliffies two years ago.'' The paper was referring to the Cli Fi Movie Awards, now in its second year, having started off as an aannual online event in 2014, with news reports from USA TODAY, the Associated Press and in the New York Times. Now the Washington Times has added to the popularity of the Cliffies, although the awards program still remains a quiet and mostly invisivle online event. Give it ten to 20 years, these things take time. And when a major sponsor or university comes forward to run and host the Cliffies as an annual event in Los Angeles or New York or Chicago or Boston, then watch what happens. This story has legs. The Cliffies have a long time span and reach forward over the next 100 years.
Why ao many cli fi movies now in Hollywood, the newspaper asked?
"Climate change issues are just in the air," one source was quoted as saying. "I think the newspapers every day are filled with climate issues, pro and con. It's just in the culture, and of course directors and producers are just picking up on this in some way."
He added, when asked why he thought the cli fi movie genre was gaining ground in hollywood and in literature, too as more and more cli fi novels are published each year: “Climate change issues are just in the air. I think the newspapers every day are filled with climate issues, pro and con. It’s just in the culture, and of course directors and producers are just picking up on this in some way.”
The Cliffie awards, the newspaper explained, go to films that exemplify “cli-fi,” or climate fiction, an emerging genre heating up this year as climate change themes seep from documentaries into big-budget Hollywood features, noting that
that means cli-fi films such as “Tomorrowland,” which has tanked despite an A-list director in Brad Bird and huge star in George Clooney, could be just the tip of the iceberg.
My PR pal Marc Morano, over at Climate Depot, gave a very qood quote too, noting: “The narrative for Hollywood is that global warming is a growing crisis, and it’s now set to permeate more and more of the pop culture. I’ve noticed that even in TV shows, there have been mentions of global warming.”
One source said that based on his informal research that he traced the evolution of climate change films to the granddaddy of them all, “The Day After Tomorrow” in 2004, followed by a series of cli-fi documentaries such as “An Inconvenient Truth” in 2006, “Gasland” in 2010 and “Chasing Ice” in 2012.
“The first step was documentaries,” the source said. “But documentaries are facts, and because it’s such a contentious issue, people just end up debating pro and con based on ideology.”
On the other hand, “fiction hits people in an emotional way. Maybe documentaries paved the way, but documentaries can’t change the conversation very much because people take sides. Maybe Hollywood directors and screenwriters are thinking, ‘Maybe we can reach people with emotions,’ and maybe that’s what we’re seeing now.”
He added, “And I think we’re going to see a lot more in the next 10 years.”
Scheduled for release later this year is the cli fi movie titled “Chloe and Theo,” starring Dakota Johnson as a “young, homeless girl from New York who befriends an Inuit man, Theo Ikummaq (played by himself).”
“Ikummaq has been sent to New York by his elders on a quest to convince leaders at the United Nations that climate change is real before his home literally melts away,” according to an April 16 article from Brittany Patterson (@amusedbrit) at the ClimateWire on E&E Publishing.
There is evidence that climate change movies can sway public opinion, Valerie Richardson reported. In a 2009 study by Anthony A. Leiserowitz, about 49.01 percent of those surveyed said they were somewhat or much more worried about global warming after seeing “The Day After Tomorrow,” even though the film is set in a massive ice age.
“The Day After Tomorrow'' had a significant impact on the climate change risk perceptions, conceptual models, behavioral intentions, policy priorities, and even voting intentions of moviegoers,” said his study, which was published in the Yale School of Forestry & Environment publication Environment.
Follow the Washington Times on Twitter at : @washtimes on Twitter
It’s no secret that Hollywood is controlled and run by liberal, socialist Jewish people, according to those who dislike liberal open-minded Jews who care about a wide variety of social issues ever since Moses came down from the mountain top and handed the Ten Commanders over to his flock of Pharaoh-bashers and who often vote Democratic in national and local elections thus gaining animosity from antisemites all over the place, many of them on the right side of the aisles.
and Mr. Morano
One source told the Times that he expects to see more movies stoking alarm over climate change in the next 18 months as the next USA presidential election nears.
So there you have it: When the Washington Times speaks, the world listens. The Cliffies have arrived, and this year's Cliffies have been awarded for 2015 to a very important cli fi movie from the Philippines titled ''TAKLUB'' and directed by Brillante Mendoza and starring Nora Auron. For more information about the CLIFFIES awards and last year's winners and nominees for 2014, please go to korgw101.blogspot.com
TAKLUB wins 2015 Cliffies awards: SEE LINK BELOW:
http://pcillu101.blogspot.tw/2015/06/taklub-movie-from-philippines-by.html
WASHINGTON TIMES LINK TO STORY
http://www.washingtontimes.com/news/2015/jun/17/george-clooneys-tomorrowland-bombs-at-box-office-a/?page=3
That's a good sign, and as Professor Joe Huemann in Illinois said after reading the article: ''When the Washington Times does a positive story on cli-fi movies, you know that the Earth is in serious serious trouble." (Paraphrasing).
The reporter's lead sentence, called a lede in the new business, was perfect: ''Disney’s “Tomorrowland” may be bombing at the box office, but on the plus side, it could win a Cliffie.''
What are the CLIFFIES? see BELOW:
http://pcillu101.blogspot.tw/2015/06/the-cli-fi-movie-awards-get-name.html
Nice way to start off a very good story!
THE HEADLINE was perfect:
George Clooney’s ‘Tomorrowland’ bombs at box office as Hollywood pushes 'cli-fi'
The Washington Times noted: "Even though the bad guy in "The Kingsman" is a "climate alarmist/eco-terrorist," the film is also in the running for a Cli-Fi movie award because it deals with climate fiction, said the journalist who started the Cliffies two years ago.'' The paper was referring to the Cli Fi Movie Awards, now in its second year, having started off as an aannual online event in 2014, with news reports from USA TODAY, the Associated Press and in the New York Times. Now the Washington Times has added to the popularity of the Cliffies, although the awards program still remains a quiet and mostly invisivle online event. Give it ten to 20 years, these things take time. And when a major sponsor or university comes forward to run and host the Cliffies as an annual event in Los Angeles or New York or Chicago or Boston, then watch what happens. This story has legs. The Cliffies have a long time span and reach forward over the next 100 years.
Why ao many cli fi movies now in Hollywood, the newspaper asked?
"Climate change issues are just in the air," one source was quoted as saying. "I think the newspapers every day are filled with climate issues, pro and con. It's just in the culture, and of course directors and producers are just picking up on this in some way."
He added, when asked why he thought the cli fi movie genre was gaining ground in hollywood and in literature, too as more and more cli fi novels are published each year: “Climate change issues are just in the air. I think the newspapers every day are filled with climate issues, pro and con. It’s just in the culture, and of course directors and producers are just picking up on this in some way.”
The Cliffie awards, the newspaper explained, go to films that exemplify “cli-fi,” or climate fiction, an emerging genre heating up this year as climate change themes seep from documentaries into big-budget Hollywood features, noting that
that means cli-fi films such as “Tomorrowland,” which has tanked despite an A-list director in Brad Bird and huge star in George Clooney, could be just the tip of the iceberg.
My PR pal Marc Morano, over at Climate Depot, gave a very qood quote too, noting: “The narrative for Hollywood is that global warming is a growing crisis, and it’s now set to permeate more and more of the pop culture. I’ve noticed that even in TV shows, there have been mentions of global warming.”
One source said that based on his informal research that he traced the evolution of climate change films to the granddaddy of them all, “The Day After Tomorrow” in 2004, followed by a series of cli-fi documentaries such as “An Inconvenient Truth” in 2006, “Gasland” in 2010 and “Chasing Ice” in 2012.
“The first step was documentaries,” the source said. “But documentaries are facts, and because it’s such a contentious issue, people just end up debating pro and con based on ideology.”
On the other hand, “fiction hits people in an emotional way. Maybe documentaries paved the way, but documentaries can’t change the conversation very much because people take sides. Maybe Hollywood directors and screenwriters are thinking, ‘Maybe we can reach people with emotions,’ and maybe that’s what we’re seeing now.”
He added, “And I think we’re going to see a lot more in the next 10 years.”
Scheduled for release later this year is the cli fi movie titled “Chloe and Theo,” starring Dakota Johnson as a “young, homeless girl from New York who befriends an Inuit man, Theo Ikummaq (played by himself).”
“Ikummaq has been sent to New York by his elders on a quest to convince leaders at the United Nations that climate change is real before his home literally melts away,” according to an April 16 article from Brittany Patterson (@amusedbrit) at the ClimateWire on E&E Publishing.
There is evidence that climate change movies can sway public opinion, Valerie Richardson reported. In a 2009 study by Anthony A. Leiserowitz, about 49.01 percent of those surveyed said they were somewhat or much more worried about global warming after seeing “The Day After Tomorrow,” even though the film is set in a massive ice age.
“The Day After Tomorrow'' had a significant impact on the climate change risk perceptions, conceptual models, behavioral intentions, policy priorities, and even voting intentions of moviegoers,” said his study, which was published in the Yale School of Forestry & Environment publication Environment.
Follow the Washington Times on Twitter at : @washtimes on Twitter
It’s no secret that Hollywood is controlled and run by liberal, socialist Jewish people, according to those who dislike liberal open-minded Jews who care about a wide variety of social issues ever since Moses came down from the mountain top and handed the Ten Commanders over to his flock of Pharaoh-bashers and who often vote Democratic in national and local elections thus gaining animosity from antisemites all over the place, many of them on the right side of the aisles.
and Mr. Morano
One source told the Times that he expects to see more movies stoking alarm over climate change in the next 18 months as the next USA presidential election nears.
So there you have it: When the Washington Times speaks, the world listens. The Cliffies have arrived, and this year's Cliffies have been awarded for 2015 to a very important cli fi movie from the Philippines titled ''TAKLUB'' and directed by Brillante Mendoza and starring Nora Auron. For more information about the CLIFFIES awards and last year's winners and nominees for 2014, please go to korgw101.blogspot.com
TAKLUB wins 2015 Cliffies awards: SEE LINK BELOW:
http://pcillu101.blogspot.tw/2015/06/taklub-movie-from-philippines-by.html
WASHINGTON TIMES LINK TO STORY
http://www.washingtontimes.com/news/2015/jun/17/george-clooneys-tomorrowland-bombs-at-box-office-a/?page=3
Wednesday, June 3, 2015
''TAKLUB'' (also called "TRAP") is a cli fi movie nomination to watch in 2015
HAT TIP to Paul Collins in the UK for finding this powerful 90-minute movie from Filipino director Brilliante Mendoza, and for nominating it for the annual Cli-Fi Movie Awards list for 2015. See the CLI FI MOVIE AWARDS site at korgw101.blogspot.com
HOLLYWOOD NEWS REVIEW
https://www.yahoo.com/movies/
==================================================
SUMMARY: After the Supertyphoon Yolanda, which changed the city of Tacloban in the Philippines into its horrendous state, the lives of Bebeth, Larry and Erwin intertwine. The survivors are left to search for the dead, while keeping their sanity intact, and protecting what little faith there may be left. A series of events continue to test their endurance.
http://www.theupcoming.co.uk/2015/05/20/cannes-film-festival-2015-taklub-trap-review/
NINA HUDSON writes :
Jean-Baptiste Morain, in his review for Les Inrocks, one of France's most important culture magazines, said the strength of the film lies in its cinematic form and the audience is immersed in full communion with the people and events so that one is not quite sure if what he sees is the documentary or fiction.
David Poland, in his article for Movie City News, states "Brillante Mendoza's Taklub is also, really, a holocaust drama. The holocaust here starts with a specific family, but this becomes a symbol of the massive tragedy of tsunamis in the Philippines. Wonderful, understated performance by Nora Aunor. Slow. Painful. Real."
The Hollywood Reporter review by Clarence Tsui notes at how "by shunning straightforward melodramatic exposition of all the varied tragic back stories, Mendoza and screenwriter Honeylyn Joy Alipio allow their characters to slowly and gently reveal their anguish and pain."
REVIEWS: “Taklub,” a new cli fi movie by the well-known and much-admired (in Asia, for sure) Filipino director Brillante Mendoza, was shown at the Cannes Film Festival in May in the IN A CERTAIN REGARD section of the festival, and reviews in Variety, the Hollywood Reporter and other sites are thumbs up for this quiet, sombre and elegant story about 3 surviving families in the Philippines a year after Typhoon Yolanda ripped through the city of Tacloban. TAKLUB is a nickname in Tagalog for the city, too. An alternative title in English is TRAP.
Says Variety's film reviewer Maggie Lee in Hong Kong: "Shot in a no-frills documentary style that echoes its subjects’ deprivation, the film is at once intimate and detached in its dramatic economy, though the finale will leave many viewers saddened yet humbled."
But she also says that ''[it will not be easy for ] this quiet work to make a dent in European [or American ] arthouse circles. Domestic response [in the Phlippines of course,] will be much warmer, given its relevance, but mostly thanks to the reverence that lead actress Nora Aunor commands.
In the closing credits, we read a ard that says, quoting from the Hebrew Scriptures that surely resonate in the Catholic nation of the Philippines, where people know the Bible inside and out: “A time to tear down and a time to build” -- Quoting Ecclesiastes 3:1-6
Director Mendoza -- and yes, Brilliante is his real first name in the Philippines, where first names are often unique and memorable -- ''reflects on the material and spiritual hurdles facing disaster reconstruction efforts, questioning whether faith, charity, stoicism and hard work are of any help when the tragedy is so random, the suffering so personal and acute," Lee adds. ":Certainly the film’s seemingly drive-by images of rubble everywhere testify to the havoc wreaked by Yolanda (aka Typhoon Haiyan in the West), one of the strongest tropical cyclones recorded in history and the deadliest ever to hit the Philippines. Tacloban was the economic center of the eastern Visayas region, a highly urbanized city with a population of more than 220,000 in 2010. It suffered a death toll of 7,000 when Yolanda struck on November 8, 2014, but many more are lost or unidentified.''
HOLLYWOOD NEWS REVIEW
https://www.yahoo.com/movies/
==================================================
SUMMARY: After the Supertyphoon Yolanda, which changed the city of Tacloban in the Philippines into its horrendous state, the lives of Bebeth, Larry and Erwin intertwine. The survivors are left to search for the dead, while keeping their sanity intact, and protecting what little faith there may be left. A series of events continue to test their endurance.
http://www.theupcoming.co.uk/2015/05/20/cannes-film-festival-2015-taklub-trap-review/
NINA HUDSON writes :
Taklub (Trap) throws its viewers straight in at the deep end: flames, screams, chaos as a futile attempt is made to put out a fire.
Taklub shows the aftermath of Tycoon Hayan. Living in makeshift huts and shelters, the survivors are left to pick up the pieces and rebuild their homes amid the devastation. Among them are Bebeth (Nora Aunor), Larry (Julio Diaz) and Erwin (Aaron Rivera), each mourning those they lost in the disaster, and struggling to maintain morale as they attempt to resume their lives.
[Much of the story is filmed to create the effect of a hand-held camera in the style of a documentary, creating a sense of gritty intimacy as the three protagonists are followed about their daily lives. Combined with a set of breathtaking performances, this technique is what bridges the gap between the characters and the viewer].
''Filming through mud and torrential rain, Taklub offers just a taste of the misery wrought by the elements. However, as harrowing as the images of death and disaster may be, it’s the moments between the chaos that are the most poignant; those in which reality is given the chance to sink in that imbue Taklub with the most emotion.''
''It is a sad truth that the media’s sensationalist tendencies have gradually desensitised us to images of natural disasters, and the havoc they wreak on people’s lives. By approaching the matter from the inside out, Taklub offers an insight into the lives of such victims; it is no longer a matter of a newsreel set to dramatic music and replayed ten times a day, this harrowing account is a true eye-opener to the plight of those who are too often dismissed and ignored by the rest of the world.''
Jean-Baptiste Morain, in his review for Les Inrocks, one of France's most important culture magazines, said the strength of the film lies in its cinematic form and the audience is immersed in full communion with the people and events so that one is not quite sure if what he sees is the documentary or fiction.
David Poland, in his article for Movie City News, states "Brillante Mendoza's Taklub is also, really, a holocaust drama. The holocaust here starts with a specific family, but this becomes a symbol of the massive tragedy of tsunamis in the Philippines. Wonderful, understated performance by Nora Aunor. Slow. Painful. Real."
The Hollywood Reporter review by Clarence Tsui notes at how "by shunning straightforward melodramatic exposition of all the varied tragic back stories, Mendoza and screenwriter Honeylyn Joy Alipio allow their characters to slowly and gently reveal their anguish and pain."
REVIEWS: “Taklub,” a new cli fi movie by the well-known and much-admired (in Asia, for sure) Filipino director Brillante Mendoza, was shown at the Cannes Film Festival in May in the IN A CERTAIN REGARD section of the festival, and reviews in Variety, the Hollywood Reporter and other sites are thumbs up for this quiet, sombre and elegant story about 3 surviving families in the Philippines a year after Typhoon Yolanda ripped through the city of Tacloban. TAKLUB is a nickname in Tagalog for the city, too. An alternative title in English is TRAP.
Says Variety's film reviewer Maggie Lee in Hong Kong: "Shot in a no-frills documentary style that echoes its subjects’ deprivation, the film is at once intimate and detached in its dramatic economy, though the finale will leave many viewers saddened yet humbled."
But she also says that ''[it will not be easy for ] this quiet work to make a dent in European [or American ] arthouse circles. Domestic response [in the Phlippines of course,] will be much warmer, given its relevance, but mostly thanks to the reverence that lead actress Nora Aunor commands.
In the closing credits, we read a ard that says, quoting from the Hebrew Scriptures that surely resonate in the Catholic nation of the Philippines, where people know the Bible inside and out: “A time to tear down and a time to build” -- Quoting Ecclesiastes 3:1-6
Director Mendoza -- and yes, Brilliante is his real first name in the Philippines, where first names are often unique and memorable -- ''reflects on the material and spiritual hurdles facing disaster reconstruction efforts, questioning whether faith, charity, stoicism and hard work are of any help when the tragedy is so random, the suffering so personal and acute," Lee adds. ":Certainly the film’s seemingly drive-by images of rubble everywhere testify to the havoc wreaked by Yolanda (aka Typhoon Haiyan in the West), one of the strongest tropical cyclones recorded in history and the deadliest ever to hit the Philippines. Tacloban was the economic center of the eastern Visayas region, a highly urbanized city with a population of more than 220,000 in 2010. It suffered a death toll of 7,000 when Yolanda struck on November 8, 2014, but many more are lost or unidentified.''
Cannes Film Review: 'Taklub'
Reviewed at Cannes Film Festival (''Un Certain Regard''), May. 19, 2015. Running time: 89 MIN. (Original title: "Taklub")
Production
(Philippines) A Center Stage Prods. Co. presentation and production in association with Department of Environmental and Natural Resources, Presidential Communications Operations Office Philippines Information Agency. (International sales: Films Distribution, Paris.) Produced by Loreto F. Castillo.
Crew
Directed by Brillante Ma. Mendoza. Screenplay, Mary Honeyln, Joy Alipio. Camera (color, widescreen, HD), Odyssey Flores; editor, Mats Serraon; production designer, Dante Mendoza; art director, Harley Alan V. Alcasid; sound (stereo), Addiss Tabong, Andrew Milallos; visual effects supervisor, Aileen Cornejo-Castillo; visual effects, Keep Me Posted; line producer, Carlo M. Valenzona; associate producer, Catherine Connell; assistant director, Charita Castinlag; second unit camera, Rogelio Flores Jr.; casting, Alexander H. Alviado.
With
Nora Aunor, Julio Diaz, Aaron Rivera, Rome Mallari, Shine Santos, Lou Veloso, Soliman Cruz, Ruby Ruiz, Sierra Perez, Maria Rosario Margallo. (Tagalog dialogue, Wayan-wayan dialect)
| Glenda Kennedy | ... |
Tzu Chi Foundation Representative of the Taiwan religious group in Hualien
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Taklub Received Very Good Reviews Following Successful Premiere in Cannes
The advocacy film, Taklub, continues to receive good reviews following its successful premiere at the 68th Cannes Film Festival in France as part of the Un Certain Regard selection.
As Director Brillante Mendoza led the Taklub entourage during the premiere at the Debussy Theater, Senator Loren Legarda said she felt even prouder of this project, which she principally advocated.
The film has received positive comments from social media and good reviews from film critics. Toute La Culture gave the film 4 out of 5 stars, Cinematografo gave it 4.5 out of 5 stars, while Nina Hudson, contributor for online magazine The Upcoming, gave it perfect 5 stars.
Jean-Baptiste Morain, in his review for Les Inrocks, one of France's most important culture magazines, said the strength of the film lies in its cinematic form and the audience is immersed in full communion with the people and events so that one is not quite sure if what he sees is the documentary or fiction.
The same review commended the film's cinematography and production design, but stressed that it is the "overall controlled performances from the cast - ranging from veterans like (Nora) Aunor and (Julio) Diaz, to younger faces like (Aaron) Rivera and (Shine) Santos - which propels the film."
Meanwhile, Variety review by Maggie Lee stresses at how the film "is more concerned with their emotional devastation than with the physical aftermath. Shot in a no-frills documentary style that echoes its subjects' deprivation, the film is at once intimate and detached in its dramatic economy, though the finale will leave many viewers saddened yet humbled."
Legarda said she is happy with the positive reviews and noted that Debussy Theater was full during the official screening of the film.
"Filipinos should be proud of Taklub because through this film we are able to inspire by showcasing the resilient Filipino spirit and we also impart the important message of building resilience against disasters," she said, noting that it is the first time an advocacy film was screened in the Un Certain Regard section of Cannes.
Taklub was produced by the Department of Environment and Natural Resources (DENR), in cooperation with the Presidential Communications Operations Office-Philippine Information Agency (PCOO-PIA), with the support of Senator Loren Legarda, principal advocate of the project.***
Here are the links to the film reviews:
1. Les Inrock review http://cannes2015.lesinrocks.com/2015/05/20/taklub-un-voyage-terrifiant-avec-les-victimes-des-typhons/
2. The Upcoming - Taklub review by Nina Hudson http://www.theupcoming.co.uk/2015/05/20/cannes-film-festival-2015-taklub-trap-review/
3. Variety - Cannes Film Review: 'Trap' http://variety.com/2015/film/asia/trap-review-cannes-brillante-mendoza-1201500559/
4. The Hollywood Reporter - 'Taklub' : Cannes Review http://www.hollywoodreporter.com/review/taklub-cannes-review-796465
5. Cannes You Dig It? : Episode 3 http://moviecitynews.com/2015/05/cannes-you-dig-it-episode-3/
6. Taklub review from cinematografo.it http://www.cinematografo.it/recensioni/taklub-trap/
7. Taklub review from Toute La Culture http://toutelaculture.com/cinema/cannes-un-certain-regard-taklub-naufrages-et-reconstruction-apres-le-tsunami-par-brillante-mendoza/
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